The Edge of Each Other's Battles
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- Citation
- Cataloging
- Transcript
This powerful documentary is a moving tribute to legendary black lesbian feminist poet Audre Lorde (1934-1992). One of the most celebrated icons of feminism's second wave, Lorde inspired several generations of activists with her riveting poetry, serving as a catalyst for change and uniting the communities of which she was a part: black arts and black liberation, women's liberation and lesbian and gay liberation. Nowhere was this more apparent than the groundbreaking I Am Your Sister Conference, which brought together 1200 activists from 23 countries, including thrilling footage of the inimitable Lorde herself, and candid interviews with conference organizers. THE EDGE OF EACH OTHER'S BATTLES powerfully brings Lorde's legacy of poetry and politics to life and conveys the spirit, passion and intensity that remains her trademark.
"Extraordinary...embodies Lorde's words on anger and difference - how these can unite, not divide, when faced squarely and expressed honestly."
M. Charlene Ball, Ph.D. Academic Professional, Women's Studies Institute, Georgia State University
"The depth of discussion is intensely satisfying.. The footage of Lorde in Abod's film is superb..."
Feminist Collections
"Recommended for all women's studies and gay-lesbian studies collections in academic libraries."
Library Journal
"Splendid...Abod's imaginative weave of Audre's poetry, commitment to justice and community, and passion for life should be presented in every history, literature, GLBT, and Women's Studies classroom."
Blanche Wiesen Cook, historian, and Claire Cook, playwright
"Captures the essence of Lorde's political vision and also a crucial moment in lesbian feminist history..."
Pat Cramer, English and Women's Studies, University of Connecticut
"A valuable addition to the growing body of work on Audre Lorde. It is a testament to her life and work as writer, cultural worker, and inspiration to many. For the women (and men) organizing, gathering, speaking, and singing in praise of Audre Lorde documented in this film, poetry indeed is not luxury but necessary bread. I will be using this film in my courses in poetry, African American, and women's studies."
Fahamisha Patricia Brown, Associate Professor of English, College of Staten Island, CUNY
"The Edge of Each Other's Battles captures the passion and energy of intellect in action. Even beyond the grave, Audre Lorde inspires diverse audiences to explore their convictions and continue the honest dialogue that is essential among us."
Fawn Groves, Utah State University
"A must for women's studies, gay-lesbian studies, and political collections in an academic library."
Susanne Boatright, Educational Media Reviews Online
"The film balances a celebratory narrative of the conference with an honest portrayal of the difficulty of negotiating race and class privilege in women-of-color feminist settings."
Signs Journal of Women in Culture & Society
Citation
Main credits
Abod, Jennifer (film director)
Abod, Jennifer (film producer)
Abod, Jennifer (screenwriter)
Other credits
Editors, Tara Veneruso, Anat Solomon; camera, Michelle Baxter [and 5 others].
Distributor subjects
African American; Lesbian; LiteratureKeywords
WEBVTT
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#I\'m gonna lay down my sword and shield down by the riverside
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[Audre Lorde] Do not let the differences pull you apart.
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Use them, examine them, go through them-
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grow from them. That is empowerment.
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#Ain\'t gonna study war no more...
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Women, men and activist youth came to Boston
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from 23 countries to honor Audre Lorde\'s life and work.
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Audre Lorde has had a major influence on three liberation movements:
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The Black Arts Movement, Women\'s Liberation,
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and Lesbian and Gay Liberation.
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As conference organizers, we had to work quickly.
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Audre had already been living with cancer for 12 years
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We found a space, but were limited to 1000 people
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Those who attended will never forget
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Lorde\'s message or her challenge
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At the time, the US was heading into the Gulf War
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[Audre Lorde] Our earth is dying we need ourselves--
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all of who we are
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And that is the function of culture
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I am a cultural worker. I believe in poetry.
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I believe that all art makes us more powerfully who we wish to become
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and we must be all we can become,
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because we need our energy for the battle and war it is.
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One of the things that saved my life was Audre Lorde\'s work
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and really her whole philosophy
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of respecting and celebrating difference
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and seeing difference as a source of power
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I just want to connect with women from all around the world
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and share solutions to the serious problems.
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Audre Lorde is a Planetary Treasure
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[Audre Lorde] I choose the earth.
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We choose the earth and the edge of each other\'s battles.
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The war is the same.
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If we lose someday, women\'s blood will congeal on a dead planet,
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but if we win, if we win, there is no telling.
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The Edge of Each Other\'s Battles: The Vision of Audre Lorde
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[Jacqui Alexander] This cele-conference honors Audre Lorde,
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poet, visionary, lesbian, feminist, warrior, mother.
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(Applause)
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Audre Lorde\'s poetry, essays,
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her involvement with political struggles around the world
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and her wisdom have all inspired this conference.
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But in honoring Audre Lorde,
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we are also honoring ourselves, our struggles and our victories,
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for whether or not we know of Lorde\'s work, we have lived it.
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(Applause)
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The work of the next four days then
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is to connect with each other around our most pressing concerns.
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And to use Audre\'s work to come to a clearer
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and deeper understanding of ourselves and our struggles.
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The work of this conference is ultimately to continue to
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plan for a future which links together
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our various communities across the globe.
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[Audre Lorde] You know Jacqui, I was just trying to remember
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the first time I heard about this,
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And it comes with the smell of kerosene
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and the sound of wind and devastation. It was right after Hugo,
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altered our life in St. Croix forever, on a physical level
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So at the time when I heard a celebration of your work,
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the core of me...
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whew, hey, I have to dream on this,
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I have to think about this when I have a chance-
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when the generator doesn\'t conk out.
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As you talked, this glory you talked,
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and I heard conference, celebration conference,
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I thought oh, suppose you really envisioned a conference
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that was different from any other conference you\'d ever been --
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what would you like it to be
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these are the people who are going to do it.
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[Jacqui Alexander] We wanted the conference to be 50% working class women,
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50% women of color, which was a crucial move.
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We didn\'t want it to be a conference that was predominately white.
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[Angela Bowen] We felt that if anything was going to
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come from this conference it would come from
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the push of women of color and the knowledge
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of women of color and impoverished women
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about their own lives that could work in conjunction
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with other women who could help to bring about change.
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And we raised money to make sure that that happened.
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[Audre Lorde] And my sister I ask that you forgive me.
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It was not a lack of trust or belief,
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but I just didn\'t know at that point how extensive your visions were.
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Which was a really important learning experience for me.
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You really forced me to believe the ways in which our visions meshed.
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[Angela Bowen] We had many conversations with Audre before,
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she had even allowed us to do this conference.
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She did not want to come somewhere and be honored
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and feted and bowed to and given bouquets, that wasn\'t the point.
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The point was to use her work.
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In ways that she and we all agreed was going to change society.
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#Sing a song full of the hope that the present has brought us.
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#Facing the rising suuuuuuuuun
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Black women have particular and legitimate issues
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which affect our lives as Black women,
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and addressing those issues does not make us any less Black.
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[Angela Bowen] When she made the statement that
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Black Feminism is not white feminism in Black Face,
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in the pages of the Black Scholar,
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she said we must bring black women to feminism
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and as they arrive we must face the agenda.
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They will bring with them class issues, welfare issues,
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labor issues, which has to do with racism,
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which has to do with confronting sexism within the Black community.
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#Two live crew, NWA
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#The violence continues the guns still blaze the knives still flash the drugs still flow
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#and finally the ultimate violence the violence of words
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#more lethal in their ability to kill
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#and to be felt over generations
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#maiming the spirit and crippling the psyche.
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#Two live crew and NWA have aimed their arsenal of words at women
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#and said it was a joke
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#I\'m not laughing I\'m not singing or dancing
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#I\'m dying
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#from these weapons of words hurled by my brothers.
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#The words you use when you refer to me have left me feeling
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#as if on the auction block naked and cold
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#robbed of my humanity
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#I feel raped once again before the world.
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#Your words have shamed me from boom boxes and Suzuki Samurai Jeeps 1800 decibels of sound
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#blaring bitch over and over as if it were my given name
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#lyrics that describe me as if I were a chicken
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#a mere collection of parts breasts, legs, thighs,
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sadly what you have done to me has reduced you to savage beasts a true cannibal.
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#You proclaim to the world that no longer am I the reflection of your mother\'s, sisters or daughters
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that you are unworthy of love or a friend only a need a receptacle for you
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to debase and wash in your offensive words.
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#Your language is of the sewer
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and its stench clings to me and to you.
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#You create dance steps to your own powerlessness and ask me to shake my butt to the beat.
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#And what should have been a moment of trust, beauty, and love or even just respect
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has been cheapened to be flushed down the toilet.
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#History is replete with its Judas\'s and Benedict Arnolds.
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#I guess 30 pieces of silver still buy crucifixion.
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#It hurts me to know that you have lined your pockets with pieces of our respective souls.
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(Applause)
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[Jacqui Alexander] This whole question of Black feminism,
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that Black women could be Black and be feminists
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which in a sense takes on the more nationalist view
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that if one were Black one didn\'t need feminism which was a white thing.
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[Angela Bowen] When she came back from Tougallo College
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to New York City after she had done an artists in residence stint there
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and Martin Luther King was assassinated,
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it was that moment when she said,
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She had known when she was in Mississippi,
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that teaching was going to be her confrontational front line,
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civil rights work, and she carried that through.
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[Jacqui] She was there on the front lines during Black liberation struggle.
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Was she any less feminist during that time.
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And when she moved in white feminist circles
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was she any less Black because she was feminist.
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[Hitaz Haziz] I have asked a sister to come up
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and give me a few minutes of attention
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cause I am having feelings come up.
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And I\'ve learned that if l have some feelings coming up
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that I need to create a safe space so that I can go on with my work.
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It is real hard for me to be here.
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It is real scary and it seems like I never get used to this.
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And it is real emotional, because I don\'t know if you can hear what I have to say.
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Cause it\'s been real hard.
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And sometimes when I come to speak on the issue
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of class and women and being raised poor
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or being an activist within the poverty
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my experience has been that sometimes you get really hurt
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because if you have not eaten,
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if you have not experienced not having food,
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if you have not experienced not have shelter,
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you don\'t hear me. How hard it\'s been for poor women.
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It\'s been hard
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It\'s hard getting to conferences.
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It\'s been really hard
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What I\'ve seen in the past is that we come to conferences
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and go to meetings and we intellectualize
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and we have our stats and our datas
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but we don\'t understand the internalization of poverty.
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That this goes across class, gender and race
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and we don\'t understand the dynamics
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of the soul murder when one lives in poverty.
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We don\'t seem to understand how it feels
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to be an activist or an unaware activist
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because all women are activist, whether they know it or not;
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to be able to make a decision an intelligent decision,
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and to at the same time be able to figure out
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how you are going to feed your children.
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I want to call attention to the numbing process
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that we all experience in this country, outside of this country,
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in order to stay alive because the message says,
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if you feel the oppression you will explode
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or we will get you before you explode
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and they have shown us that they will get us,
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the question is how do we become un-numb,
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so that we can have some brilliant thinking about this oppression,
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whether we\'re raised poor, middle class or owning class
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and create an ally relationship for the nineties.
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#We\'ve come this far by strength, leaning on each other
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#Trusting in each other\'s words
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#We\'ve never failed each other yet...
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[Audre reads] For black women and white women
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to face each other\'s angers without denial or immobility
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or silence or guilt is in itself a heretical and generative idea.
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(Applause)
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[Angela Bowen] The most incredible thing to me
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was the amount of white women who would send their full amount and say,
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if I can\'t come because you are not making equity,
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keep my money and use it for someone who can,
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those were wonderful.
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On the other hand, were the people who felt like,
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I know Audre, I\'ve been using her work,
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I\'ve been doing this, I should be able to come,
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and were angry because they had theirs held up.
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[Stephanie] What happened a couple of days before the conference opened
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was that we reached our capacity for white women
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because they wanted to be at least 50% women of color.
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And I was getting calls from white women saying
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can I still attend the conference, so I would say,
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well we\'ve reached our capacity for white women
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and then I\'d sort of let them tell me,
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well I am African American or I\'m Asian American or whatever.
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[Angela Bowen] One person, a fairly young woman working in the office with me
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was totally in tears because she was so disappointed
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in the way that some of the white women were acting.
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And she\'d say \"I\'m sure you\'ll get in, it\'s not full yet,
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we are just trying to keep the numbers even\"
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and they would castigate her.
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[Stephanie] And they\'d say well,
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are you sure or is there any way I can attend or I have enough money to pay
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or I\'m a close personal friend of Audre Lorde which I got a couple of times.
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And then I\'d say things like
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well if you are close personal friend of Audre Lorde
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I\'m sure you\'ll understand our commitment to the conference being 50% women of color.
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[Angela] To see Audre stand up on stage and say,
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I don\'t know how you achieved this,
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but I have finally seen the achievement of the fifty percent women of color
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that we\'ve been talking about for years
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and we said yeah, you don\'t want to know how we achieved it, it was really hard and also very inspiring.
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(Poem) Revolutionary Blues
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#And when I say to my sisters
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#my lesbian feminist sisters
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#my angry white sisters
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#whose chains still mesh with mine
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#when I say sisters
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#help me, the noose tightens on my neck
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#I cannot breathe
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#it is because I am black
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#my sisters say, yes
00:17:30.400 --> 00:17:33.925
#but what has that to do with our revolution?
00:17:35.175 --> 00:17:37.550
#And when I say to my brothers
00:17:37.900 --> 00:17:41.325
#My angry black brothers with leopard Dashikis
00:17:41.675 --> 00:17:45.275
#whose roots entwine with mine in Africa
00:17:45.325 --> 00:17:50.625
#when I say brothers help me I am encircled by fire
00:17:50.675 --> 00:17:54.950
#the flame grows nearer; it is because I love women
00:17:55.275 --> 00:18:03.225
#my brothers say, yes, but what has that to do with our revolution
00:18:04.075 --> 00:18:06.775
#and when the revolution comes
00:18:06.800 --> 00:18:09.625
#and it is time for choosing sides
00:18:09.925 --> 00:18:12.400
#when radical lesbian feminists
00:18:12.400 --> 00:18:14.775
#are fighting our oppression by men
00:18:15.875 --> 00:18:18.350
#And when the revolution comes
00:18:18.400 --> 00:18:21.300
#and it is time for choosing sides
00:18:21.475 --> 00:18:23.900
#when militant black nationalists
00:18:23.900 --> 00:18:26.225
#are fighting our oppression by whites
00:18:27.025 --> 00:18:35.450
#I expect to be shot in the back by someone who calls me sister.
00:18:35.750 --> 00:18:39.575
[Barbara Schulman] The challenge that Audre poses is a challenge that includes us.
00:18:39.600 --> 00:18:44.625
There were so many white women who were working as volunteers in the various subcommittees in the conference
00:18:44.750 --> 00:18:52.625
It was definitely a place where white women had to make decisions about when to speak and when to listen
00:18:53.000 --> 00:18:57.325
and those kinds of tensions are very difficult to negotiate for white women,
00:18:57.350 --> 00:19:03.475
especially those of us who started our feminist lives in contexts which were pretty racially homogenous.
00:19:03.500 --> 00:19:07.450
[Stephanie] What we as white people need I think is a certain amount of humility
00:19:07.475 --> 00:19:13.325
and that mans that these women of color who are in this organization are going to know more than me about certain things.
00:19:13.325 --> 00:19:16.150
For white women it\'s very easy for us to walk away,
00:19:16.175 --> 00:19:18.400
it\'s very easy for us to leave the table,
00:19:18.425 --> 00:19:20.650
it\'s very easy for us to walk away from the problems,
00:19:20.700 --> 00:19:23.250
because we don\'t have to face the day to day racism.
00:19:23.250 --> 00:19:27.075
The worst thing that we can do is stop talking to each other all together.
00:19:27.175 --> 00:19:30.525
[Audre Lorde] What this conference showed me
00:19:31.225 --> 00:19:35.050
in listening to the women who came up and spoke to me,
00:19:35.050 --> 00:19:36.350
it was almost like a poem,
00:19:37.225 --> 00:19:41.675
woven out of the voices and the emotions and the responses,
00:19:42.050 --> 00:19:43.575
some of them were really different,
00:19:43.600 --> 00:19:45.750
I couldn\'t have predicted many of them,
00:19:46.600 --> 00:19:55.000
well I learned the different ways in which my vision could have arms could have meat could have,
00:19:55.425 --> 00:19:58.700
you know, substance beyond my wildest dreams,
00:19:58.700 --> 00:20:00.425
and of course that\'s what vision is,
00:20:00.425 --> 00:20:02.800
you can\'t- I can\'t do it all, I need,
00:20:03.175 --> 00:20:07.550
you know, we need each other, we all need each other.
00:20:07.725 --> 00:20:12.900
That is where is rooted the concept of difference we need
00:20:12.925 --> 00:20:19.100
what is different to advance beyond even our most possible boundaries.
00:20:21.875 --> 00:20:25.300
Poetry is the way we help give name to the nameless
00:20:25.350 --> 00:20:29.850
so it can be thought the farthest horizons of our hopes
00:20:29.850 --> 00:20:36.650
and fears are cobbled by our poems carved from the rock experiences of our daily lives.
00:20:36.900 --> 00:20:38.425
[Jacqui] The woman was a poet.
00:20:38.450 --> 00:20:46.300
She believed fundamentally that nothing transforms in the same way as emotion,
00:20:46.400 --> 00:20:49.900
that poetry is important in that transformation.
00:20:49.975 --> 00:20:54.100
So how do we have poetry throughout this entire celebration of her?
00:20:54.125 --> 00:20:56.825
So we had poetry readings, there were cultural events,
00:20:56.825 --> 00:20:59.275
people could come and share their poetry,
00:20:59.325 --> 00:21:01.700
there were open spaces where that to happen.
00:21:01.725 --> 00:21:07.231
(Poem: How I Spent My Birthday) #This first poem I am about to read is how I spent my birthday last year
00:21:08.625 --> 00:21:12.150
#I was assaulted at Bensonhurst on Halloween.
00:21:12.325 --> 00:21:15.150
#And I spent my birthday reminding myself
00:21:15.800 --> 00:21:17.575
#and the detectives in the car
00:21:18.600 --> 00:21:21.550
#of how five white boys called me nigger
00:21:23.450 --> 00:21:26.525
#and I spent my birthday reminding myself
00:21:26.900 --> 00:21:28.725
#and the detectives in the car
00:21:29.350 --> 00:21:31.950
#of how five white boys had the power
00:21:31.950 --> 00:21:33.075
#to call me nigger
00:21:34.950 --> 00:21:36.700
#and I spent my birthday
00:21:36.700 --> 00:21:38.025
#reminding myself
00:21:38.475 --> 00:21:40.150
#and the detectives in the car
00:21:40.900 --> 00:21:43.600
#of how five pale glow-in-the dark boys
00:21:43.600 --> 00:21:45.450
#had the power to call me nigger
00:21:45.450 --> 00:21:50.675
(Applause)
00:21:50.725 --> 00:21:52.925
#and I spent my birthday in jail
00:21:53.450 --> 00:21:55.500
#with white boy blood on my hands
00:21:55.850 --> 00:21:59.525
#reminding myself, I am not a nigger.
00:21:59.825 --> 00:22:04.325
(Applause)
00:22:04.350 --> 00:22:09.625
[Audre Lorde] I am a poet. when I write prose, I am a poet writing prose.
00:22:10.625 --> 00:22:13.550
When I say I poet, I am speaking of a whole way
00:22:13.550 --> 00:22:21.125
of looking at life of moving into it of using it of dealing with myself and my experience,
00:22:21.125 --> 00:22:25.775
I am not speaking of living itself, I am speaking of a use of my living.
00:22:26.000 --> 00:22:30.175
The difference between poetry and rhetoric
00:22:30.700 --> 00:22:36.600
is being ready to kill yourself instead of your children.
00:22:37.375 --> 00:22:45.250
\"Power\" is a poem that unfortunately still continues to be so true.
00:22:45.250 --> 00:22:49.975
It\'s a poem about the death of a ten year old black boy who was shot down.
00:22:50.025 --> 00:22:56.325
And the policeman who did this was a student at John Jay College of Criminal Justice
00:22:56.325 --> 00:22:58.675
which was a college where I was teaching at the time,
00:22:58.675 --> 00:23:06.550
although I had never had him, but it really made me think about even on a deeper level,
00:23:06.650 --> 00:23:10.750
how do we use, what we have, where we have it, at any given moment.
00:23:10.750 --> 00:23:17.875
How do we train ourselves to recognize where power may lie at any given moment?
00:23:18.050 --> 00:23:23.875
And I thought the inability to do that is what makes not only our pain and our losses
00:23:23.875 --> 00:23:29.850
and our fallen so dreadful, but it also makes us unable to respond.
00:23:29.875 --> 00:23:35.600
I mean we don\'t all of a sudden any one of us become the person we want to be.
00:23:35.650 --> 00:23:39.075
We don\'t all of a sudden become the warrior.
00:23:39.125 --> 00:23:44.775
And I thought about that and also the rage that filled me when I heard that he had been acquitted.
00:23:44.775 --> 00:23:47.150
I was on my way to a friends house
00:23:47.175 --> 00:23:50.050
and I was driving and I literally pulled over
00:23:50.075 --> 00:23:52.674
and grabbed up my notebook and just started writing
00:23:52.675 --> 00:23:59.375
because I knew if l drove into traffic, I was going to run down the next white person I saw.
00:23:59.825 --> 00:24:07.500
#Wade in the water. God\'s going to trouble the water...
00:24:14.800 --> 00:24:23.375
[Ellen Kuzwayo] To Audre, These are the words that come out of South Africa for the pebbles of inspiration.
00:24:23.475 --> 00:24:28.275
Your name is known in Sowetto; You have not been there.
00:24:28.425 --> 00:24:32.725
[Jacqui Alexander] Ellen Kuzwayo was invited to the conference for a very specific reason.
00:24:32.750 --> 00:24:39.575
She together with Gloria Toseph started the Sisters in Support of Sisters in South Africa.
00:24:39.575 --> 00:24:43.225
[Ellen] You are greatly thought of for the work that you have done.
00:24:43.750 --> 00:24:46.125
You have sent your message through your poetry;
00:24:46.575 --> 00:24:49.700
you have sent your message through prose
00:24:49.950 --> 00:24:55.204
you have sent your message just through your love
00:24:55.600 --> 00:24:58.084
Audre, your warmth.
00:24:58.150 --> 00:25:00.600
[Jacqui] When we shift to other parts of the world
00:25:00.625 --> 00:25:06.575
I think there is an interesting shift in Audre\'s own formulations and understandings
00:25:06.700 --> 00:25:11.675
based on the very particular experiences of women in different countries.
00:25:11.875 --> 00:25:16.325
And here I am talking about indigenous women in Australia,
00:25:16.350 --> 00:25:19.650
in Arteroa, New Zealand, Black women in Holland,
00:25:19.700 --> 00:25:24.850
Black women in Berlin, Caribbean women, women in different parts of the world.
00:25:24.850 --> 00:25:31.475
[Audre Lorde] Our sisters in Sowetto, look to us not to answer their problems
00:25:31.500 --> 00:25:35.275
but to give them what we have which is our support,
00:25:35.300 --> 00:25:41.625
our resources and an insistence that their lives not be forgotten.
00:25:42.050 --> 00:25:45.800
[Tacqui Alexander] Instead of arguing for something called sisterhood is global,
00:25:45.825 --> 00:25:51.300
i.e., we are all women in common and therefore suffer in the same way,
00:25:51.675 --> 00:25:56.000
she developed this notion of sisterhood and survival.
00:25:56.500 --> 00:26:01.900
[Audre] We are here women, we are here men,
00:26:01.950 --> 00:26:08.900
we are here as part of communities that are gravely under threat.
00:26:08.900 --> 00:26:11.675
[Jacqui] She said how can I argue for peace,
00:26:11.675 --> 00:26:15.125
if my sisters are being gunned down in the streets of Sowetto,
00:26:15.200 --> 00:26:21.650
[Audre Lorde] And all over the world, people of the earth are saying,
00:26:22.800 --> 00:26:27.275
you took my land, you didn\'t use it well,
00:26:27.300 --> 00:26:32.350
you abused it, you polluted it, you didn\'t pay for it, give it back.
00:26:32.475 --> 00:26:40.125
[Jacqui] It is the question of understanding women\'s struggles in the context of their daily lives as a way to talk about feminism.
00:26:40.400 --> 00:26:43.975
It\'s a model I believe in which feminism is not a scarce resource.
00:26:44.150 --> 00:26:45.175
Everybody has it.
00:26:45.975 --> 00:26:49.850
All women are feminists, can be feminists,
00:26:49.850 --> 00:26:55.121
not in the same way, but one simply cannot use one measure of feminism
00:26:55.121 --> 00:26:58.641
to determine how feminism ought to operate in different parts of the world.
00:26:58.641 --> 00:27:01.900
[Audre] What do you do with your spare time?
00:27:01.900 --> 00:27:03.450
How many computers are there?
00:27:03.450 --> 00:27:06.150
How many arms, how many pieces of paper?
00:27:06.200 --> 00:27:11.450
Write a letter, get 10 other women to write a letter or 10 other men,
00:27:11.500 --> 00:27:19.450
get ten letters out saying this is not an acceptable way for me and my children to die.
00:27:20.050 --> 00:27:32.475
# Woman, Woman Woman Woman Woman
00:27:32.700 --> 00:27:37.550
I am a Black lesbian and I am your sister.
00:27:37.850 --> 00:27:40.300
[Audre] I really love telling this tale.
00:27:40.325 --> 00:27:42.775
[Barbara Smith] This apocryphal tale
00:27:42.775 --> 00:27:46.900
[Audre Lorde] In 1976, I was invited to give a reading at the MLA, Modern Languages Association
00:27:47.150 --> 00:27:55.875
and this was the epitome to me of dry academia, the bastion of properness.
00:27:56.575 --> 00:28:05.125
And I saw in the program, that there was going to be a talk in the grand ballroom and one of them was Barbara Smith.
00:28:05.700 --> 00:28:10.875
And I had heard about Barbara Smith, I had read some of the things by Barbara Smith,
00:28:10.950 --> 00:28:15.575
and I had seen this article in the Times about Barbara Smith
00:28:15.625 --> 00:28:20.800
giving a course on Black women writers, somewhere, at Yale I think. it was?
00:28:20.825 --> 00:28:24.325
[Barbara Smith] That\'s not true, but of course I was teaching a course on Black women writers.
00:28:24.350 --> 00:28:29.250
[Audre] Well that\'s it, I thought, Ok, I want to see Barbara Smith.
00:28:29.250 --> 00:28:35.500
So I went to the Ballroom, and I will never, never forget that image of you,
00:28:35.600 --> 00:28:41.200
first of all when you stood up you were so lovely you were so lovely .
00:28:41.200 --> 00:28:42.000
[Barbara Smith] In my youth.
00:28:42.025 --> 00:28:45.975
[Audre] And you had on a blazer.
00:28:46.025 --> 00:28:49.450
I thought look at her in jeans and a blazer in front of MLA,
00:28:50.025 --> 00:28:54.800
green and white, and you stood up and you began and you said,
00:28:55.325 --> 00:29:04.375
\"well I\'m a Black lesbian feminist literary critic really wondering if l can be that and live to tell the story.\"
00:29:05.225 --> 00:29:08.000
And I was so taken with you.
00:29:08.000 --> 00:29:16.675
I was so taken--first of all--with how beautiful and brave you were to stand up and say that, but I was also really taken with--
00:29:17.075 --> 00:29:24.000
I thought well if she is wondering if it\'s possible to be that and live to tell the story,
00:29:24.050 --> 00:29:29.200
than we haven\'t, some of us haven\'t been telling the right stories,
00:29:29.200 --> 00:29:32.000
because she\'s got to know-- it is possible,
00:29:32.400 --> 00:29:37.825
and then and there, I made up my mind I was going to write what later became Zami,
00:29:37.850 --> 00:29:43.525
then and there I thought I have to put some of this stuff down.
00:29:43.575 --> 00:29:45.925
[Jacqui] I remember, now that you ask this question,
00:29:45.950 --> 00:29:48.400
I remember going to New Words Bookstore,
00:29:48.400 --> 00:29:52.325
that\'s one of the few feminist bookstores still in existence at this time,
00:29:52.350 --> 00:29:56.100
and moving to the back of the store and seeing Zami,
00:29:56.150 --> 00:29:59.450
and being totally seized with fear,
00:29:59.850 --> 00:30:07.650
because Zami was the pejorative name given to lesbians in the Caribbean
00:30:07.850 --> 00:30:14.775
and so I saw that and said oh so that\'s what I am having totally internalized the negativity,
00:30:14.900 --> 00:30:19.525
and then I pick up the book, That says Zami, a New Spelling of my name.
00:30:19.525 --> 00:30:24.775
So it\'s really interesting to kind of trace this movement from this personal
00:30:24.925 --> 00:30:32.475
coming to growth, coming to consciousness into doing a certain kind of political work
00:30:32.475 --> 00:30:37.700
understanding that the experiences of one\'s own sexuality are formed and forged
00:30:37.700 --> 00:30:42.850
by processes larger than oneself and coming really to grapple with what that means.
00:30:43.225 --> 00:30:46.650
(POEM) #Last night I took a woman home to my mind
00:30:47.125 --> 00:30:49.275
#but who I take home is my own damn business
00:30:49.575 --> 00:30:51.600
#last night or maybe days ago
00:30:51.600 --> 00:30:55.050
#Time has little significance in the timeless world of memory
00:30:55.100 --> 00:30:58.825
#But last night or days ago, I took a brown skin woman home to my memory,
00:30:58.850 --> 00:31:04.625
to my life and she lived there for forever or for a few days or was it just last night
00:31:05.450 --> 00:31:07.950
#Time again, its just a trick so lets pretend like
00:31:07.950 --> 00:31:11.400
we do every time we step over each other on Brooklyn pavement.
00:31:12.075 --> 00:31:17.125
#A little brown woman sending me a postcard from my mind with words that somehow
00:31:17.200 --> 00:31:21.275
#encompass all that it means for me to be black in white world
00:31:22.075 --> 00:31:25.450
#Female in phallic symbols equal life world
00:31:25.800 --> 00:31:28.700
#gay in straight-die before wondering world
00:31:28.825 --> 00:31:32.125
#Sixteen in a world without place for the old or the young
00:31:32.175 --> 00:31:34.150
#and she revives meaning with her tongue,
00:31:34.175 --> 00:31:38.750
on my skin in my ear with a language; I will protect with my life
00:31:38.750 --> 00:31:40.750
(Applause)
00:31:40.750 --> 00:31:45.025
#Brown skin girl stay home and mind the baby
00:31:45.800 --> 00:31:50.694
#Brown skin girl stay home and mind the baby
00:31:51.125 --> 00:31:55.175
#I\'m going away on a sailing ship
00:31:55.375 --> 00:31:57.825
#and if I don\'t come back,
00:31:58.150 --> 00:32:00.625
#stay home and mind the baby.
00:32:00.925 --> 00:32:05.275
#And so I bring home Africa, and so I bring home Jamaica
00:32:05.300 --> 00:32:08.975
#and Puerto Rico and all islands isolated like my people
00:32:09.300 --> 00:32:12.225
#months days years ago or last night I brought home
00:32:12.225 --> 00:32:15.375
#a small brown woman who brought a queen home to me
00:32:16.875 --> 00:32:20.725
#and if I bring home love that is female, Puerto Rican, West Indian,
00:32:20.725 --> 00:32:24.050
love that is unbending, unbreaking the bridge of my faith
00:32:24.100 --> 00:32:25.500
#Woman against all odds
00:32:25.525 --> 00:32:28.175
#herself by any means necessary
00:32:28.175 --> 00:32:31.325
#Let me remind you in the most deadly way possible
00:32:31.350 --> 00:32:34.875
#that who I take home is my own damn business.
00:32:34.875 --> 00:32:40.750
(Applause)
00:32:40.800 --> 00:32:46.650
At the time that I read Audre, the first time I really read any of her essays
00:32:46.650 --> 00:32:49.700
was at a very critical part in my life,
00:32:50.050 --> 00:32:54.800
I had just lost custody of my son to the state for being a lesbian
00:32:54.800 --> 00:33:00.500
and it was like I was reading my life written by somebody else.
00:33:00.675 --> 00:33:09.300
#ohhhhh Can\'t tum around. We\'ve come this far by strength.
00:33:09.700 --> 00:33:14.150
[Angela Bowen] Audre was the first black lesbian feminist that I saw in the flesh
00:33:14.150 --> 00:33:17.150
and of course I had gone out of my way to see her,
00:33:17.400 --> 00:33:20.125
driving to New Haven to Bridgeport for that purpose,
00:33:20.250 --> 00:33:28.875
but I had discovered her a couple of years before in my bedroom upstairs by myself.
00:33:28.900 --> 00:33:32.950
It was during a time when I was educating myself about feminism.
00:33:33.050 --> 00:33:38.700
And I discovered her in a Black feminist magazine called Azalea.
00:33:38.900 --> 00:33:40.975
The room was two o\'clock in the morning
00:33:41.350 --> 00:33:44.075
and my daughter and my niece were sleeping in the next bedroom
00:33:44.100 --> 00:33:48.275
and I remember yelling and immediately clapping my hand over my mouth
00:33:48.325 --> 00:33:50.875
because I didn\'t want to wake them up, they were both light sleepers.
00:33:51.075 --> 00:33:53.200
But, here was this discovery
00:33:53.250 --> 00:33:56.475
So after that I kept looking for her in all the women\'s journals.
00:33:56.675 --> 00:33:59.550
So when I heard she was coming to Bridgeport I went to see her.
00:33:59.575 --> 00:34:02.950
So that was my first time laying my eyes on a Black Lesbian Feminist.
00:34:02.950 --> 00:34:04.325
And at the time
00:34:05.350 --> 00:34:10.964
she inspired me to know that I could leave, I mean I wanted to leave.
00:34:10.975 --> 00:34:19.175
I was trying to think I could get out of this whole totally big heterosexual trap surrounded by all of the stuff,
00:34:19.575 --> 00:34:21.900
which I won\'t go into, but I wanted to leave
00:34:21.925 --> 00:34:25.775
and I looked at her and I said here she is out here by herself
00:34:25.800 --> 00:34:30.450
it felt like, to me, just out here doing this work coming out over and over again
00:34:30.500 --> 00:34:31.593
all over the place
00:34:31.593 --> 00:34:33.569
and I said she\'s got to have help,
00:34:33.569 --> 00:34:37.319
she\'s got to have an army and I thought I was going to be one of an army
00:34:37.319 --> 00:34:41.100
well there are some of us we\'re not quite an army yet but we\'re out here trying
00:34:41.250 --> 00:34:45.525
but that\'s what I felt we need to be doing this work, and she was an inspiration
00:34:45.550 --> 00:34:47.300
[Nicaraguan Activist] I am thirty, yeah
00:34:48.150 --> 00:34:50.725
Since my fourteen years old, all my life,
00:34:50.725 --> 00:34:54.450
I give my life for the revolution,
00:34:54.500 --> 00:35:04.100
yeah and when I fell in love for the first time of a woman, that was a revolution in my life
00:35:04.100 --> 00:35:07.175
(Applause)
00:35:49.775 --> 00:35:51.775
(Applause)
00:35:51.800 --> 00:35:56.475
(Music)
00:35:56.625 --> 00:35:58.850
So when I speak of the erotic then,
00:35:59.250 --> 00:36:02.900
I speak of it as an assertion of the life force of women
00:36:03.350 --> 00:36:06.275
of that creative energy empowered
00:36:06.300 --> 00:36:11.825
the knowledge and use of which we are now reclaiming in our language,
00:36:11.850 --> 00:36:18.850
our history, our dancing, our loving, our work, our lives.
00:36:22.150 --> 00:36:26.225
[Blanche Wiesen Cook] I have known and loved Audre Lorde for over thirty years.
00:36:26.275 --> 00:36:29.975
We met when we were students at Hunter college
00:36:30.000 --> 00:36:36.350
and although Audre then was the only Black student at Hunter college in New York city,
00:36:36.450 --> 00:36:44.825
She was already a leader, a poet, an editor, a spiritual guide, inspiration and conscious
00:36:44.850 --> 00:36:49.175
and she\'s remained all of that for over thirty years.
00:36:49.450 --> 00:36:55.625
#Just like Audre, we shall not be moved,
00:36:56.475 --> 00:37:01.700
Who Am I? I am a Phillipina born in the USA
00:37:01.750 --> 00:37:07.400
I have no doubt that sometime we shall arrive
00:37:08.500 --> 00:37:11.950
#The women united will always get excited
00:37:11.950 --> 00:37:14.800
#The women united will always get excited
00:37:14.800 --> 00:37:16.975
I love her work, I love her poetry
00:37:17.000 --> 00:37:19.075
She has been important for me personally
00:37:19.100 --> 00:37:24.675
and for the development of Afro-German people for the last several years
00:37:24.675 --> 00:37:28.650
I\'m excited, I love it, I like the energy it is just hopping.
00:37:28.650 --> 00:37:48.825
(Music)
00:37:49.050 --> 00:37:53.450
The black male consciousness must be raised to the realization
00:37:53.750 --> 00:38:00.575
that sexism and woman hating are critically dysfunctional to his liberation as a black man.
00:38:00.600 --> 00:38:05.050
[Calvin Hernton] You don\'t say how do you put Audre Lorde\'s ideology into practice
00:38:05.100 --> 00:38:07.050
you say how do you put her philosophy into practice.
00:38:07.700 --> 00:38:10.350
There is a difference between ideology and philosophy.
00:38:10.375 --> 00:38:12.650
You don\'t say let\'s put her theory into this... you know
00:38:12.650 --> 00:38:14.125
you don\'t say that. You say philosophy.
00:38:14.325 --> 00:38:16.975
Theory and ideology may be contained in philosophy
00:38:16.975 --> 00:38:21.200
but philosophy is so much more than just theory and ideology.
00:38:21.300 --> 00:38:25.525
Its purpose, the occasion for its origin,
00:38:25.575 --> 00:38:34.350
its call into being from exigencies that are far more profound and life giving than ideology and theory,
00:38:34.875 --> 00:38:39.125
so totally embracing so that you don\'t leave anybody out.
00:38:39.400 --> 00:38:42.300
[Angela] One thing that was wonderful about that conference--
00:38:42.300 --> 00:38:45.375
I was the person working in the office and I remember getting a call
00:38:45.400 --> 00:38:50.425
from a woman who was an editor of the Feminist newspaper Off Our Backs.
00:38:50.425 --> 00:38:53.125
And she said that she didn\'t want to come
00:38:53.450 --> 00:38:58.925
and she was really struggling with whether to come because there were going to be men at the conference.
00:38:58.925 --> 00:39:01.100
I talked to her about Audre\'s vision
00:39:01.175 --> 00:39:05.025
and that these were feminist men and anti-racist men just like us and so forth
00:39:05.025 --> 00:39:07.550
and we talked and she called back again a day later and said
00:39:07.600 --> 00:39:10.275
that she thought that she would come but only because it was Audre,
00:39:10.275 --> 00:39:12.700
she couldn\'t be in this company if it weren\'t for Audre.
00:39:13.775 --> 00:39:17.425
We were on stage, a group of us singing Blueberry Hill,
00:39:17.425 --> 00:39:19.100
[Jacqui] I found my thrill on Blueberry Hill
00:39:20.200 --> 00:39:26.750
Because in Zami, Audre has that little section where she talks about being up on the hill making love to Ginger
00:39:26.750 --> 00:39:32.475
when this was playing on the car radio so we were kind of teasing her and singing that song and she was cracking up.
00:39:32.525 --> 00:39:40.850
#The moon stood still on Blueberry Hill
00:39:43.375 --> 00:39:46.250
This paticular woman who said she wasn\'t going to come
00:39:46.275 --> 00:39:49.375
said she was sitting out in the audience watching us up there
00:39:49.375 --> 00:39:51.425
clowning around and one of the people with us
00:39:51.425 --> 00:39:55.900
was Blackberri, a Black gay man organizer, singer,
00:39:56.100 --> 00:39:58.075
and she looked up there and she said,
00:39:58.425 --> 00:40:02.875
but Blackberri is not my enemy, he\'s after the same thing I\'m after,
00:40:02.950 --> 00:40:05.625
we\'re all after the same thing, and it was this revelation,
00:40:05.650 --> 00:40:09.225
that she was so happy that she had made the choice to come.
00:40:09.225 --> 00:40:13.850
so she could see that what is going on, and I was so thrilled
00:40:13.850 --> 00:40:16.931
And I said when she called, why don\'t you write it?
00:40:20.675 --> 00:40:24.850
So that was one of the high moments of that conference for me,
00:40:25.125 --> 00:40:31.250
one of the goals, to make people come together who would not have come together except for Audre
00:40:31.300 --> 00:40:35.075
and then go away with something that was transforming.
00:40:35.950 --> 00:40:45.750
#Cause you were my thrill on Blueberry Hill!
00:40:45.750 --> 00:40:56.725
(Cheers and Applause)
00:40:57.450 --> 00:41:04.509
[Audre] Why is it that so often when we try to get together to do what is closest to our hearts blood and each other,
00:41:05.375 --> 00:41:06.725
something goes on?
00:41:09.225 --> 00:41:12.450
What have they implanted in us that
00:41:12.450 --> 00:41:15.825
we are allowing to replicate like a virus?
00:41:15.850 --> 00:41:19.525
[Angela] A central part of our conference was the Eye to Eye sessions
00:41:19.550 --> 00:41:25.675
this was based on an essay called Eye to Eye: Black Women, Hatred, and Anger.
00:41:25.675 --> 00:41:29.000
We are really committed sisters. We start out together,
00:41:29.075 --> 00:41:32.675
Somehow it\'s not happening, the paper doesn\'t occur,
00:41:32.700 --> 00:41:35.275
the meeting place is misunderstood.
00:41:35.825 --> 00:41:37.475
What is going on?
00:41:38.075 --> 00:41:40.525
Do we have an agent in our midst,
00:41:40.850 --> 00:41:46.125
or maybe there\'s something we have been too polite to talk about.
00:41:46.175 --> 00:41:53.850
[Angela] She was basically talking about racism among black women, sexism, heterosexism, homophobia,
00:41:53.875 --> 00:41:57.275
but within the community of black women.
00:41:57.325 --> 00:42:01.725
She wanted to talk about what the patriarchy has imposed on us,
00:42:01.750 --> 00:42:04.925
the effect on us, as Black women,
00:42:05.000 --> 00:42:10.696
from the inside and how as a consequence we dealt with one another and with ourselves
00:42:10.750 --> 00:42:12.525
but we decided to expand it,
00:42:12.525 --> 00:42:15.350
so that it just wasn\'t black women talking to one another
00:42:15.375 --> 00:42:24.425
about their own internalized isms and hating those things within each other that we saw for ourselves, etc., very very deep.
00:42:24.425 --> 00:42:30.625
And so we had a period where we stopped everything and we just did Eye to Eye sessions.
00:42:30.625 --> 00:42:37.000
[Anna Ortiz] The women in Latin America thought that those of us who were born in the united states were spoiled,
00:42:37.050 --> 00:42:43.275
that we were privileged, that we wanted to reject our culture,
00:42:43.300 --> 00:42:47.150
that we didn\'t speak Spanish because, we didn\'t want to.
00:42:47.450 --> 00:42:54.275
And it was good for them to hear women talk about being hit with a ruler in school when they spoke Spanish
00:42:54.475 --> 00:42:59.375
or how there families didn\'t want them to talk about that part of their background anymore.
00:42:59.450 --> 00:43:05.725
And I don\'t think that women in the United States had an idea of how to the grain
00:43:05.725 --> 00:43:09.525
the survival issues of women in Latin America and the Caribbean are.
00:43:09.550 --> 00:43:13.400
So I think that it was good for us to have a clearer vision of each other.
00:43:13.400 --> 00:43:17.075
(Music)
00:43:17.100 --> 00:43:20.600
[German Woman] We had to face our struggle, our weakness,
00:43:20.625 --> 00:43:23.375
and our anger and share the experience
00:43:23.400 --> 00:43:31.625
and it doesn\'t matter if the women were white or black or they came from other different backgrounds.
00:43:31.650 --> 00:43:34.225
So that means all this different energy,
00:43:34.275 --> 00:43:41.525
and all this different power it helps me a lot to deal with my own anger or my own weakness even in my country.
00:43:41.575 --> 00:43:48.400
[Asian Woman] Many people had talked about a very painful feeling of isolation, of growing up in neighborhoods throughout the US,
00:43:48.400 --> 00:43:54.325
for example where they were the only Chinese person, or the only Indian person, or Japanese person.
00:43:54.350 --> 00:43:57.175
For many people they were overcome with emotion.
00:43:57.225 --> 00:44:01.625
I feel that as Asian American women we have been taught to be silenced too long.
00:44:01.650 --> 00:44:04.175
[Angela Bowen] When people came out of those Eye to Eye sessions
00:44:04.200 --> 00:44:09.550
they were supposed to move into coalitions up on the stage kind of dealing with that.
00:44:09.550 --> 00:44:11.825
That next half never got handled.
00:44:11.825 --> 00:44:13.450
[Asian woman] We have not been on the stage,
00:44:13.450 --> 00:44:17.075
we haven\'t been seen and I need everyone to stand up right now.
00:44:17.075 --> 00:44:22.350
[Angela Bowen] People were coming out saying we were not being heard and we want to have a speak out.
00:44:22.350 --> 00:44:28.050
[Jacqui] People believed that the way in which the conference was organized was organized to silence certain people.
00:44:28.725 --> 00:44:33.100
Will Asian women stand? We are here.
00:44:33.225 --> 00:44:39.125
[Angela Bowen] Don\'t you think that within that framework, we as black women were seen as the powerful ones
00:44:39.125 --> 00:44:45.625
and the other women of color were seen as being powerless in relation to us, which surprised us.
00:44:45.625 --> 00:44:49.657
[Jacqui] If the conference was organized as it was around I am your sister
00:44:49.657 --> 00:44:53.113
and people are saying you are not allowing me to speak,
00:44:53.113 --> 00:44:59.897
then it seemed to us that as the organizers that we had a tremendous responsibility to create a space for that to happen.
00:44:59.897 --> 00:45:05.850
So we were up around the clock Saturday night changing the organization of Sunday morning.
00:45:05.875 --> 00:45:09.850
We came in twenty minutes before the session began and they took apart the set on the stage,
00:45:09.850 --> 00:45:15.925
took it apart completely, put mies on the floor in order to reorganize what Sunday would look like for people.
00:45:16.350 --> 00:45:21.550
[Audre] Ah, but that\'s wonderful, that\'s so wonderful.
00:45:21.725 --> 00:45:27.325
You stood up all Saturday night and redesigned what Sunday was to be
00:45:27.750 --> 00:45:33.275
on the strength of what the participants had articulated as their needs.
00:45:35.500 --> 00:45:37.500
(Snap)
00:45:37.875 --> 00:45:41.000
[Anna Ortiz] For many of us it has been extremely difficult for us to come here
00:45:41.000 --> 00:45:45.475
and we want to propose that there be some kind of space made
00:45:45.550 --> 00:45:49.300
where we can talk to you about the realities in our countries face to face.
00:45:49.700 --> 00:45:57.175
[Arab Woman] This is one of the few conferences in which we actually had a working group identified as an Arab group.
00:45:57.200 --> 00:46:00.950
We ask that anti-Arabism be recognized as racism.
00:46:01.125 --> 00:46:07.025
[Black Woman] One of the things that I would like to share with you is that we are 100% all of who we are,
00:46:07.075 --> 00:46:18.800
so I stand before you 100% African descent, 100% of Cherokee descent, 100% Asian descent, as well as 100% of Trinidadian descent.
00:46:21.900 --> 00:46:29.675
And this is the first time that I\'ve been able to say that and not have somebody say, well, yeah, but how do you identify.
00:46:29.700 --> 00:46:39.775
[Jacqui] I think it was the rifts in the conference that prompted Audre to come back to us with her own words and say:
00:46:39.825 --> 00:46:43.650
[Audre] Do not let the differences pull you apart
00:46:43.675 --> 00:46:47.400
Use them Examine them, go through them,
00:46:47.900 --> 00:46:49.576
Grow from them
00:46:49.576 --> 00:46:55.275
We do not have to become each other in order to work together.
00:46:55.325 --> 00:47:02.450
[Jacqui] The lessons, I believe, of the conference are the lessons of feminist organizations --
00:47:02.650 --> 00:47:12.900
about what it means to build coalitions composed of women of different racial, ethnic, class, sexual, national orientations
00:47:12.900 --> 00:47:17.250
and the difficulties that are involved in that and the capacity
00:47:17.250 --> 00:47:25.000
and willingness of people to look squarely at where things go wrong.
00:47:25.000 --> 00:47:29.125
[Audre] There were what 1,000 women, 1100 at here,
00:47:29.600 --> 00:47:34.275
each one of those women, if we did anything at all,
00:47:34.350 --> 00:47:40.450
each one of those women brings back to a community and a life,
00:47:41.600 --> 00:47:46.775
some more possible activation of who she is and that will spread,
00:47:46.825 --> 00:47:50.575
and that\'s what we really got to be about.
00:47:50.625 --> 00:47:53.350
[Jacqui] Because that\'s what was beautiful about the coming together, right?
00:47:53.375 --> 00:47:56.225
That so many different people could come on board
00:47:56.300 --> 00:48:00.725
and even in spite of some of the criticisms and problems
00:48:00.725 --> 00:48:06.875
that none-the-less a space was created from which people could actually speak and act.
00:48:06.875 --> 00:48:10.750
[Audre] And we did not tum away from the differences, we did not tum away from the criticisms,
00:48:10.775 --> 00:48:16.900
we did not tum away, we said yes, this is the place to examine how next to better--
00:48:17.350 --> 00:48:19.875
how do we move it on?
00:48:20.600 --> 00:48:31.475
And that that is the first time that I\'ve been able to really feel that that vision was both present and allowed and used.
00:48:31.550 --> 00:48:35.550
(Chanting) The people united will never be defeated.
00:48:35.600 --> 00:48:42.325
[Audre]I think what happened this weekend was we moved the work along.
00:48:42.325 --> 00:48:45.300
(Chanting) We\'re going to keep on moving forward, keep on moving forward
00:48:45.350 --> 00:48:47.000
[Audre] It felt like a dream come true,
00:48:47.050 --> 00:48:52.475
but not completely articulated because we have so much work to do.
00:48:52.625 --> 00:49:07.100
(Chanting) Keep on moving forward, Never turning back, never turning back
00:49:07.175 --> 00:49:14.425
[Angela] A question though that some people ask well what makes her so important for instance to Black feminism,
00:49:14.425 --> 00:49:18.150
what makes her so important to white women\'s feminism
00:49:18.525 --> 00:49:20.000
and I think you are answering it right here
00:49:20.000 --> 00:49:23.300
that she called for a specific kind of intense engagement.
00:49:23.700 --> 00:49:27.475
And I wish I had a nickel for every different person who would say
00:49:27.950 --> 00:49:32.875
\"Whenever she spoke to me, I was in the middle of a crowd, at a reading or at a conference,
00:49:32.925 --> 00:49:37.950
she looked in my eyes and she challenged me to do my work in a way that I\'ve never been challenged before,
00:49:38.000 --> 00:49:39.375
and I have been doing it ever since.\"
00:49:39.425 --> 00:49:45.850
That\'s a momentary meeting she might have had with one person in all those years and they are still doing their work.
00:49:45.925 --> 00:49:49.475
It\'s a challenge. That\'s part of why we did the conference,
00:49:49.850 --> 00:49:54.425
there she is that night when Wendy Cadden came up on stage
00:49:54.500 --> 00:49:56.250
and put that robe on her
00:49:56.825 --> 00:50:02.200
that Wendy had made with the Native American Women in New Mexico,
00:50:03.425 --> 00:50:06.725
and she brought the robe which we had commissioned,
00:50:07.050 --> 00:50:12.050
and she brought it up on the stage, she even shorter than Audre who is not very tall,
00:50:12.075 --> 00:50:17.125
reaching and putting it up on Audre, and then when Audre turned around...
00:50:17.375 --> 00:50:24.125
[Audre] I want to thank each one of you not just for your presence here
00:50:25.250 --> 00:50:29.900
but for the energy that I feel,
00:50:30.100 --> 00:50:34.900
the energy that you have brought to me and that you have brought to yourselves
00:50:35.950 --> 00:50:38.300
and that is so important.
00:50:38.975 --> 00:50:49.225
It has always been life sustaining to me to know that the work I do is used.
00:50:51.125 --> 00:50:57.400
That is what feeds me and continues making it come.
00:50:57.775 --> 00:51:02.450
That and those people who are patient enough to love me
00:51:02.450 --> 00:51:08.100
Francis Clayton, Adrienne Rich and Jean Milar
00:51:08.600 --> 00:51:13.975
I carry their print within me and so you carry their print within you also.
00:51:15.050 --> 00:51:24.175
I want to tell you how full my heart is and how important what is happening here these four days
00:51:24.200 --> 00:51:28.825
is for me, for you, and for our world.
00:51:29.825 --> 00:51:34.050
I am taking away a tremendous amount every time we come together.
00:51:34.100 --> 00:51:41.200
I hope you are too. We have huge enormous work to do.
00:51:41.900 --> 00:51:52.550
This is what feeds us collectively and must, and must, because we are going to survive.
00:51:54.175 --> 00:51:59.575
You know we said South Africa will be free.
00:52:00.750 --> 00:52:05.325
It\'s not a question of if, it\'s a question of when.
00:52:05.325 --> 00:52:08.075
(Applause)
00:52:08.125 --> 00:52:22.150
That is the kind of work that is being done and every single piece of what you do and I do matters.
00:52:22.150 --> 00:52:26.125
[Angela] You know how she has always has said I\'m a coward like anyone else
00:52:26.150 --> 00:52:28.425
I just do it any way or words to that effect.
00:52:28.875 --> 00:52:35.975
I saw that over and over in her papers to an extent that I couldn\'t have believed,
00:52:36.075 --> 00:52:40.425
that yes she was fearful so much of the time.
00:52:40.825 --> 00:52:45.375
It was in unpublished work that is just sitting there where she is writing to herself,
00:52:45.375 --> 00:52:47.125
where she\'s encouraging herself,
00:52:47.150 --> 00:52:50.500
where she\'s castigating herself when she went home and didn\'t speak about this or that.
00:52:50.500 --> 00:52:56.200
It\'s amazing because she\'s dealing with her fear all the time that everyone else is dealing with her courage
00:52:56.475 --> 00:52:59.150
and she presents that warrior woman image.
00:52:59.200 --> 00:53:03.600
[Audre] Take this energy, that wonderful surge, remember that,
00:53:03.600 --> 00:53:06.400
that you\'re feeling doesn\'t belong to me,
00:53:06.850 --> 00:53:12.775
it\'s you, it\'s yours, you\'re making it, you\'re generating it
00:53:12.775 --> 00:53:16.300
you carry it with you, and you can do anything you want to do
00:53:16.300 --> 00:53:18.775
today, Monday, next week
00:53:18.900 --> 00:53:22.325
You can control it, and you can use it.
00:53:23.225 --> 00:53:24.825
And that\'s what\'s so wonderful.
00:53:25.225 --> 00:53:32.025
I didn\'t start out using mine, I\'m telling you, I started out like we all started out, a coward.
00:53:32.875 --> 00:53:34.475
(laughter)
00:53:34.500 --> 00:53:39.425
I learned to use it bit by bit and each one of us can do it, whatever it is.
00:53:39.475 --> 00:53:43.950
[Jacqui] To make that point that you do the work in spite of-
00:53:43.975 --> 00:53:46.775
[Angela] She wasn\'t saying it should be this work or it should be that work
00:53:46.825 --> 00:53:50.500
but are you doing your work... find it whatever it is.
00:53:50.525 --> 00:53:56.075
[Audre] I love you. I really love you.
00:53:56.475 --> 00:54:02.925
Even when I fight with you and even when the sever battles between us happen
00:54:02.950 --> 00:54:06.150
and they have happened and they will continue to happen,
00:54:06.175 --> 00:54:09.850
because we are different, because we see things differently,
00:54:09.875 --> 00:54:15.700
and because we have different ways of responding to the terrors that haunt us.
00:54:16.950 --> 00:54:21.700
But to be able to love and to recognize what love means,
00:54:22.125 --> 00:54:29.625
not total acceptance, not blind acceptance, but recognition.
00:54:31.050 --> 00:54:39.600
To recognize that we move against a common enemy does not mean we all beat the same drum or play the same tune,
00:54:40.100 --> 00:54:45.850
it means that we are committed to a future. Good night.
00:54:46.375 --> 00:55:08.525
(Applause)
00:55:08.525 --> 00:55:16.275
(Singing)
00:55:16.325 --> 00:55:20.325
Two years after the conference, Audre Lorde died in St. Croix,
00:55:20.375 --> 00:55:23.125
surrounded by a community of family and friends.
00:55:23.525 --> 00:55:28.725
During those final years, she took a trip to Hawaii to see the total eclipse of the sun,
00:55:28.775 --> 00:55:31.575
and she completed her last book of poetry.
00:55:31.775 --> 00:55:38.675
Many ongoing groups, personal and political relationships and transnational conferences originated at this event.
00:55:38.925 --> 00:55:43.800
Audre Lorde\'s life, her work, and her vision remain today as they ever were.
00:55:43.800 --> 00:55:45.800
As they ever were.
00:55:45.900 --> 00:55:57.100
(Singing)