The oil company MAXUS and Huaroni Indians of the Amazon.
A Distant Thud in the Jungle
- Description
- Reviews
- Citation
- Cataloging
- Transcript
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“We fell for these promises and gave away our land… You can’t destroy everything and get away with it. You too will be destroyed.” — Homai Lambiawi
In the highlands of Papua New Guinea, a group of families perform traditional dances and songs. But they are not celebrating a local festival. Instead, these dancers are paid to perform for tourists, who point cameras in their faces and marvel at people who they romanticize as pre-modern and simple, with few cares in the world.
Life in the highlands, though, is far from care-free. In the village of Hides 4 (named for a colonial explorer and a petroleum lease), an ExxonMobil gas plant flares through the night, its fenced-in compound off-limits for locals. Seduced by promises of nice houses, free food and riches from gas royalties, some families, like the Lambawis, gave up their land for the LNG plant. Tony Lambawi made an agreement with ExxonMobil, thinking it was for the best. Now, Tony is dead and his relatives live in poverty and misery. His brother Homai is continually rebuffed whenever he tries to approach the company for the money the family is owed.
Meanwhile, at an Independence Day celebration, local leaders berate the people of Hides 4 for wanting compensation, exhorting them to give up more land free to the state in the name of development and future benefits.
A DISTANT THUD IN THE JUNGLE captures how one project—in a place idealized by westerners as “unspoiled”—has damaged the local environment, plunged residents into poverty, and eroded social norms.
Director Céline Rouzet first visited the highlands at 20. Like the tourists who open her film, she had an idealized vision of life there. But she has returned repeatedly, spent much time with the Lambiawi family, learned the language, and knew Tony. Shot over two visits, five years apart, a DISTANT THUD IN THE JUNGLE firmly centers the experiences of the highlanders, as they try to grapple with the consequences of broken promises.
“The film presents a portrait of life as it is lived by the vast majority of Huli. The film excels in its representation of the torpor and toil, disappointment and frustration of a population who believe that they should all by now be living in 'Dubai style houses' with wealth and services and a life elevated from poverty.” —Michael Main, The Journal of Pacific History
Citation
Main credits
Rouzet, Céline (film director)
Aknin, Olivier (film producer)
Zaccagnino, Candance (film producer)
Other credits
Editor, Léa Masson.
Distributor subjects
Anthropology; Cultural Anthropology; Business Ethics; Indigenous Peoples; EnergyKeywords
; "A Distant Thud in the Jungle"; Icarus Films; Papua New Guinea; globalization; oil; energy; ethnography; habitat destruction; poverty; indigenous; ; "A Distant Thud in the Jungle"; Icarus Films
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[people singing in foreign language]
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[upbeat drumming music]
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[people singing in foreign language continues]
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Maybe the French have it,
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but we haven\'t got it in Australia.
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So, they don\'t have that materialistic...
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They have a simple life, they don\'t try to
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be better than anybody else, they just want food.
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I\'m not putting it right,
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but the most important thing is family for them.
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That\'s the most important thing, and they really mean it,
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and then comes the village.
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If someone\'s sick in their village,
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they\'ll help, you know?
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But in Melbourne you don\'t even know who\'s next door,
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but here they know exactly what\'s around them
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and what is happening.
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So, I think that helps for happiness,
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that they care about other people.
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[upbeat drumming music]
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[people sing in foreign language]
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[crowd clapping]
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[shakers rattling]
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an American couple with us who had been
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to this Goroka show and they showed us
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all the photos and they said,
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\"You know, it\'s on your doorstep,
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why haven\'t you been there?\"
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And we thought, well, we better rectify that
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because we\'ve been to Europe, South America,
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Antarctica, you know, we\'ve been a lot of places,
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but not to Papua New Guinea.
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And we will go home and tell everybody we meet
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how wonderful it is and that they should see it.
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It\'s just wonderful to see the cultures.
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We\'ve been to three villages and I find
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it\'s very welcome and it\'s wonderful to see
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how they\'re still living their traditional culture.
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I mean, the pride you see out there on the field
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with their children all learning the traditional things
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in their culture is just fabulous.
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So, we think it\'s a wonderful thing
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and it\'s like a big hope for the world
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that people can be in the western world culture
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and keep their traditional culture.
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So, it\'s pretty special.
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[singing in foreign language]
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[crickets chirping]
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[thunder rumbling]
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[thunder rumbling]
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Just simply like gas flame coming out there
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would be coming out on that mountain.
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[man speaking foreign language]
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You don\'t come out.
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Please stay there.
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When I say come out, you come out.
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I give a pig grease, threw it on the fire,
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and then I give them, [man speaking foreign language].
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Then I said, \"Go back then, go back to the ground.\"
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[man speaking foreign language]
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In that area, we heard about the things on that mountain.
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Now, that mountain, okay, now there\'s white men
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and ExxonMobil come there and said.
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We\'ll put A on that ground,
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then we\'ll have to work with B,
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and in the middle of that well put C, there is C.
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We have to do the things on that mountain.
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[man speaking foreign language]
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Don\'t give out other things to white men.
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But if we give the white, everything to the white men.
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Sorry, we are black now we suffer, suffer.
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Never never come back.
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If it\'s taken down, it\'s taken down.
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Then one day it will disappear by itself.
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This world will be end.
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By itself.
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That\'s the story.
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[man speaking foreign language]
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[fire whooshing]
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[man speaking foreign language]
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You, listen!
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[men speaking foreign language]
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You listen!
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[crowd cheers]
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[helicopter whirring]
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[light music]
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[woman speaking foreign language]
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[rain pattering]
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[woman speaking foreign language]
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[birds chirping]
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[man speaking foreign language]
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[birds chirping]
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[leaves rustling]
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[man speaking foreign language]
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One, two, three, [man speaking foreign language].
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[woman speaking foreign language]
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[machete thuds]
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[tree creaking]
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[leaves rustling]
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[people talking in foreign language]
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[people speaking foreign language]
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[helicopter whirring]
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[gate screeches]
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[men speaking foreign language]
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[truck engines rumbling]
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[leaves rustling]
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[helicopter whirring]
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[fire whooshing]
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[women speaking foreign language]
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[leaves rustling]
[light music]
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[boy speaking foreign language]
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[mimicking gun popping]
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[boy speaking foreign language]
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[suspenseful music]
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[mimicking gun popping]
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[woman speaking foreign language]
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[crickets chirping]
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[muffled talking]
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[men speaking foreign language]
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[woman speaking foreign language]
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[car engine rumbling]
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[car door thuds]
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[woman speaking foreign language]
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[man shouting in foreign language]
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♪ Now give thanks to the good Lord above ♪
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♪ For His kindness, His wisdom, His love ♪
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♪ For the land of our fathers, so free ♪
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♪ Papua New Guinea ♪
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♪ Shout again for the whole world to hear ♪
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♪ Papua New Guinea ♪
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♪ We are independent, we are free ♪
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♪ Papua New Guinea ♪
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[upbeat drumming music]
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[man speaking foreign language]
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Or traders, minors, explorers.
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[man speaking foreign language]
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we have not celebrated our independence.
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This is the first [speaks foreign language] after 10 years.
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[man speaking foreign language]
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[man speaking foreign language]
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[upbeat drumming music]
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Get a photo with the girls.
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[man speaking foreign language]
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Yeah.
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Come, come.
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Come.
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Yeah, yeah.
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Good?
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You\'re amazing.
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[woman speaking foreign language]
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Amazing.
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[man speaking foreign language]
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[upbeat drumming music]
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They look great.
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[upbeat drumming music]
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Great, yeah.
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They\'re amazing!
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[man speaking foreign language]
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[crowd clapping]
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[man speaking foreign language]
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We have a very important lady here.
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Kim Hahn, upstream asset manager for ExxonMobil.
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[women speaking foreign language]
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[engines rumbling]
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[man speaking foreign language]
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Christmas next year.
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[flies buzzing]
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[engine rumbling]
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01:04:53.431 --> 01:04:57.514 line:15%
[man shouts in foreign language]
239
01:06:08.872 --> 01:06:11.789
[engines rumbling]
240
01:06:16.535 --> 01:06:20.618 line:15%
[man shouts in foreign language]
241
01:06:40.730 --> 01:06:43.730
[crickets chirping]
242
01:06:51.173 --> 01:06:55.756
[muffled shouting in foreign language]
243
01:06:59.536 --> 01:07:04.536
[people wailing]
[people sobbing]
244
01:07:33.949 --> 01:07:38.116 line:15%
[woman speaking foreign language]
245
01:08:24.100 --> 01:08:28.100
[men speaking foreign language]
246
01:08:44.580 --> 01:08:48.992
[bat thudding]
[pig squealing]
247
01:08:48.992 --> 01:08:52.992 line:15%
[men speaking foreign language]
248
01:08:56.452 --> 01:08:59.035 line:15%
[bat thudding]
249
01:09:00.039 --> 01:09:04.756 line:15%
[men speaking foreign language]
250
01:09:04.756 --> 01:09:05.917 line:15%
[bat thudding]
251
01:09:05.917 --> 01:09:09.917 line:15%
[men speaking foreign language]
252
01:09:10.917 --> 01:09:15.000 line:15%
[man speaking foreign language]
253
01:10:45.457 --> 01:10:48.374
[engines rumbling]
254
01:11:19.149 --> 01:11:24.149
[rain pattering]
[muffled talking]
255
01:11:29.959 --> 01:11:34.376
[people singing in foreign language]
256
01:11:38.514 --> 01:11:41.847
[upbeat drumming music]
257
01:11:54.953 --> 01:11:56.557 line:15%
[man speaking foreign language]
258
01:11:56.557 --> 01:12:00.557
[boys sing in foreign language]
259
01:12:17.739 --> 01:12:21.739 line:15%
[man speaking foreign language]
260
01:13:51.674 --> 01:13:55.007
[upbeat drumming music]
261
01:14:11.265 --> 01:14:16.265
[engine rumbling]
[muffled talking]
262
01:14:29.303 --> 01:14:34.303
[crickets chirping]
[thunder rumbling]
263
01:14:56.218 --> 01:15:00.385 line:15%
[woman speaking foreign language]
264
01:15:40.574 --> 01:15:44.657 line:15%
[both speaking foreign language]
265
01:16:11.269 --> 01:16:16.269
[fire whooshing]
[leaves rustling]
266
01:16:21.037 --> 01:16:24.204
[branches clattering]
267
01:16:25.079 --> 01:16:29.246 line:15%
[woman speaking foreign language]
268
01:17:40.868 --> 01:17:45.035 line:15%
[women speaking foreign language]
269
01:18:47.109 --> 01:18:51.109 line:15%
[men speaking foreign language]
270
01:19:10.147 --> 01:19:13.230
[lawnmower rumbling]
271
01:19:16.242 --> 01:19:19.384
[birds chirping]
272
01:19:19.384 --> 01:19:21.884
[light music]
273
01:19:54.752 --> 01:19:57.585
[leaves rustling]
274
01:20:03.076 --> 01:20:08.076
[man breathing heavily]
[light music continues]
275
01:20:48.603 --> 01:20:53.603
[light dramatic music]
[birds chirping]
276
01:21:10.228 --> 01:21:14.228 line:15%
[man speaking foreign language]
277
01:21:31.041 --> 01:21:33.791
[birds chirping]
278
01:21:36.051 --> 01:21:40.383 line:15%
[man speaking foreign language]
279
01:21:40.383 --> 01:21:45.383
[leaves rustling]
[light music]
280
01:21:58.992 --> 01:22:01.742
[birds chirping]
281
01:22:09.762 --> 01:22:12.398 line:15%
[man speaking foreign language]
282
01:22:12.398 --> 01:22:15.398 line:15%
In here, no disturbing, we are free.
283
01:22:19.253 --> 01:22:22.586 line:15%
No disturbing on this area, we are free.
284
01:22:23.529 --> 01:22:26.279
[birds chirping]
285
01:22:31.597 --> 01:22:34.149 line:15%
We are free and we are dancing now.
286
01:22:34.149 --> 01:22:38.690 line:15%
[man speaking foreign language]
287
01:22:38.690 --> 01:22:42.460 line:15%
We are free so we big dance, big party.
288
01:22:42.460 --> 01:22:45.447 line:15%
In this area, no noise, no disturbance.
289
01:22:46.446 --> 01:22:49.196
[birds chirping]
290
01:22:50.086 --> 01:22:52.506 line:15%
There\'s too many, too many...
291
01:22:52.506 --> 01:22:55.256
[birds chirping]
292
01:22:58.226 --> 01:23:00.976
[lighter clicks]
293
01:23:24.493 --> 01:23:26.993 line:15%
[light music]
294
01:23:31.202 --> 01:23:33.952 line:15%
[birds chirping]
295
01:24:30.730 --> 01:24:35.730
[bugs trilling]
[crickets chirping]
