A portrait of a doctor who saw the worst of society and ran.
Sermons and Sacred Pictures

- Description
- Reviews
- Citation
- Cataloging
- Transcript
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SERMONS AND SACRED PICTURES profiles Reverend L.O. Taylor, a Memphis-based Baptist minister who in the 1930s and 40s built a fiery reputation by lacing his sermons with parables, fables and dramatic visual descriptions.
Taylor was also an inspired photographer and filmmaker with a keen interest in preserving a visual and aural record of the fabric of black American life. He photographed and filmed businesses and schools, the National Baptist Convention, baptisms, funerals, and individuals in the quiet dignity of their everyday lives. Over the years he compiled an extraordinary record of Southern black life before the Civil Rights movement.
This film is an innovative combination of Taylor's films and audio recordings, images of contemporary Memphis, and commentary by his widow and others who knew him, forming an intertwined narrative about the pioneering documentarian and social activist. Taylor emerges as a man of humor, piety and intelligence, vibrantly involved in the community he loved.
"Recommended! Fascinating! Provide[s] a link to an important piece of African American history and life."—Educational Media Reviews Online
"A dramatic portrait that will be especially useful for teachers and students interested in the black experience and the American South."—Professor William Ferris, Director of the Center for Study of Southern Culture at the University of Mississippi, Co-Editor of the Encyclopedia of Southern Culture
"Has a magical quality... It brings to life the work of Rev. Taylor [and] affirms African-American identity and spirit."—Elaine Charnov, Director of the Margaret Mead Film Festival
"The highlight of the Margaret Mead Film Festival."—J. Hoberman, Village Voice
Citation
Main credits
Sachs, Lynne (filmmaker)
Taylor, L. O. (photographer)
Taylor, L. O. (on-screen participant)
Other credits
Black & white photography, music recordings, original titles by Reverend L.O. Taylor Memphis, Tennessee (1900-1977); color photography from Memphis Tennessee, Lynne Sachs 1987; music, L.O. Taylor; special consultant, Judy Peiser.
Distributor subjects
African American Studies; American Studies; Christianity; Cinema Studies; Civil Rights; Cultural Studies; Historiography; History (U.S.); Photography; Race and Racism; ReligionKeywords
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Well, now they baptize you in the church and
the baptizing pool.
00:16.370 --> 00:23.350
But the way when I was baptized, I was baptized
out in the woods in the old
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time way.
And they don\'t do like they used to do in the
00:27.379 --> 00:28.389
old time way.
00:28.739 --> 00:32.779
They baptized now and they acquired with their
religion.
00:33.220 --> 00:39.790
But then when I was baptized the spirit, the
holy ghost was there and people were shouting
00:39.799 --> 00:40.799
everywhere.
01:21.510 --> 01:24.959
We\'d always have baptisms early in the
morning.
01:26.000 --> 01:31.580
That was uh part of our activity pilgrim church
which church uh farm pastor.
01:33.910 --> 01:40.290
(muffled background voices)
01:44.559 --> 01:45.559
(muffled background voices)
01:54.300 --> 02:00.419
Minister would go down and take a long stick
and, and wade out into the water.
02:02.250 --> 02:06.699
(muffled background voices)
02:08.869 --> 02:12.240
really.
The Spirit of the Lord would come down and uh
02:12.559 --> 02:16.160
they just uh they just wouldn\'t have no control.
People.
02:16.169 --> 02:17.559
Spirit of the Lord is on them.
02:18.570 --> 02:22.089
They, they have spent that or you just don\'t
have it.
02:22.279 --> 02:27.789
They go down, they sang on the, on, on maybe on,
on uh on the river,
02:27.800 --> 02:29.940
on the uh water site.
02:30.289 --> 02:32.119
They sang old spirituals.
02:32.580 --> 02:36.800
And you talking about Hallelujah time. OK.
02:37.490 --> 02:43.309
Oh, thank you. Yeah. Yeah.
02:46.610 --> 02:53.029
Yeah.
People get happy
02:53.729 --> 02:58.759
and they get the shouting and be shouting on
the banks of the river just like people do in
02:58.770 --> 03:01.050
church. Ok.
03:09.270 --> 03:11.240
(singing) Thank you.
Thank you.
03:11.820 --> 03:12.929
(singing) Thank you.
Thank you.
03:16.270 --> 03:21.080
You brought me, you brought me ladies and
gentlemen.
03:21.740 --> 03:28.339
I usually take advantage of an opportunity to
get the virus of some people because long I
03:28.350 --> 03:34.270
have to go.
Even before I go, I like to have some kind of a
03:34.279 --> 03:41.240
something or some kind of a voice where you can
remember these prominent folks.
03:41.300 --> 03:42.600
We\'re making a record.
03:42.949 --> 03:47.750
I\'m just taking this little time to let you see,
just how this is done.
03:48.279 --> 03:53.300
See, we make records here.
We make pictures here with these music here and
03:53.309 --> 04:00.000
we eat and sleep here from me yet.
(singing) You brought me from the
04:06.130 --> 04:12.770
(singing) so, Oh, he\'s a, a little
04:13.009 --> 04:17.140
brown skin preacher weighed about, he might
weigh 150.
04:18.119 --> 04:23.910
Yeah, that\'s him.
He was little and they were white glasses.
04:26.109 --> 04:30.100
(singing) You brought me here. Yeah. Yeah.
04:35.130 --> 04:36.130
Yeah.
04:46.320 --> 04:47.820
He was a fiery preacher.
04:49.000 --> 04:51.149
He really could preach the gospel.
04:52.429 --> 04:56.480
He a type preacher that he could move around.
04:57.269 --> 05:02.010
In other words, he was the accent preacher.
He didn\'t just stand and didn\'t move.
05:02.019 --> 05:05.309
He was a moving preacher when he was in the
pulpit.
05:07.220 --> 05:13.079
Thank you. Great. Right.
05:15.799 --> 05:20.950
He would take picture and he would edit them
together and make a presentation out of them
05:21.369 --> 05:22.929
and he would show them at church.
05:23.760 --> 05:30.179
So when he had something like this, everybody
went and you can have a house full and he
05:30.190 --> 05:37.179
had a mic, he would narrate as he went along
because even
05:37.190 --> 05:40.720
though he was a minister and by the very nature
you\'re a minister,
05:40.890 --> 05:44.630
you don\'t, you know, photography and minister
just, there\'s no,
05:44.640 --> 05:46.329
you don\'t have to mix the two at all.
I mean,
05:46.339 --> 05:49.790
there\'s no reason to, but because of his love
for photography,
05:49.880 --> 05:55.480
he didn\'t just take pictures but he used his
work as his photography and film making to make
05:55.489 --> 05:58.130
a social statement.
It\'s a social statement what he did because it
05:58.140 --> 06:05.000
was like a tale of two cities there
(Preacher) Family and some pain or whatever
06:05.010 --> 06:11.750
the condition is that you\'re able to heal the,
you\'re able to have a problem, whatever our
06:12.089 --> 06:18.829
problems are this morning, to the place
we have to touch us,
06:18.839 --> 06:22.890
let us feel you touch out a heart, touch our
soul,
06:24.279 --> 06:30.989
you have a problem or whatever, whatever the
condition is you able to the mouth of that
06:31.000 --> 06:35.440
condition.
He introduced uh
06:37.230 --> 06:42.260
filming in a different area from as it was
produced in Hollywood.
06:42.269 --> 06:47.369
His were introduced to a different group of
people in a different way.
06:47.399 --> 06:52.089
So he made a contribution to the spiritual
world and um you know,
06:52.100 --> 06:53.779
to others, to the family.
07:00.079 --> 07:03.549
Yeah. Yeah.
07:06.950 --> 07:07.950
Mhm
07:14.019 --> 07:20.940
His objective way of teaching was in like Jesus
Parables and like uh uh
07:21.510 --> 07:27.239
uh the people that give character sketches, he
would give a character sketch of what he\'s
07:27.250 --> 07:31.109
going to say, what we call visual education of
today.
07:31.720 --> 07:36.410
He could let the people see it and he could
tell, then he could tell a story so beautiful,
07:36.589 --> 07:41.230
he could tell that story and get the, that
people could get the moral from the story
07:41.239 --> 07:45.609
better than they could, the logic and also the
theological analysis of the Bible.
08:11.450 --> 08:17.510
He was in the
08:19.529 --> 08:24.239
that a lot of the black secretaries were
trained through Henderson business school and
08:24.250 --> 08:28.670
he has a family of them typing up to music for
someone that\'s playing the piano.
08:29.619 --> 08:30.619
OK.
08:45.729 --> 08:50.020
It\'s during that period of time when he was
filming because of the situation.
08:50.030 --> 08:55.469
Like in the South, you had the Black Chamber of
Commerce, the black old folks on the Welfare
08:55.479 --> 09:00.590
League, every, they had duplicated all the city
services which they couldn\'t get.
09:00.719 --> 09:02.619
He had documented all of this here.
09:16.109 --> 09:22.469
K one, all of me and little kids, you know,
imagine the
09:22.479 --> 09:27.419
fascinations of letting of little kids when
they get a chance to get under this black cloak
09:27.489 --> 09:30.190
and look through there and see these people
upside down.
09:30.200 --> 09:34.789
But he\'s about to take pictures of them and
kids were just enamored with that and all the
09:34.799 --> 09:39.369
photographers that they\'d ever seen were white.
We didn\'t bother to show little black kids how,
09:39.380 --> 09:43.619
how the thing, the vision looks through the
camera lens and that kind of thing.
09:43.770 --> 09:47.619
And so he was always doing something like I say,
little kids riding on the running board of the
09:47.630 --> 09:49.869
cars because their parents didn\'t have cars.
09:50.289 --> 09:53.659
I was, mm, seven or eight years old.
09:54.260 --> 09:57.719
I remember him coming to the church showing
films that,
09:57.729 --> 10:01.710
you know, that he had taken, he would show
movies and that was something we always look
10:01.719 --> 10:04.250
forward to when they say Reverend Taylor was
gonna show a movie.
10:04.260 --> 10:07.940
You know, we would be there and it was the kind
of thing that,
10:07.950 --> 10:12.250
uh, Children, we lived in the neighborhood and
we could walk to church by ourselves.
10:12.260 --> 10:15.489
You know, then even in the evening when we
would have,
10:15.580 --> 10:16.919
uh, movies
10:31.200 --> 10:38.200
when I was a child, Pastor Taylor was extremely
big, uh,
10:38.210 --> 10:40.270
in Memphis.
And what happened was because the,
10:40.280 --> 10:45.700
the church building was located on Calhoon just
below both train stations.
10:46.140 --> 10:52.830
Black men who travel the railroads for a living
and who would church me and would come in on
10:52.840 --> 10:57.700
Sunday evenings and Sunday nights and almost
run to all of it to hear him preach because he
10:57.710 --> 11:03.849
was their church away from home.
And so that his messages got preached all over
11:03.859 --> 11:09.780
the country, even though he himself probably
did not travel very far except for national
11:09.789 --> 11:11.409
Baptist conventions and things.
11:19.489 --> 11:21.479
What\'s that? Cool.
11:27.320 --> 11:34.320
Yeah, we right
11:55.570 --> 11:59.979
in God\'s Kingdom will pay for it all.
12:02.309 --> 12:09.210
Just one in God\'s Kingdom will be fine.
12:12.270 --> 12:14.960
Yeah.
Come on.
12:19.760 --> 12:21.789
Yeah. Play.
12:24.479 --> 12:29.770
They thought it was wonderful and thought that
he was progressive that he was beyond,
12:29.780 --> 12:35.330
uh, he, in fact that they felt that if he was
going to say you were going in the big end of
12:35.340 --> 12:39.729
the home, the little one he would, he would
have it so that you could see
12:46.460 --> 12:49.409
right real time.
12:51.510 --> 12:57.159
And his were much is a matter of vision and he
used all of the senses that you could have,
12:57.169 --> 13:00.070
hearing, seeing and feeling.
13:02.090 --> 13:06.070
Taylor was one of the first, he\'s the first one
that I know of was doing anything like that
13:06.080 --> 13:07.159
among black people.
13:07.390 --> 13:09.640
That was something most black people they
didn\'t have.
13:09.650 --> 13:12.210
# one, they didn\'t have the money.
13:12.780 --> 13:16.099
You just can\'t, you couldn\'t buy all those
films just with,
13:16.109 --> 13:17.479
with a nickel a dime.
13:18.239 --> 13:23.960
He was a jack of all trades record producer,
photographer, minister,
13:25.010 --> 13:31.929
camera person, the writer candy maker.
As far as
13:31.940 --> 13:35.849
Memphis is concerned, it, I had never seen a
record, extensive record like he has at the
13:35.859 --> 13:39.830
black community because of the situation like
in the South is in other places.
13:40.159 --> 13:43.559
It was like a, a totally different system
during that time.
13:43.570 --> 13:45.969
If you look the thirties, the forties and up,
you know,
13:45.979 --> 13:49.690
you had the crows laws a whole lot of things.
As far as social aid,
13:50.150 --> 13:54.799
it was always our stigma against just being
black and,
13:54.809 --> 13:56.770
but he showed it was a different side of just,
you know,
13:56.780 --> 13:58.200
you just wasn\'t black and poor.
14:08.950 --> 14:15.159
He was interested in um preserving that black
image
14:15.849 --> 14:22.799
to be left for generation after generation to
be able to see from which you
14:22.809 --> 14:25.940
came.
And what happened in the days when it was not
14:25.950 --> 14:28.140
as good for you as it is now.
14:38.000 --> 14:43.650
And you can imagine you go into a community
where there are no television,
14:43.659 --> 14:50.630
have few radios and you said we\'re gonna have a
movie and you can imagine how people came out.
14:51.489 --> 14:53.780
It was a tremendous experience.
14:56.140 --> 15:02.559
We would invite Ello Taylor to come and he\'d
come Thursday and he would throw his pictures
15:02.570 --> 15:08.599
on Thursday night and preach them home And you
could have
15:08.609 --> 15:13.039
easily two or 3000 people.
In fact, they couldn\'t get in the building,
15:13.789 --> 15:19.539
but you pack them in the, see the movie.
Now, this is Thursday evening and he might,
15:19.549 --> 15:24.320
he, he, and he\'s such a fine fella.
He\'d show him sometimes as long as they wanted
15:24.330 --> 15:30.500
to see, see him, you know, he might show them
two or three times until everybody got around
15:30.510 --> 15:34.349
to seeing her.
And then, you know, he, he would go where he\'s
15:34.359 --> 15:36.260
going to spend the evening.
15:37.179 --> 15:43.840
Uh, and then he, he, he\'d come back to the
church the next day
15:44.200 --> 15:49.539
and he preached his and then of course, the
praise was packed out after they\'d heard him
15:49.549 --> 15:51.890
once they would come from far and near.
16:03.179 --> 16:06.989
Bye. Mhm.
16:15.380 --> 16:20.679
Reven had a movie camera and he would make
pitches as the,
16:21.460 --> 16:28.390
the folks got there, he make pitches at the
station and I couldn\'t keep
16:28.400 --> 16:31.900
up with him hardly for making pitches
16:35.750 --> 16:37.070
and I didn\'t try.
16:39.210 --> 16:45.979
Yeah, Back
16:45.989 --> 16:49.119
then you didn\'t go in on dining car.
If you were black,
16:49.130 --> 16:51.000
you couldn\'t go in the dining car, period.
16:51.359 --> 16:54.140
You started going in the dining car after the
60s.
16:56.869 --> 16:59.099
Yes, you could, you could go in the dining car.
16:59.929 --> 17:04.109
That\'s wrong.
I was wrong because I know, uh, I went in the
17:04.119 --> 17:11.069
dining car and the, and I went to New Jersey,
but now I don\'t
17:11.079 --> 17:13.920
know whether you could go in the dining car in,
in the south or not,
17:13.930 --> 17:16.810
but you could, you could go in the dining car
upstate.
17:16.819 --> 17:17.969
I take that back.
That\'s right.
17:19.900 --> 17:21.930
And Dixon line, that\'s what I\'m trying.
Yeah, that\'s right.
17:22.229 --> 17:28.709
You take the train, then all the blacks would
ride the front
17:28.729 --> 17:34.969
torches because see, then the trains burn coal,
they use coal to,
17:35.069 --> 17:41.260
for steam to run it and, and you see it wasn\'t
in the air condition and when you,
17:41.270 --> 17:45.810
you could raise the window, you had to keep the
window down though because all that smoke and
17:45.819 --> 17:50.339
that blowing off, that engine would just fly in
there.
17:50.349 --> 17:52.609
But see all the whites were all the way on the
back.
17:54.439 --> 17:57.640
If the train gonna be there maybe in five
minutes.
17:57.650 --> 18:03.280
If a little sandwich shop on the, in the air,
well, if they didn\'t have a window where it
18:03.290 --> 18:06.239
said color, you still couldn\'t get anything.
18:06.530 --> 18:11.430
So these are the things they done you had to
encounter traveling and southern traveling was,
18:11.439 --> 18:16.119
was hard because so many places you go, you
just couldn\'t,
18:16.410 --> 18:18.810
they didn\'t, if they didn\'t have that colored
sign up there,
18:18.819 --> 18:21.109
that was it.
You just have to wait to get somewhere if you
18:21.119 --> 18:22.930
get somewhere else before you get waited on.
18:23.719 --> 18:25.560
Well, no, you talking about going through that
front door.
18:26.079 --> 18:28.550
If you did, you, you might not get out of it.
18:44.989 --> 18:51.520
He made him getting off the train and on the
train and round the
18:51.530 --> 18:56.319
train and walking by the walking.
19:11.500 --> 19:17.170
No.
Oh, it, it, it really is exciting when you
19:17.180 --> 19:21.640
leave.
If you cross, you know, get into uh era like
19:21.650 --> 19:26.280
getting in Illinois or how uh then it\'s so much
better.
19:26.290 --> 19:31.189
You, you, you didn\'t have, you didn\'t have all
those uh uh segregated eras.
19:42.589 --> 19:42.939
Oh,
20:05.160 --> 20:10.680
well, here is the National Baptist Convention
uh which is the largest black organization in
20:10.689 --> 20:11.770
the United States.
20:12.780 --> 20:19.420
And it\'s been like that for years and Taylor
went to all these meetings and
20:19.430 --> 20:25.989
he was one of the few people who understood
taking these pictures in California and in
20:26.000 --> 20:29.469
Florida.
While these palm trees, this is an interesting
20:29.479 --> 20:31.900
thing.
He, if he goes back home, so I\'m gonna show the
20:31.910 --> 20:36.650
movies tonight of the national convention.
You can imagine how many people who didn\'t go
20:36.660 --> 20:40.180
to the National Baths and them who went, just
love to see themselves on the,
20:43.219 --> 20:48.540
a little something that I thought would
interest many of whom those on the platform and
20:48.550 --> 20:49.630
those in the audience.
20:51.839 --> 20:57.290
I\'m sure all of you or most of you of the
President
20:58.949 --> 21:05.739
me stand and organizing a civil rights
committee
21:07.150 --> 21:13.849
is the first way to start abolishing.
21:15.280 --> 21:20.000
Did it profit more or less, um, to have this
kind of uh,
21:21.079 --> 21:24.709
organization formed and going from city to city?
21:25.040 --> 21:30.920
And uh, I think it, it, it paved the road for
where we are now because even though under
21:30.930 --> 21:36.689
those adverse circumstances, it, it caused us
to be able to meet together,
21:36.699 --> 21:43.000
get material and learn of other ways of things
happening and how to get into
21:43.530 --> 21:48.459
the, the other segment of the world.
So when the civil rights movement came about,
21:48.589 --> 21:52.619
you knew what was there and all you had to do
was just move into it.
21:52.630 --> 21:55.810
So it was a learning process, even though like
I said,
21:55.819 --> 21:59.459
it was on that first circumstance, it was a
learning process to what happened,
22:00.180 --> 22:01.819
you know, years later.
22:02.099 --> 22:05.859
And it was, I, I feel that it was good that,
that the,
22:05.869 --> 22:10.959
that the black organization was formed for, you
know, for that reason,
22:13.199 --> 22:19.719
ungodly and sinful power and discrimination.
22:23.739 --> 22:27.599
God over there
22:31.560 --> 22:38.420
up together this
22:38.430 --> 22:43.920
bill, the saying we understand and come up to
the White House.
22:45.109 --> 22:47.670
Look on the, that respect.
22:49.109 --> 22:51.310
1000 naturally.
22:51.890 --> 22:57.280
So I bought a car coming down here, one of our,
over here at
22:59.530 --> 23:05.900
the convention, he\'d bring them back and uh
show them to the churches.
23:06.329 --> 23:12.829
Uh They liked it, they live it
23:13.459 --> 23:17.640
at themselves and they enjoyed it.
23:18.099 --> 23:21.589
Uh He would tell about it, you know,
23:30.869 --> 23:31.869
great.
23:42.589 --> 23:48.839
The night that the film was shown, it was, you
know, it was like a rebirth of,
23:48.849 --> 23:54.900
of something that you um, that you\'ve gone
through in the past.
23:55.209 --> 24:01.709
And it, it\'s just, it was, uh it was like
reminiscing all the way back.
24:02.489 --> 24:06.829
Uh This kind of thing was such a novel in that
day and just have everybody,
24:06.969 --> 24:13.420
you have a church for the church, uh about 7,
800 people at that time.
24:13.430 --> 24:17.400
You can, you got 7, 800 people together for the
showing of the film.
24:17.780 --> 24:24.239
You had a tremendous crowd and of course, there
was not a bunch of other things that uh blacks
24:24.250 --> 24:30.989
could do for, for outlet in Memphis history and
our
24:31.000 --> 24:35.300
history books don\'t reflect that contribution
that Black Americans made as far as Memphis
24:35.310 --> 24:40.099
goes and you don\'t hear about that or when you
do hear it\'s only in passing,
24:40.109 --> 24:41.569
but it\'s not like a written word.
24:42.040 --> 24:46.219
And this is a film is similar to the written
word.
24:46.229 --> 24:49.939
It\'s down to, you can reread it over and over,
you can play it over and over.
24:50.829 --> 24:55.560
Hey, that over there on the other side.
Yeah, with a little cap on out.
24:55.969 --> 24:58.099
Yeah, I see it. Yeah.
24:58.780 --> 24:59.780
Tell me,
25:05.849 --> 25:11.540
you know, um I saw and all that on the um films.
25:12.339 --> 25:16.670
It, it, it sort of reminds you when you see the
pictures in the Bible and you read about the
25:16.680 --> 25:21.290
Baptizers on the River Jordan and they are more
sacred.
25:21.300 --> 25:26.280
To me, even though we don\'t do them now seem to
me they were more sacred,
25:26.290 --> 25:30.369
oriented, baptized than what they are now in
the pool,
25:30.380 --> 25:31.349
in the church pool.
25:53.310 --> 25:59.420
Oh.
And of course, you know, those pictures really
25:59.430 --> 26:03.959
spoke to, uh, the minds of the people.
26:04.170 --> 26:08.510
They, they, in fact they were real sacred for
them.
26:11.530 --> 26:14.660
Pray for those. Yeah.
26:15.410 --> 26:20.109
Sounds good. No. Ok.
26:21.000 --> 26:24.339
After a while. Boy.
26:24.609 --> 26:25.780
So, yeah.
26:26.250 --> 26:28.300
Don\'t do our job here.
26:29.599 --> 26:35.290
The, no.
26:40.359 --> 26:41.359
Yeah. Yeah.
26:47.849 --> 26:49.910
His name and thank,
26:58.609 --> 27:00.020
yeah. No.
27:15.180 --> 27:19.040
Yeah. Yes.
27:21.890 --> 27:28.449
Yeah, I know it. Yeah. Yeah. True. Yeah. Yeah.
27:30.000 --> 27:33.619
Get down here. Yeah.
27:37.119 --> 27:38.329
World with this. Love.
27:40.260 --> 27:43.680
Hard to get even. Yeah. Yeah.
27:44.599 --> 27:44.979
Where you from?
27:53.920 --> 27:59.930
Yeah.
And
28:01.459 --> 28:06.589
so tell us,
28:10.150 --> 28:12.050
ok, it\'s all right.
28:12.310 --> 28:18.390
It\'s all right.
I have told you all the very.
28:22.890 --> 28:25.500
Yeah. Mhm.
28:27.430 --> 28:30.979
Well, I\'m excited the,
28:44.910 --> 28:44.930
yeah.