An intimate biography of the Norwegian founder of deep ecology.
An Ecology of Mind
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- Transcript
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AN ECOLOGY OF MIND is a portrait of Gregory Bateson, celebrated anthropologist, philosopher, author, naturalist, and systems theorist. His story is lovingly told by his youngest daughter, Nora, with footage from Gregory's own films shot in the 1930s with his wife Margaret Mead in Bali and New Guinea, along with photographs, filmed lectures, and interviews.
Gregory Bateson was a man who studied the interrelationships of the complex systems we live in with scientific rigor and enormous integrity. His theories, such as 'the double bind' and 'the pattern which connects', continue to impact the fields of anthropology, psychiatry, information science, cybernetics, urban planning, biology, and ecology, challenging people to think in new ways.
Through this film, Nora Bateson sets out to show that his ideas are not just fodder for academic theory, but can help instruct a way of life. She presents his thinking using a richly personal perspective, focusing on the stories Bateson used to present his ideas and how the beauty of life itself provided the framework of his life's pursuits.
Hoping to inspire its audience to see their lives within a larger system, glistening with symmetry, play, and metaphor, AN ECOLOGY OF MIND is an invitation to ask the kinds of questions that could help thread the world back together from the inside.
'Students of biology, science, science history, or organizational theory will delight in discovering this influential thinker and An Ecology of Mind is a great introduction...I am recommending it as a 'must-see' for all community college, college and graduate school science, science education and science history students, as well as scientists and educators who are interested in a very ancient and completely modern problem: understanding the behaviors of complex systems.' Roberta Batorsky, Middlesex County College and Rowan University, American Biology Teacher Magazine
'Edwin Land said that people who seem to have had a new idea have often just stopped having an old idea. Gregory Bateson taught us how to stop having the most fundamental old ideas--the static, separating, reductionist fictions that disintegrate an integrated world. Nora Bateson's beautiful portrait of her father's key insights is a stunningly effective antidote for a new generation that now needs his wisdom more than ever.' Amory B. Lovins, Chairman and Chief Scientist, Rocky Mountain Institute, Author, Let the Mountains Talk, Let the Rivers Run: A Call to Save the Earth
'A brilliant film about a brilliant thinker...Bateson's ideas are not only still relevant today, they have become even more so as the global world faces challenges of how to bring systems thinking to bear on solutions...I was a student of Bateson's in the late 1970s while he was a scholar in residence at the Lindisfarne Foundation and was finishing his seminal book, Mind and Nature. The experience was extraordinary. This film is the only one I know of that explores the full range of thought and humanity of Gregory Bateson, a giant in the world of systems thinking. I think An Ecology of Mind would be excellent in small classroom or seminar situations in which its showing could be followed by free discussion, because the film works best in generating ideas.' Tyler Volk, Professor of Biology and Environmental Studies, New York University, Author, Metapatterns Across Space, Time, and Mind
'Combining rare footage from Bateson's lectures and interviews with a veritable who's who of thinkers influenced by his thought, this is an intimate and accessible portrait of one of the most original and creative interdisciplinary thinkers of the 20th century. From ecology to information systems, Bateson shows how the central question is not 'What is it made of?' but rather 'What is its pattern?'. To borrow a famous remark about James Joyce, we are still learning to be Gregory Bateson's contemporaries. Let's hope we are fast learners.' Cary Wolfe, Professor of English, Rice University, Author, Critical Environments: Postmodern Theory and the Pragmatics of the 'Outside,' and What Is Posthumanism?
'An Ecology of Mind is a tender and poetic portrayal not only of one of the most provocative thinkers of the last century but also of a vivid relationship between a daughter and father. It's an introduction to Gregory Bateson's wisest thoughts, a product of a lifetime of innovative research, centering on the issue of how we (humans) think and learn and do research. I imagine it being shown in a classroom...followed by searching discussions.' Hildred Geertz, Professor Emeritus, Department of Anthropology, Princeton University, Author, Images of Power: Balinese Paintings made for Gregory Bateson and Margaret Mead
'A very attractive, well made film which will arouse interest in the work of Gregory Bateson. Students who have not heard of Bateson's work will find the film a helpful introduction to some of his basic ideas. People with a holistic perspective who have struggled with the object-oriented categories of current academic fields will find support for their views and encouragement not to succumb to the perceptual biases of the majority. The general public will find an Eastern style of thought articulated by a Western scientist. People concerned about the impacts of human beings on the environment will find both an analytic and spiritual adviser...An Ecology of Mind is a loving tribute to a revered father and teacher.' Stuart Umpleby, Professor, Department of Management, Director, Research Program in Social and Organizational Learning, The George Washington University, Associate Editor, Journal of Cybernetics and Systems
'Gregory Bateson revolutionized our understanding of the dynamic relationships in (and between) our human consciousness, our communities and societies, and our ecological systems. His work still challenges and informs us as we create new pathways toward health and resilience in our lives, and in our world. An Ecology of Mind is the first documentary film to explore the life and innovative ideas of this essential thinker. Through this deeply thought-provoking film, we follow Bateson on his remarkable journey toward insight. We discover how his own life experience led him to comprehend the patterns in our reality. Bateson's work remains indispensible as we come to terms with our responsibilities to future generations and to the larger community of life.' Dr. Curt Meine, Director,Conservation Biology and History, Center for Humans and Nature, Author, Correction Lines: Essays on Land, Leopold, and Conservation
'This documentary kindles the spirit of Gregory Bateson, and guides you on two fascinating journeys: One of a daughter's effort to understand her father who died before he could tell her everything she yearned to know, and the other through the ideas that Gregory Bateson developed for us to understand ourselves in the larger ecology to which we contribute. Gregory was an anthropologist, naturalist, cybernetician, and philosopher who never returned to where he came from, restlessly searching to expand the boundaries of our thinking and acting in a world in which everything is connected to everything else. The documentary continues the conversation he started among friends and acquaintances whose lives he touched.' Klaus Krippendorff, Professor for Cybernetics, Language and Culture, University of Pennsylvania, Author, On Communicating: Otherness, Meaning, and Information
'Nora Bateson combines imaginative graphics with fascinating documentary footage and illuminating interviews to present her father's intellectual legacy against the backdrop of his relationship with his youngest child, the filmmaker herself. This unique documentary will be an invaluable resource to the many who have drawn on Gregory Bateson's ideas--myself included--and to those for whom this will be an enlightening introduction.' Deborah Tannen, Professor of Linguistics, Georgetown University, Author, You Just Don't Understand
'Nora Bateson's imtimate portrait of her father allows us to delight in his delight, to share his infectious love for thinking and being. It is the most enjoyable way I know to get a dose of the systems thinking that our society so sorely needs.' Dorion Sagen, Author, The Sciences of Avatar: From Anthropology to Xenology, Co-Author, Up From Dragons: The Evolution of Human Intelligence
'An Ecology of Mind is a spell-binding, lyrical, and very important film about Gregory Bateson and his revolutionary ideas that helped launch the modern ecology movement...In the 1960s and 1970s, Bateson became a mentor to students, seasoned academics, and environmentalists, providing the language and insights that linked ecology to general systems, psychology, sociology, epistemology, and broad theories of science. Along the way, Bateson conceived and illuminated some of the most significant ideas of the era: cybernetics, double-bind, changeability, and the pattern that connects. The film effectively conveys the breadth, depth, rigor, and dynamism of Gregory Bateson's contributions to science and humanity.' Rex Weyler, Co-founder, Greenpeace International
'A loving tribute to a man who shaped the life of the filmmaker and, more than most of us realize, shaped all of our lives. He may not appear in the pantheon of most younger anthropologists, but his work was almost always precocious and indicated how anthropology could actually contribute beyond the narrow confines of the anthropology department...Suitable for college courses in cultural anthropology and history/theory of anthropology, as well as general audiences.' Jack David Eller, Community College of Denver, Anthropology Review Database
'Highly recommended...Encourage[s] viewers to expand our typical perspectives and exercise our brains in a holistic manner...A great mind-opener that would be a valuable resource for a variety of college level course discussions, as well as for the intellectually ambitious general viewer.' Rue McKenzie, University of South Florida, Educational Media Reviews Online
'A concise summary of several opinions on a very much discussed topic. The choice of different perspectives brings a new infusion of concepts and the intermingling of opinions gives the viewer much to think about...Amenable to a wide range of viewers of all ages...A very well done piece of work. Nice job!' Sowmya Anjur, Illinois Mathematics and Science Academy, Science Books and Films
'Until now, [Bateson's] work has been largely inaccessible to those outside of the academic community. With this film, this is bound to change...Perhaps Nora Bateson's biggest achievement is that she is able to explain abstract and rather inaccessible concepts in a clear way.' Jan van Boeckel, Resurgence Magazine
'An inspiring, meditative film that shows Gregory Bateson range and depth and ultimately gives us a larger glimpse into our place within nature and the cosmos, asking us to consider: What pattern connects art to science, and the cave to the universe, and all of that to us? Bateson-father and daughter-have not only asked a challenging question, they have given us the tools to reimagine our world.' Wild River Review
'[A] keen yet personal portrait of an extraordinary man, An Ecology of Mind also looks to the future, and draws upon Bateson's way of thinking to reveal practical approaches to humanity's tremendous modern-day challenges.' The Midwest Book Review
'Exquisite...The film conveys [Bateson's] complex ideas in such a way as to take us right inside them so that we see them as clearly as pebbles in a crystalline mountain stream. That the film accomplishes this is a testament to the filmmaker's artistry and her grasp of her father's subtle and unique style of thinking...A beautiful and important film.' Dr. Marilyn Wedge, Huffington Post
'What becomes amply clear is that Bateson is needed today more than ever...Bateson's beliefs feel as fresh as they do refreshing...His daughter, now, in a quietly profound way has continued the journey. It's up to the rest of us to complete the process. Watching An Ecology of Mind is a good place to start.' Dan Webster, Movie 101 on NPR
'Many attributes of Gregory Bateson's life and work are conveyed in the film, but most importantly, it has the power to change the way you see...You will find that you are not looking as things at all, you are looking at patterns of relationship--here and there, now and then, fathers and daughters, fathers and sons, teachers and students, animals and humans, humans and the earth, and even two cups sitting on a table.' Enlightenment Next Magazine
Citation
Main credits
Bateson, Nora (screenwriter)
Bateson, Nora (film producer)
Bateson, Nora (film director)
Bateson, Nora (narrator)
Sieburg, David (film producer)
Sieburg, David (film editor)
Other credits
Cinematographers, Eric Thiermann [and 6 others].
Distributor subjects
Anthropology; Biology; Communication; Consciousness; Critical Thinking; Cybernetics; Ecology; Environmental Ethics; Nature; Philosophy; Psychology; Society; Systems Design; Urban and Regional PlanningKeywords
00:00:32.159 --> 00:00:32.420
OK.
00:00:32.420 --> 00:00:36.070
Now, I want to make this big
jump which is to the question
00:00:36.070 --> 00:00:36.350
of "how
00:00:36.350 --> 00:00:38.550
do you think?" Me?
00:00:38.550 --> 00:00:39.700
At all.
00:00:39.700 --> 00:00:41.683
How is thinking done?
00:00:41.683 --> 00:00:43.335
By the brain in your head.
00:00:43.335 --> 00:00:46.274
That may be the part that does
it, but that isn't how.
00:00:52.740 --> 00:00:55.970
If you happen to be wearing a
white lab coat, or have an
00:00:55.970 --> 00:00:59.630
office with a nice couch, we
could have a very long talk
00:00:59.630 --> 00:01:03.340
about how my father, scientist,
anthropologist,
00:01:03.340 --> 00:01:06.870
psychologist, cyberneticist,
has affected
00:01:06.870 --> 00:01:09.350
my approach to life.
00:01:09.350 --> 00:01:12.040
But that may or may not
be interesting.
00:01:12.040 --> 00:01:16.590
So I'd like to look at the
question from another angle.
00:01:16.590 --> 00:01:20.450
I have his forehead and his long
legs, and in keeping with
00:01:20.450 --> 00:01:23.820
the genetic similarities I
inherited from him, I'm
00:01:23.820 --> 00:01:27.490
inviting you to do the thing he
did best, which is to look
00:01:27.490 --> 00:01:31.260
at the thing, be it an
earthworm, a number sequence,
00:01:31.260 --> 00:01:35.810
a tree, a formal definition of
addiction, anything at all,
00:01:35.810 --> 00:01:37.060
from another angle.
00:01:42.210 --> 00:01:43.765
The thing was never the thing.
00:01:43.765 --> 00:01:46.850
The map was not the territory.
00:01:46.850 --> 00:01:50.830
And whatever it was could
be turned slightly and
00:01:50.830 --> 00:01:52.905
reexamined, seemingly
infinitely.
00:01:56.210 --> 00:01:59.090
Like a Rubik's cube, only one
in which there might be
00:01:59.090 --> 00:02:03.460
several right answers and
patterns, he would twist one
00:02:03.460 --> 00:02:07.390
bit and reevaluate the rules
from there, and then twist it
00:02:07.390 --> 00:02:09.930
again to be sure he didn't
get stuck down a
00:02:09.930 --> 00:02:11.200
singular line of thinking.
00:02:14.290 --> 00:02:16.740
This is a film about how Gregory
Bateson thought.
00:02:36.120 --> 00:02:41.780
He was always learning
from everyone and
00:02:41.780 --> 00:02:43.780
everything around him.
00:02:43.780 --> 00:02:47.710
From the dog, from the fish
tank, from the scientists who
00:02:47.710 --> 00:02:54.260
came to visit, from poetry,
from artwork, from me.
00:02:54.260 --> 00:03:02.710
And as a child, I learned from
him that learning never stops.
00:03:02.710 --> 00:03:06.330
It is more than fashionable.
00:03:06.330 --> 00:03:10.670
It is inculcated by our great
universities who believe there
00:03:10.670 --> 00:03:13.250
is such a thing as psychology,
which is different from
00:03:13.250 --> 00:03:16.620
sociology, and such a thing
as anthropology, which is
00:03:16.620 --> 00:03:20.720
different from both, and such
a thing as aesthetics or art
00:03:20.720 --> 00:03:24.525
criticism, which is different
from both, all three, all
00:03:24.525 --> 00:03:25.695
four, whatever.
00:03:25.695 --> 00:03:31.945
And that the world is made of
separable items of knowledge
00:03:31.945 --> 00:03:36.450
in which, if you were a student,
you could be examined
00:03:36.450 --> 00:03:39.470
by a series of disconnected
questions called
00:03:39.470 --> 00:03:42.990
true or false quizzes--
00:03:42.990 --> 00:03:46.790
quiz bits, as you might say.
00:03:46.790 --> 00:03:50.250
And the first point I want to
get over to you is that the
00:03:50.250 --> 00:03:54.260
world is not like that at all.
00:03:54.260 --> 00:03:56.300
Or, let us be more polite.
00:03:56.300 --> 00:04:00.530
The world in which I live
is not like that at all.
00:04:00.530 --> 00:04:02.960
And as to you, it's your
business to live in whatever
00:04:02.960 --> 00:04:04.480
world you want to.
00:04:04.480 --> 00:04:09.430
Gregory Bateson challenged us
to rethink or to stand back
00:04:09.430 --> 00:04:13.470
and try to perceive in a
different way, to see how
00:04:13.470 --> 00:04:15.560
reality is actually operating.
00:04:15.560 --> 00:04:17.040
How does biology work?
00:04:17.040 --> 00:04:18.360
How do we work?
00:04:18.360 --> 00:04:23.330
How does even our own thinking
get to turn by larger ideas?
00:04:23.330 --> 00:04:26.960
When finally one of his ideas
went kathunk and fell into
00:04:26.960 --> 00:04:32.400
place, the waves, like the whale
flapping its tail, were
00:04:32.400 --> 00:04:35.160
enormous, and just echoed out
into all these different
00:04:35.160 --> 00:04:36.390
disciplines.
00:04:36.390 --> 00:04:40.060
So his inspirational quality
was really quite
00:04:40.060 --> 00:04:41.750
extraordinary.
00:04:41.750 --> 00:04:46.750
That he worked in so many
disciplines is a consequence
00:04:46.750 --> 00:04:48.250
of his way of thinking.
00:04:48.250 --> 00:04:49.690
He was not interested in
00:04:49.690 --> 00:04:52.350
specializing in a narrow field.
00:04:52.350 --> 00:04:54.900
He was interested in
larger patterns.
00:04:54.900 --> 00:04:58.080
He was interested in how things
are connected, and
00:04:58.080 --> 00:05:01.320
especially how living things
are connected.
00:05:01.320 --> 00:05:07.710
From biology at the beginning
into anthropology, into
00:05:07.710 --> 00:05:12.860
systems of ideas, pathologies of
systems of ideas, and then
00:05:12.860 --> 00:05:16.250
to systems of ideas
which are how we
00:05:16.250 --> 00:05:18.270
all try to live together.
00:05:18.270 --> 00:05:21.060
And we all includes the animals
and the plants as well
00:05:21.060 --> 00:05:22.190
as you and me.
00:05:22.190 --> 00:05:27.920
Looking at just how reality
unfolds and how it all works,
00:05:27.920 --> 00:05:30.400
and when you take a little piece
of it, then you just
00:05:30.400 --> 00:05:32.750
look at that little piece and
you come up with a lot of
00:05:32.750 --> 00:05:36.130
erroneous interpretations
of what's going on.
00:05:36.130 --> 00:05:40.710
I've always thought that way,
that the relation between,
00:05:40.710 --> 00:05:45.840
what, me and that book, or the
book on the table, is still a
00:05:45.840 --> 00:05:51.170
microcosm of the relation
between man and God, or God
00:05:51.170 --> 00:05:53.070
and the devil, or
what have you.
00:05:53.070 --> 00:05:55.380
That the big relations and the
small relations are all the
00:05:55.380 --> 00:05:57.380
same thing.
00:05:57.380 --> 00:05:59.790
For study purposes, you have
to work with small ones
00:05:59.790 --> 00:06:02.630
sometimes, and then people blame
you for working with
00:06:02.630 --> 00:06:04.170
small ones.
00:06:04.170 --> 00:06:06.050
Then you start working with big
ones, and they blame you
00:06:06.050 --> 00:06:07.550
for being a mystic.
00:06:07.550 --> 00:06:09.165
It's all the same business.
00:06:13.880 --> 00:06:18.070
It was as though he could zoom
in on the very intimate and
00:06:18.070 --> 00:06:23.690
personal dynamics of a single
conversation, and zoom out and
00:06:23.690 --> 00:06:27.840
be able to hold in focus
a much larger context.
00:06:30.370 --> 00:06:34.020
As a child, I used to sit on the
floor next to him drawing
00:06:34.020 --> 00:06:37.460
pictures and listening while
he gave lectures.
00:06:37.460 --> 00:06:40.460
Even then, it seemed to me that
he was peering through a
00:06:40.460 --> 00:06:43.025
trap door at the inner
workings of life.
00:06:47.300 --> 00:06:50.670
Krishnamurti said something
like, you might think you're
00:06:50.670 --> 00:06:52.300
thinking your own thoughts.
00:06:52.300 --> 00:06:52.986
You're not.
00:06:52.986 --> 00:06:54.725
You're thinking your
culture's thoughts.
00:06:57.630 --> 00:07:01.380
And Gregory said, "The major
problems in the world are the
00:07:01.380 --> 00:07:04.800
result of the difference between
how nature works and
00:07:04.800 --> 00:07:11.090
the way people think."
00:07:11.090 --> 00:07:14.190
What does it even mean to
change the way we think?
00:07:22.430 --> 00:07:24.280
I guess I've been reading
too much Alice.
00:07:27.620 --> 00:07:31.920
You remember when they come out
from swimming in Alice's
00:07:31.920 --> 00:07:34.766
tears, she and all
the animals?
00:07:39.480 --> 00:07:44.640
She tries to dry them by reading
them history, which
00:07:44.640 --> 00:07:48.920
she thinks is the driest
material she can produce.
00:07:48.920 --> 00:07:52.310
And she reaches the sentence,
"The Archbishop found it
00:07:52.310 --> 00:08:00.020
advisable." The duck said,
"Found what advisable?" "It,"
00:08:00.020 --> 00:08:01.270
said Alice.
00:08:05.170 --> 00:08:08.870
"It, to me," said the duck, is
usually a frog or a worm.
00:08:12.220 --> 00:08:17.120
Gregory observed, as all of us
have by now, that human beings
00:08:17.120 --> 00:08:23.400
frequently behave in ways that
are destructive of natural
00:08:23.400 --> 00:08:25.470
ecological systems.
00:08:25.470 --> 00:08:31.100
And he asked the question, what
is there about our way of
00:08:31.100 --> 00:08:37.000
perceiving that makes us
not see the delicate
00:08:37.000 --> 00:08:43.450
interdependencies in an
ecological system that give it
00:08:43.450 --> 00:08:45.880
its integrity?
00:08:45.880 --> 00:08:50.710
We don't see them, and
therefore, we break them.
00:08:50.710 --> 00:08:56.140
The story basically was in the
late 19th century, some busy
00:08:56.140 --> 00:09:00.400
entomologist, as Gregory said,
was up looking around in the
00:09:00.400 --> 00:09:04.600
very high beams over the high
hall at New College, Oxford,
00:09:04.600 --> 00:09:08.600
and noticed that something
needed to be done.
00:09:08.600 --> 00:09:10.650
And there was the big question
of where would you find oak
00:09:10.650 --> 00:09:13.850
timbers 40 feet and two
2 feet by 2 feet
00:09:13.850 --> 00:09:16.260
anywhere in modern England?
00:09:16.260 --> 00:09:18.830
And then it turned out that at
someplace in the college
00:09:18.830 --> 00:09:22.600
lands, there were some very
large oak trees that, it was
00:09:22.600 --> 00:09:24.880
reported, there was a forester
who came and said, we was
00:09:24.880 --> 00:09:26.100
wondering when you'd
be asking.
00:09:26.100 --> 00:09:29.390
We've been keeping those trees
for the oak beams of New
00:09:29.390 --> 00:09:32.640
College, Oxford, because beams
do wear out after a few
00:09:32.640 --> 00:09:35.740
hundred years, and we wanted to
have some new ones on hand.
00:09:35.740 --> 00:09:39.030
And Gregory said, that's the
way to run a culture.
00:09:43.610 --> 00:09:48.260
What is important is how he
approached everything.
00:09:48.260 --> 00:09:49.590
How does it work?
00:09:49.590 --> 00:09:51.120
What works with it?
00:09:51.120 --> 00:09:53.180
What are its relationships?
00:09:53.180 --> 00:09:55.050
How does it interact?
00:09:55.050 --> 00:09:56.730
How does it learn?
00:09:56.730 --> 00:09:58.600
And of course, how
does it think?
00:10:03.480 --> 00:10:06.760
Poring through his work, I
find that I'm continually
00:10:06.760 --> 00:10:11.095
reminded at each step that an
ecology of mind is a slippery
00:10:11.095 --> 00:10:12.720
and rigorous friend.
00:10:32.940 --> 00:10:36.150
Without context, of words
and actions have
00:10:36.150 --> 00:10:37.950
no meaning at all.
00:10:37.950 --> 00:10:40.740
This is true of all
communication.
00:10:40.740 --> 00:10:43.990
That which tells the sea anemone
how to grow and the
00:10:43.990 --> 00:10:45.525
amoeba what he should do next.
00:10:51.390 --> 00:10:57.610
You have probably been taught
that you have five fingers.
00:10:57.610 --> 00:11:00.830
That is, on the whole,
incorrect.
00:11:00.830 --> 00:11:07.320
That is the way language
subdivides things into things.
00:11:07.320 --> 00:11:14.850
Probably, the biological truth
is that in the growth of this
00:11:14.850 --> 00:11:19.740
thing in your embryology, which
you scarcely remember,
00:11:19.740 --> 00:11:25.860
what was important was not
five, but four relations
00:11:25.860 --> 00:11:29.320
between the other fingers.
00:11:29.320 --> 00:11:32.210
We're always in relation to
something, and that being in
00:11:32.210 --> 00:11:36.740
relation was a real critical
aspect of Gregory's thought.
00:11:36.740 --> 00:11:40.660
One of my favorite examples
is actually to pick a
00:11:40.660 --> 00:11:43.070
molecule in the body.
00:11:43.070 --> 00:11:44.310
Because it's very simple.
00:11:44.310 --> 00:11:46.520
It's not a complicated
thing like a thought.
00:11:46.520 --> 00:11:51.370
Something like the blood
molecule hemoglobin.
00:11:51.370 --> 00:11:55.210
We could know everything about
the atoms that make up
00:11:55.210 --> 00:11:58.740
hemoglobin, even where they came
from in the formation of
00:11:58.740 --> 00:11:59.900
the universe.
00:11:59.900 --> 00:12:01.580
We could know the
structure of it.
00:12:01.580 --> 00:12:06.090
We could know its interaction
with all kinds of other
00:12:06.090 --> 00:12:08.400
substances in the world.
00:12:08.400 --> 00:12:11.860
To know everything we could
about the physics and
00:12:11.860 --> 00:12:16.330
chemistry and history of the
hemoglobin in terms of where
00:12:16.330 --> 00:12:20.670
the atoms and molecules came
from, we would still not know
00:12:20.670 --> 00:12:22.370
the essential thing.
00:12:22.370 --> 00:12:27.300
We would not know that it's in
relationship to oxygen and in
00:12:27.300 --> 00:12:33.040
relationship to the way oxygen
helps bodies process energy.
00:12:33.040 --> 00:12:38.950
It's in that kind of funny sense
about oxygen, and about
00:12:38.950 --> 00:12:42.080
life, metabolism,
getting energy.
00:12:42.080 --> 00:12:46.280
What's surprising about it is
that probably, we could go to
00:12:46.280 --> 00:12:51.330
another planet in the galaxy
somewhere where we found life
00:12:51.330 --> 00:12:55.080
like animal life that used
oxygen, because it's such a
00:12:55.080 --> 00:12:57.210
wonderful source of energy.
00:12:57.210 --> 00:13:00.790
It's such a powerfully
bonding atom.
00:13:00.790 --> 00:13:03.400
And they would probably have
something like hemoglobin
00:13:03.400 --> 00:13:05.860
flowing through their veins.
00:13:05.860 --> 00:13:08.780
But it would be nothing
like hemoglobin
00:13:08.780 --> 00:13:11.220
in any of its details.
00:13:11.220 --> 00:13:14.890
Probably not even a protein
that we would recognize.
00:13:14.890 --> 00:13:17.360
But it would do the
same thing.
00:13:17.360 --> 00:13:21.120
The function of hemoglobin is
what we're talking about when
00:13:21.120 --> 00:13:24.580
we say that, and the function
of hemoglobin is not what it
00:13:24.580 --> 00:13:29.400
is, but it's what it's
in relationship to.
00:13:29.400 --> 00:13:31.195
We live in a world that's only
made of relationships.
00:13:35.470 --> 00:13:39.060
When you think you can talk
about the table, and you say
00:13:39.060 --> 00:13:46.190
it's hard, all you are saying
is in conflict, a
00:13:46.190 --> 00:13:53.652
confrontation between table and
your hand, your hand had
00:13:53.652 --> 00:13:56.470
to stop moving at
a certain point.
00:13:56.470 --> 00:13:59.270
The table won.
00:13:59.270 --> 00:14:02.270
If the table was soft, your
hand would have won.
00:14:02.270 --> 00:14:04.450
But you're talking
about something
00:14:04.450 --> 00:14:07.240
between the two of them.
00:14:07.240 --> 00:14:11.280
I once spent hundreds of hours
looking at a film of a family
00:14:11.280 --> 00:14:17.960
therapy session, and there was a
mother and a father, and the
00:14:17.960 --> 00:14:21.390
child, who was the identified
patient, and a
00:14:21.390 --> 00:14:24.000
psychotherapist.
00:14:24.000 --> 00:14:27.660
And that child was a
bizarre behavior.
00:14:27.660 --> 00:14:28.710
Disruptive.
00:14:28.710 --> 00:14:30.100
Just--
00:14:30.100 --> 00:14:32.390
And I thought, oh,
that child is
00:14:32.390 --> 00:14:33.870
making his parents miserable.
00:14:33.870 --> 00:14:36.580
What an awful thing?
00:14:36.580 --> 00:14:39.550
And then after I'd watched it
another 100 times, I thought,
00:14:39.550 --> 00:14:43.090
you know, it's that mother
that's making the
00:14:43.090 --> 00:14:45.620
child behave that way.
00:14:45.620 --> 00:14:47.580
Another 100 times, and
I thought, the
00:14:47.580 --> 00:14:48.640
father's sitting there.
00:14:48.640 --> 00:14:51.590
You think he's not
doing anything.
00:14:51.590 --> 00:14:54.930
He's the one that's causing
all the trouble.
00:14:54.930 --> 00:14:57.250
And then eventually I thought,
you know, I think it might be
00:14:57.250 --> 00:14:58.500
the psychotherapist.
00:15:00.350 --> 00:15:06.440
The point being that the
pathology was not in the child
00:15:06.440 --> 00:15:08.580
or the mother or the father
or the therapist.
00:15:08.580 --> 00:15:10.550
It was in the system.
00:15:10.550 --> 00:15:15.760
It was in the pattern of
relationship between them.
00:15:15.760 --> 00:15:22.370
And I was trying to attach it to
an individual, which is the
00:15:22.370 --> 00:15:27.720
way we are trained to think
about causation.
00:15:27.720 --> 00:15:36.050
What happens is that when you
breach a holistic structure
00:15:36.050 --> 00:15:43.260
and you say, or do it without
saying it, but you say, I am
00:15:43.260 --> 00:15:47.350
only going to attend to this
end of the relationship.
00:15:47.350 --> 00:15:53.200
I am going to study the role of
the doctor, R-O-L-E. Now, a
00:15:53.200 --> 00:15:56.300
role is a half-assed
relationship, you know.
00:15:56.300 --> 00:16:00.170
It's one end of a
relationship.
00:16:00.170 --> 00:16:03.900
And you cannot study at
one end a relationship
00:16:03.900 --> 00:16:06.270
and make any sense.
00:16:06.270 --> 00:16:07.770
What you will make
is disaster.
00:16:15.040 --> 00:16:18.910
His father, William Bateson,
was a biologist and a
00:16:18.910 --> 00:16:20.540
geneticist.
00:16:20.540 --> 00:16:25.860
And in fact, William Bateson
coined the term genetics.
00:16:25.860 --> 00:16:30.330
He was a formidable intellect,
and was, as Gregory put it,
00:16:30.330 --> 00:16:35.710
ready for the ideas of the 20th
century in the 1800s.
00:16:35.710 --> 00:16:39.150
He read Blake and Shakespeare
to his boys at the breakfast
00:16:39.150 --> 00:16:43.080
table, and sought through his
plants and his studies for the
00:16:43.080 --> 00:16:46.170
genius of nature.
00:16:46.170 --> 00:16:48.970
You might be surprised to learn
that the heavy doses of
00:16:48.970 --> 00:16:53.670
science that the Batesons took
on were inspired by the arts.
00:16:53.670 --> 00:16:57.080
They saw the arts as extensions
of the masterpiece
00:16:57.080 --> 00:16:58.330
that nature is.
00:17:02.810 --> 00:17:07.115
He studied life wherever he
could, whether it was the play
00:17:07.115 --> 00:17:13.630
of dolphins or the dance
ceremonies of a Balinese tribe
00:17:13.630 --> 00:17:16.630
or the growth of a
shell or a crab.
00:17:16.630 --> 00:17:21.190
Whether it was the behavior
of an alcoholic or a
00:17:21.190 --> 00:17:22.560
schizophrenic.
00:17:22.560 --> 00:17:26.349
All those were fields that
tremendously interested him,
00:17:26.349 --> 00:17:30.070
because they are various
manifestations of
00:17:30.070 --> 00:17:33.100
life that he studied.
00:17:33.100 --> 00:17:34.173
This was in 1924.
00:17:34.173 --> 00:17:39.980
I was in Galapagos, and failed
almost completely to find out
00:17:39.980 --> 00:17:42.760
what a zoologist would
do in the field.
00:17:42.760 --> 00:17:46.530
I was clear I didn't want
to live in a lab.
00:17:46.530 --> 00:17:50.580
I was clear that I didn't know
what field zoology meant, and
00:17:50.580 --> 00:17:53.260
nobody else did.
00:17:53.260 --> 00:17:58.060
I looked around and in a year
and a half, I was on my way to
00:17:58.060 --> 00:18:00.375
New Guinea with an
anthropologist.
00:18:00.375 --> 00:18:02.580
There was no training
you could give then.
00:18:02.580 --> 00:18:06.090
There wasn't any anthropology
you could train anybody in.
00:18:06.090 --> 00:18:08.480
It was in New Guinea that
Gregory met renowned
00:18:08.480 --> 00:18:11.340
anthropologist Margaret Mead.
00:18:11.340 --> 00:18:14.540
We began to get an idea--
00:18:14.540 --> 00:18:16.790
we were then me and
Margaret Mead.
00:18:16.790 --> 00:18:20.110
We were married.
00:18:20.110 --> 00:18:24.600
We began to get an idea of,
I suppose, the affective
00:18:24.600 --> 00:18:28.490
systems, the emotional
systems of a culture.
00:18:28.490 --> 00:18:32.080
What are now, I think,
called value systems.
00:18:32.080 --> 00:18:34.620
Well, it was pioneering
work in several ways.
00:18:38.400 --> 00:18:43.040
During that field trip to Bali
and New Guinea, Gregory was
00:18:43.040 --> 00:18:45.530
the one taking the
photographs.
00:18:45.530 --> 00:18:49.280
And he took photographs
and he took movies.
00:18:49.280 --> 00:18:54.275
And always in the past, versus
when Margaret went to Samoa,
00:18:54.275 --> 00:18:58.790
she took a brownie box camera
and she probably took 50
00:18:58.790 --> 00:19:00.000
photographs.
00:19:00.000 --> 00:19:04.990
When Margaret and Gregory went
to the field, they really
00:19:04.990 --> 00:19:10.700
wanted to document behavior
in a brand new way.
00:19:10.700 --> 00:19:12.024
Gregory took 50,000
photographs.
00:19:41.210 --> 00:19:46.950
During World War II, the OSS,
the precursor to the CIA,
00:19:46.950 --> 00:19:50.390
engaged Gregory to use his
knowledge of patterns and
00:19:50.390 --> 00:19:54.050
culture to manipulate
intercepted messages and
00:19:54.050 --> 00:19:57.670
disrupt communication within
the Axis powers.
00:19:57.670 --> 00:20:00.980
They used his abilities in ways
which were antithetical
00:20:00.980 --> 00:20:03.010
to everything he'd worked
toward, and
00:20:03.010 --> 00:20:06.460
it broke his heart.
00:20:06.460 --> 00:20:10.180
It was not until after the war
that Gregory was revived by
00:20:10.180 --> 00:20:13.470
the remarkable events of the
Macy Conferences, where a
00:20:13.470 --> 00:20:17.310
whole new kind of conversation
between scientists and artists
00:20:17.310 --> 00:20:20.230
took place, and cybernetics
was born.
00:20:25.450 --> 00:20:30.360
He is one of the founders of
this whole school of systems
00:20:30.360 --> 00:20:33.750
thinking, together with Norbert
Wiener, and Margaret
00:20:33.750 --> 00:20:37.800
Mead, and John Von Neumann, and
a lot of other scientists.
00:20:37.800 --> 00:20:41.990
It was sort of delightful,
because it was a sense of a
00:20:41.990 --> 00:20:47.465
bunch of personalities who had a
new tool in common, and they
00:20:47.465 --> 00:20:50.190
were coming from all sorts of
disciplines, and that was one
00:20:50.190 --> 00:20:50.810
of the great attractions.
00:20:50.810 --> 00:20:53.380
It was one of the few cases
where interdisciplinary
00:20:53.380 --> 00:20:56.520
approach really, was real,
and really paid off.
00:20:56.520 --> 00:20:59.830
How could you imagine them even
being in the same room
00:20:59.830 --> 00:21:01.220
having a conversation?
00:21:01.220 --> 00:21:03.380
I think probably a
lot of arguments.
00:21:03.380 --> 00:21:07.080
What came of that group was
the trunk of the tree that
00:21:07.080 --> 00:21:10.640
became computers and the
internet and everything else.
00:21:10.640 --> 00:21:21.030
Cybernetics was a science
developed to describe
00:21:21.030 --> 00:21:24.170
processes taking place
in complex systems.
00:21:26.890 --> 00:21:37.340
Interactions, organization,
communication, control.
00:21:37.340 --> 00:21:38.680
What's happening?
00:21:38.680 --> 00:21:43.210
How are the different
parts of a system
00:21:43.210 --> 00:21:44.500
connecting to each other?
00:21:47.090 --> 00:21:50.280
It's partly the realization that
you have a system, and
00:21:50.280 --> 00:21:53.720
when you poke it here, instead
of something happening there,
00:21:53.720 --> 00:21:57.890
it happens that way,
or in some barely
00:21:57.890 --> 00:21:58.980
recognizable dimension.
00:21:58.980 --> 00:22:02.880
And that's because it's a very
complex system which has
00:22:02.880 --> 00:22:05.280
feedbacks and all these
things in it.
00:22:05.280 --> 00:22:10.660
But the complexity is going to
continually baffle you until
00:22:10.660 --> 00:22:13.660
you just really engage, and
what you engage with is
00:22:13.660 --> 00:22:14.910
cybernetic understanding.
00:22:24.460 --> 00:22:27.290
Gregory' thought process can
take a moment to become
00:22:27.290 --> 00:22:29.290
accustomed to.
00:22:29.290 --> 00:22:33.670
Your eyes have to adjust to the
alignment he maintained in
00:22:33.670 --> 00:22:36.730
which the context of the
natural world is pulled
00:22:36.730 --> 00:22:40.530
outward so that its inhabitants,
including
00:22:40.530 --> 00:22:45.330
creatures, oceans, forests, and
urban infrastructures, are
00:22:45.330 --> 00:22:49.325
like musicians in a jazz group,
improvising together.
00:22:57.090 --> 00:23:03.220
I've been bothered a little bit
for the last few days by
00:23:03.220 --> 00:23:07.660
people who say, what do you
mean, ecology of mind?
00:23:07.660 --> 00:23:14.260
And approximately what I mean
is that the various sorts of
00:23:14.260 --> 00:23:18.820
stuff that goes on in one's
heads and in one's behavior
00:23:18.820 --> 00:23:22.715
and dealing with other people
and walking up and down
00:23:22.715 --> 00:23:27.846
mountains and getting sick and
getting well and all that--
00:23:27.846 --> 00:23:36.590
that all that stuff interlocks,
and, in fact,
00:23:36.590 --> 00:23:39.410
constitutes a network.
00:23:39.410 --> 00:23:47.080
And you've got the sort of
complicated living, partly
00:23:47.080 --> 00:23:52.830
struggling, partly cooperating
tangle that you'd find on the
00:23:52.830 --> 00:23:56.340
side of any of these mountains
with the trees and various
00:23:56.340 --> 00:23:57.845
plants and animals
that live there.
00:23:57.845 --> 00:24:00.580
You're, in fact, an ecology.
00:24:00.580 --> 00:24:04.320
Ideas are adjusting to each
other, to stimuli from the
00:24:04.320 --> 00:24:06.995
outside, and infinite
other messages.
00:24:11.780 --> 00:24:15.920
Gregory's concept of mind was
that it's much more than the
00:24:15.920 --> 00:24:18.690
brain in your head.
00:24:18.690 --> 00:24:23.510
It's the tree root that grows
around a rock, or the way
00:24:23.510 --> 00:24:26.520
river otters play.
00:24:26.520 --> 00:24:31.970
The notion that an animal really
should be thought of as
00:24:31.970 --> 00:24:36.990
a tangle of ideas which have
to live together in
00:24:36.990 --> 00:24:40.170
him, more or less--
00:24:40.170 --> 00:24:44.890
an evolutionary principle which
is then the evolution of
00:24:44.890 --> 00:24:47.490
ideas, not the evolution
of animals.
00:24:47.490 --> 00:24:52.330
But the units of evolution
are essentially ideas.
00:24:52.330 --> 00:24:56.880
Where anatomy is a body of
ideas, where the bilateral
00:24:56.880 --> 00:25:01.310
symmetry of the two sides of the
body is an idea on which
00:25:01.310 --> 00:25:03.590
other ideas have to be built.
00:25:03.590 --> 00:25:09.560
For example, that the horse
and the tundra, the grassy
00:25:09.560 --> 00:25:13.430
plains, are interlocked.
00:25:13.430 --> 00:25:19.170
It's an evolution in which now
the grass needs the horse as
00:25:19.170 --> 00:25:21.850
much as the horse
needs the grass.
00:25:21.850 --> 00:25:24.210
And if you want grass--
00:25:24.210 --> 00:25:29.870
if you want what's called a lawn
in the suburbs, you will
00:25:29.870 --> 00:25:33.655
first of all go and buy a mower,
which will be the teeth
00:25:33.655 --> 00:25:39.340
of the horse, to
cut that grass.
00:25:39.340 --> 00:25:45.680
You will then go and you'll buy
a roller, and the roller
00:25:45.680 --> 00:25:50.180
crushes the grass down and
makes it make turf.
00:25:50.180 --> 00:25:53.750
And finally, you will end up
going and buying a sack of
00:25:53.750 --> 00:25:57.220
manure, because you have to be
at least the other half of the
00:25:57.220 --> 00:25:59.990
horse too, you see.
00:25:59.990 --> 00:26:02.920
He hoped to leave a big
framework into which the
00:26:02.920 --> 00:26:06.610
specialists could place their
findings to be examined within
00:26:06.610 --> 00:26:11.100
the context of the mass tangle
of interrelationships that
00:26:11.100 --> 00:26:16.220
each tree, each person, each
system in our world embodies.
00:26:16.220 --> 00:26:17.970
Context was the key.
00:26:26.810 --> 00:26:31.780
If I'm right, the whole of our
thinking about what we are and
00:26:31.780 --> 00:26:34.455
what other people are has
to be restructured.
00:26:41.170 --> 00:26:45.010
Epistemology, this million
dollar word--
00:26:45.010 --> 00:26:48.420
most people treat it as how
we know what we know.
00:26:48.420 --> 00:26:53.960
The study of how knowledge comes
to be, how it's produced
00:26:53.960 --> 00:26:57.670
in our brains, how we acquire
it, what kind
00:26:57.670 --> 00:26:59.020
of a thing it is.
00:26:59.020 --> 00:27:03.820
And it's probably best
understood as in contrast to
00:27:03.820 --> 00:27:07.660
how things just are.
00:27:07.660 --> 00:27:11.380
Knowledge about things is not
a thing, and I think Gregory
00:27:11.380 --> 00:27:13.020
was quite clear about that.
00:27:13.020 --> 00:27:17.180
He naturally asked himself
what is it to know?
00:27:17.180 --> 00:27:19.150
How do we know?
00:27:19.150 --> 00:27:24.955
And so he got into epistemology,
and he saw it as
00:27:24.955 --> 00:27:28.850
a part of natural
science, part of
00:27:28.850 --> 00:27:32.550
biology or natural history.
00:27:32.550 --> 00:27:37.190
He didn't see it as an abstract
philosophical field.
00:29:22.000 --> 00:29:27.140
Gregory liked to quote Blake
in saying, wise men see
00:29:27.140 --> 00:29:30.570
outlines, and therefore,
they draw them.
00:29:30.570 --> 00:29:34.580
And when he takes the chalk and
draws the line across what
00:29:34.580 --> 00:29:38.900
I see as a boot, he illustrates
for us the
00:29:38.900 --> 00:29:43.430
arbitrariness of the kind of
separations that are created
00:29:43.430 --> 00:29:48.220
by defining things, so that when
we define something as
00:29:48.220 --> 00:29:53.450
separate from something else,
we create limits to our
00:29:53.450 --> 00:29:57.090
ability to see the
interrelationships and the
00:29:57.090 --> 00:29:59.990
dynamics of those
interrelationships.
00:29:59.990 --> 00:30:04.435
So that is why Gregory also
liked to quote Blake in
00:30:04.435 --> 00:30:10.010
saying, mad man see outlines,
and therefore they draw them.
00:32:05.150 --> 00:32:08.440
We have been trained to think
in ways we hardly notice.
00:32:08.440 --> 00:32:13.705
Religion, education and culture
all filter and frame
00:32:13.705 --> 00:32:14.955
our perception.
00:32:19.070 --> 00:32:23.990
The big challenge that Gregory
puts out is to challenge your
00:32:23.990 --> 00:32:28.580
own perception, what you think
is really happening.
00:32:28.580 --> 00:32:33.270
Like that experiment with Ames
that he liked to talk about.
00:32:33.270 --> 00:32:36.900
Now I see what I see isn't
really what I see.
00:32:36.900 --> 00:32:37.980
It's quite different.
00:32:37.980 --> 00:32:42.430
If I'm of the belief, for
instance, that there really is
00:32:42.430 --> 00:32:44.060
some object.
00:32:44.060 --> 00:32:49.950
There really is objectivity to
the fullest extent, then that
00:32:49.950 --> 00:32:53.590
actually would mean that coffee
cup on the table is
00:32:53.590 --> 00:32:57.880
being rendered identically
in your head as mine.
00:32:57.880 --> 00:33:00.630
And we know now, even
with fMRIs, that is
00:33:00.630 --> 00:33:02.420
just not the case.
00:33:02.420 --> 00:33:05.740
And for us to believe it's
really the same thing, and for
00:33:05.740 --> 00:33:08.930
us to argue is pointless.
00:33:08.930 --> 00:33:10.520
It's absolutely pointless.
00:33:10.520 --> 00:33:13.540
The way you make sense of that
coffee cup and the way I make
00:33:13.540 --> 00:33:14.890
sense of that coffee cup?
00:33:14.890 --> 00:33:15.360
Different.
00:33:15.360 --> 00:33:18.070
But it's still a coffee cup.
00:33:18.070 --> 00:33:23.270
And I think that we'd have a
little more peaceful earth,
00:33:23.270 --> 00:33:26.320
really, if we had that
perspective--
00:33:26.320 --> 00:33:29.530
that I would respect the fact
that you have a different
00:33:29.530 --> 00:33:31.590
sense making of that coffee
cup than mine.
00:33:31.590 --> 00:33:34.290
In fact, I would want to learn
about it, and we'd do that
00:33:34.290 --> 00:33:35.540
through conversation.
00:33:41.450 --> 00:33:46.170
He often used the difference
that makes a difference.
00:33:46.170 --> 00:33:49.340
The difference that makes a
difference is a way in which
00:33:49.340 --> 00:33:54.260
to define something in terms
of its relationships, using
00:33:54.260 --> 00:33:58.720
contrast and context instead of
isolating it with a name.
00:34:01.400 --> 00:34:06.750
The difference between
this and this is not,
00:34:06.750 --> 00:34:10.630
of course, in this.
00:34:10.630 --> 00:34:14.139
It's not in that.
00:34:14.139 --> 00:34:16.429
It's not in the space
between them.
00:34:16.429 --> 00:34:17.679
I can't pinch it.
00:34:21.639 --> 00:34:24.570
Then where is it?
00:34:24.570 --> 00:34:28.120
The difference between this and
this is not moved when I
00:34:28.120 --> 00:34:31.389
move this one.
00:34:31.389 --> 00:34:34.360
If the world is made of
relationships, how can we
00:34:34.360 --> 00:34:39.659
describe one thing
from another?
00:34:39.659 --> 00:34:44.219
And that was the question that
Gregory was focusing on, and
00:34:44.219 --> 00:34:48.469
why he used the difference that
makes a difference as a
00:34:48.469 --> 00:34:56.810
way of describing contrast and
creating a process of defining
00:34:56.810 --> 00:34:59.310
the relationships
between things.
00:34:59.310 --> 00:35:01.820
It's a tool that leads
us to look for things
00:35:01.820 --> 00:35:03.320
in a different way.
00:35:03.320 --> 00:35:06.240
Instead of looking at the
substance of it-- looking the
00:35:06.240 --> 00:35:08.860
parts and saying, what
made this part?
00:35:08.860 --> 00:35:09.880
What made that part?
00:35:09.880 --> 00:35:13.000
And where did the design plan
come from that makes those
00:35:13.000 --> 00:35:14.800
parts work together?
00:35:14.800 --> 00:35:17.860
One sees in the pattern of
their similarities and
00:35:17.860 --> 00:35:23.420
differences a whole separate
kind of patterning process,
00:35:23.420 --> 00:35:25.870
and I think that was
characteristic of his way of
00:35:25.870 --> 00:35:30.860
looking through the surface
to some deeper dimension.
00:35:30.860 --> 00:35:34.350
Gregory Bateson's ideas in
article after article, and in
00:35:34.350 --> 00:35:39.670
different areas, are giving
clues to how to take the
00:35:39.670 --> 00:35:44.110
elevator up one flight and get
on a meta-level where you get
00:35:44.110 --> 00:35:46.540
enormous leverage in
your understanding.
00:35:46.540 --> 00:35:50.510
Mathematics is one method,
and other social
00:35:50.510 --> 00:35:52.682
patterns are another.
00:35:52.682 --> 00:35:58.480
And just the ability to
recognize the same pattern
00:35:58.480 --> 00:36:00.265
when you see it in two
different contexts.
00:36:04.780 --> 00:36:08.160
Even the language we speak
pushes our minds into
00:36:08.160 --> 00:36:13.910
particular ways of identifying
and defining our world.
00:36:13.910 --> 00:36:17.560
Adjusting our lens in order to
see what might be holding
00:36:17.560 --> 00:36:21.640
systems together is a radical
step toward threading the
00:36:21.640 --> 00:36:25.350
world back together
from the inside.
00:36:25.350 --> 00:36:29.120
The question of what the ideas
are that govern how we think
00:36:29.120 --> 00:36:33.850
about the world, that those
ideas, again, become linked up
00:36:33.850 --> 00:36:38.730
with how we live in the world,
what sort of damage we do to
00:36:38.730 --> 00:36:42.490
it, what sort of pollution,
exploitation, et cetera, et
00:36:42.490 --> 00:36:44.610
cetera, we engage in.
00:36:44.610 --> 00:36:48.610
I'm very impressed with
Gregory's point that
00:36:48.610 --> 00:36:52.980
civilization was on the road
to total destruction unless
00:36:52.980 --> 00:36:54.860
one of three things
could change.
00:36:54.860 --> 00:36:58.140
The Western idea of man, or the
Occidental idea of man,
00:36:58.140 --> 00:37:02.810
technological growth and change,
and population growth.
00:37:02.810 --> 00:37:06.070
And he thought only the first
might be amenable to change.
00:37:06.070 --> 00:37:10.120
So that really goes to the point
of what are we about
00:37:10.120 --> 00:37:13.690
here in the West, or now
in the whole world?
00:37:24.490 --> 00:37:28.170
On the other side, through that
double, twisted, what we
00:37:28.170 --> 00:37:32.910
called a Double-Bind some years
ago, there's another
00:37:32.910 --> 00:37:34.160
stage of wisdom.
00:37:38.520 --> 00:37:42.880
Gregory and his colleagues
coined the term Double-Bind.
00:37:42.880 --> 00:37:46.270
A Double-Bind describes a
pattern that's like a
00:37:46.270 --> 00:37:50.760
catch-22, an experience in which
there seems to be no
00:37:50.760 --> 00:37:53.620
solution for escape.
00:37:53.620 --> 00:37:56.450
The story Gregory used sometimes
to explain the
00:37:56.450 --> 00:38:02.410
Double-Bind was about the gnat
in Through The Looking Glass.
00:38:02.410 --> 00:38:06.020
The gnat is a still, small
voice, explaining the insects
00:38:06.020 --> 00:38:08.570
of Through The Looking
Glass land to Alice.
00:38:08.570 --> 00:38:12.130
We don't have butterflies, we
have bread and butterflies.
00:38:12.130 --> 00:38:16.170
And the bread and butterfly has
wings of very thin slices
00:38:16.170 --> 00:38:20.840
of bread and butter, and a head
made of a lump of sugar.
00:38:20.840 --> 00:38:23.750
Alice says, what does
it live on?
00:38:23.750 --> 00:38:26.700
The gnat says, weak tea
with cream in it.
00:38:26.700 --> 00:38:29.580
Alice saw a difficulty.
00:38:29.580 --> 00:38:35.630
So she said, what happens
if it can't find any?
00:38:35.630 --> 00:38:39.630
The gnat says, it dies.
00:38:39.630 --> 00:38:42.880
Alice says, that must
happen rather often.
00:38:42.880 --> 00:38:46.910
The gnat says, it
always happens.
00:38:46.910 --> 00:38:51.030
The Double-Bind in which the
bread and butterfly finds
00:38:51.030 --> 00:38:54.280
himself, namely that if he
gets his food, his head
00:38:54.280 --> 00:38:57.910
dissolves in it, therefore his
only hope of survival is not
00:38:57.910 --> 00:39:01.850
to find any food, but
then he starves.
00:39:01.850 --> 00:39:04.760
And this is, you see, a
formal Double-Bind of
00:39:04.760 --> 00:39:06.530
the simplest kind.
00:39:06.530 --> 00:39:12.040
I was told that ulcers
were things that you
00:39:12.040 --> 00:39:14.750
got when you worried.
00:39:14.750 --> 00:39:16.330
So immediately--
00:39:16.330 --> 00:39:18.840
I was kind of a weird
guy as a kid--
00:39:18.840 --> 00:39:20.690
I thought, oh my god!
00:39:20.690 --> 00:39:25.840
What the heck will I do if I
start to worry about ulcers?
00:39:25.840 --> 00:39:31.970
We are in a Double-Bind in the
sense that we have growing
00:39:31.970 --> 00:39:37.380
inequality, and the answer by
the political leadership is to
00:39:37.380 --> 00:39:39.530
grow the economy faster.
00:39:39.530 --> 00:39:43.960
But as we grow the economy
faster, it seems to exacerbate
00:39:43.960 --> 00:39:51.180
the inequality, and it's also
having tremendous impacts on
00:39:51.180 --> 00:39:53.820
global climate and on the
environment itself.
00:39:53.820 --> 00:39:57.350
So the answer is more.
00:39:57.350 --> 00:40:01.650
And yet, clearly, there needs to
be some qualitative shift.
00:40:01.650 --> 00:40:05.800
And in order to see that it's
time for a qualitative shift,
00:40:05.800 --> 00:40:09.980
it would take an extraordinary
vision and imagination,
00:40:09.980 --> 00:40:12.990
because slowing the economy
creates immediate
00:40:12.990 --> 00:40:18.160
unemployment, pain, suffering,
and political backlash.
00:40:18.160 --> 00:40:21.170
The Double-Bind is a creative
imperative.
00:40:21.170 --> 00:40:25.070
It's the moment when, because
this doesn't work and that
00:40:25.070 --> 00:40:29.070
doesn't work, something else
is going to have to be
00:40:29.070 --> 00:40:30.540
improvised.
00:40:30.540 --> 00:40:34.910
A creative impulse is necessary
at that moment to
00:40:34.910 --> 00:40:39.540
get out of the situation,
to take it up a level.
00:40:39.540 --> 00:40:41.450
Can we see a bigger picture?
00:40:41.450 --> 00:40:44.550
Can we think about the
way that we think?
00:40:44.550 --> 00:40:48.400
Can we see the problems of
linear thinking In a world
00:40:48.400 --> 00:40:49.650
made up of circles?
00:41:00.250 --> 00:41:04.730
Einstein said, "No problem can
be solved from the same level
00:41:04.730 --> 00:41:09.930
of consciousness that created
it." My dad asked, "What
00:41:09.930 --> 00:41:13.905
pattern connects the crab to the
lobster, and the orchid to
00:41:13.905 --> 00:41:17.800
the primrose, and all the
four of them to me?
00:41:17.800 --> 00:41:20.140
And me to you?"
00:41:20.140 --> 00:41:23.920
He often talked about this,
and he never answered it.
00:41:23.920 --> 00:41:27.120
It became sort of the
big Bateson puzzle.
00:41:27.120 --> 00:41:31.280
Now, if you look at those
things he mentions--
00:41:31.280 --> 00:41:35.900
the crab, the lobster, the
orchid, and two human beings--
00:41:35.900 --> 00:41:37.370
what do they have in common?
00:41:37.370 --> 00:41:39.220
Obviously, they're
living organisms.
00:41:39.220 --> 00:41:41.630
They're living beings.
00:41:41.630 --> 00:41:45.800
What is the pattern of
organization that is common to
00:41:45.800 --> 00:41:47.920
all living beings?
00:41:47.920 --> 00:41:52.240
You might say looking beyond
this surface and looking for
00:41:52.240 --> 00:41:55.090
the principles behind
something.
00:41:55.090 --> 00:42:00.240
That becomes, I think, the
general description of much of
00:42:00.240 --> 00:42:03.500
what he does when he
looks at nature.
00:42:03.500 --> 00:42:07.180
He recognizes that, by looking
at the patterns, at the
00:42:07.180 --> 00:42:12.475
regularities in nature, the
redundancies, the similarities
00:42:12.475 --> 00:42:15.030
of things, but recognizing
that it's
00:42:15.030 --> 00:42:18.550
always theme with variation.
00:42:18.550 --> 00:42:22.355
The combination of theme and
variation immediately points
00:42:22.355 --> 00:42:25.030
you to something behind it--
a formative principle.
00:42:30.410 --> 00:42:33.740
He was often accused of talking
in riddles and never
00:42:33.740 --> 00:42:35.350
coming to the point.
00:42:35.350 --> 00:42:39.830
The question he posed, what is
the pattern that connects, was
00:42:39.830 --> 00:42:42.620
never meant to be answered,
because the
00:42:42.620 --> 00:42:45.210
patterns are changing.
00:42:45.210 --> 00:42:49.230
It was the act of questioning
that he was pushing for,
00:42:49.230 --> 00:42:53.000
knowing that the eyes behind
that curiosity will be the
00:42:53.000 --> 00:42:57.220
most apt to give the patterns
of connection room to wiggle
00:42:57.220 --> 00:43:00.700
as they perpetually
self-correct, and to see the
00:43:00.700 --> 00:43:02.060
beauty in that process.
00:43:04.720 --> 00:43:09.450
When you see process, you
see constant change.
00:43:09.450 --> 00:43:14.320
So that's why Gregory was
constantly quoting Heraclitus.
00:43:14.320 --> 00:43:16.570
You know, Heraclitus, the Greek
philosopher, said, no
00:43:16.570 --> 00:43:21.570
man can step into the
same river twice,
00:43:21.570 --> 00:43:23.970
because it's flowing.
00:43:23.970 --> 00:43:29.630
And by the same token, maybe you
can't kiss the same person
00:43:29.630 --> 00:43:33.450
twice, you can't pick up
the same baby twice.
00:43:45.410 --> 00:43:50.360
A man walking is never in
balance, but always correcting
00:43:50.360 --> 00:43:51.610
for imbalance.
00:43:55.330 --> 00:43:59.680
Growing up in California, I
learned that in an earthquake,
00:43:59.680 --> 00:44:02.620
the kind of structures that last
are the ones that have
00:44:02.620 --> 00:44:08.210
enough flexibility to allow
for the ground to shift.
00:44:08.210 --> 00:44:11.010
That was the same sort of
architecture that Gregory
00:44:11.010 --> 00:44:15.320
tried to develop in his
students' thinking skills.
00:44:15.320 --> 00:44:19.440
Those moments of being able to
say, I used to think it was
00:44:19.440 --> 00:44:23.840
like this, but I'm starting to
think it might be like this--
00:44:23.840 --> 00:44:28.280
that was a way of saying,
I learned something.
00:44:28.280 --> 00:44:33.390
So there wasn't any sort of
concrete value placed on the
00:44:33.390 --> 00:44:36.620
stability of an opinion.
00:44:36.620 --> 00:44:39.440
In fact, it was just
the opposite.
00:44:39.440 --> 00:44:42.280
It's like an acrobat.
00:44:42.280 --> 00:44:46.090
He's walking on a high
wire, and he's
00:44:46.090 --> 00:44:49.170
got a balancing stick.
00:44:49.170 --> 00:44:55.160
Now, whenever he feels himself
fall over that way, he does
00:44:55.160 --> 00:45:00.580
this with his balancing stick,
pushing this side down,
00:45:00.580 --> 00:45:04.800
raising this side, and thereby
gets a little bit of torsion
00:45:04.800 --> 00:45:08.280
in his own body to balance
himself to not
00:45:08.280 --> 00:45:09.870
go over that side.
00:45:09.870 --> 00:45:12.780
If he overdoes it, he'll have
to do the reverse to not go
00:45:12.780 --> 00:45:14.890
over that side, and
he may wobble.
00:45:14.890 --> 00:45:18.390
He may, as they say, oscillate,
like any other
00:45:18.390 --> 00:45:20.282
self-corrective system--
00:45:20.282 --> 00:45:22.270
a machine with a governor
or what have you.
00:45:24.970 --> 00:45:30.160
But what he's essentially
doing is using the
00:45:30.160 --> 00:45:34.440
changeabilty of his relationship
to the balancing
00:45:34.440 --> 00:45:40.620
pole to preserve a basic
proposition, I
00:45:40.620 --> 00:45:41.967
am on the high wire.
00:45:44.650 --> 00:45:51.550
Change may be scary, but not
changing is even scarier.
00:45:51.550 --> 00:45:56.000
Our ability to remain stable is,
ironically, a measure of
00:45:56.000 --> 00:45:58.990
our flexibility.
00:45:58.990 --> 00:46:02.240
Not allowing change is
the perfect formula
00:46:02.240 --> 00:46:04.916
for becoming obsolete.
00:46:04.916 --> 00:46:09.760
The world in which you've been
placed is rather a strange
00:46:09.760 --> 00:46:14.315
world, because it doesn't
contain anything.
00:46:17.350 --> 00:46:18.935
It only contains news.
00:46:21.690 --> 00:46:27.690
Reports of difference, reports
of change, preferences for
00:46:27.690 --> 00:46:31.910
change, preferences for
stability, et cetera, et
00:46:31.910 --> 00:46:34.840
cetera, et cetera.
00:46:34.840 --> 00:46:41.960
But you know, really, no high
wire, no balancing pole, only
00:46:41.960 --> 00:46:45.790
states of a balancing pole,
states of you on a high wire.
00:46:50.770 --> 00:46:55.700
From the moment when I saw that
the word stable refers
00:46:55.700 --> 00:47:03.600
not to the cat, not to me, not
to the object, when I say it
00:47:03.600 --> 00:47:05.370
is stable--
00:47:05.370 --> 00:47:09.420
the moment that I discovered
that, it was [? in ?]
00:47:09.420 --> 00:47:10.670
[? error. ?]
00:47:13.530 --> 00:47:21.650
I was living in a world of
ideas, very important ideas,
00:47:21.650 --> 00:47:23.910
very elegant ideas.
00:47:23.910 --> 00:47:27.900
To live in a world of ideas
is to be alive.
00:47:27.900 --> 00:47:34.540
So here we are, floating in
a world which consists of
00:47:34.540 --> 00:47:40.740
nothing but change, because if
there isn't any change, there
00:47:40.740 --> 00:47:42.110
isn't any knowledge,
since there isn't.
00:47:45.098 --> 00:47:48.530
Only by the creation of change
can I perceive something.
00:47:53.300 --> 00:48:03.280
And in this world, we float,
we talk, and we talk as if
00:48:03.280 --> 00:48:08.850
there were a static element
in the world.
00:48:08.850 --> 00:48:14.810
Change is happening with or
without our noticing it.
00:48:14.810 --> 00:48:19.060
We live on a ball, swirling with
systems within systems
00:48:19.060 --> 00:48:22.170
that are interacting
all the time.
00:48:22.170 --> 00:48:26.300
Any attempt to lock down
elements of that process is an
00:48:26.300 --> 00:48:31.070
abstraction and causes
imbalance, like the tightrope
00:48:31.070 --> 00:48:33.600
walker if he were to
tie down a limb.
00:48:44.100 --> 00:48:48.240
The pathology of wrong thinking
in which we all live
00:48:48.240 --> 00:48:51.400
can only in the end be corrected
by an enormous
00:48:51.400 --> 00:48:54.610
discovery of those relationships
which make up
00:48:54.610 --> 00:48:55.860
the beauty of nature.
00:49:00.070 --> 00:49:06.725
We talked about Goethe's thing
about the leaf and the stem
00:49:06.725 --> 00:49:12.870
and the bud, and how a stem is
defined by having leaves,
00:49:12.870 --> 00:49:17.920
which have stems in its
angles, and so on.
00:49:17.920 --> 00:49:23.732
Now, that stuff, for me, is
really very right-brainish
00:49:23.732 --> 00:49:26.400
sort of stuff.
00:49:26.400 --> 00:49:31.650
And if I go for a walk in the
woods, stuff like that is what
00:49:31.650 --> 00:49:35.150
I enjoy as I walk along.
00:49:35.150 --> 00:49:40.750
Any kind of aesthetic response
is a response to
00:49:40.750 --> 00:49:42.550
relationships.
00:49:42.550 --> 00:49:47.060
When you read a poem, the rhythm
is the relationship
00:49:47.060 --> 00:49:49.250
between the words.
00:49:49.250 --> 00:49:53.300
The different vowels
echo each other.
00:49:53.300 --> 00:49:57.910
The images match up in
various ways with
00:49:57.910 --> 00:50:01.770
images in your own head.
00:50:01.770 --> 00:50:08.020
So the experience that you take
from the reading of a
00:50:08.020 --> 00:50:14.890
poem or looking at a painting
is it an unconscious
00:50:14.890 --> 00:50:19.860
exploration of the many
different relationships that
00:50:19.860 --> 00:50:24.580
the artist has managed
to capture.
00:50:24.580 --> 00:50:29.210
One of the things that I think
is most amazing about being a
00:50:29.210 --> 00:50:33.630
human being is that we can get
inside of each other's heads,
00:50:33.630 --> 00:50:37.960
that we can share stories, that
we can live parts of each
00:50:37.960 --> 00:50:40.470
other's lives vicariously.
00:50:40.470 --> 00:50:43.920
And if you've been in a society
for any period of time
00:50:43.920 --> 00:50:46.090
in which you're in communication
with people, you
00:50:46.090 --> 00:50:49.750
are really entwined in a web so
deeply with other people's
00:50:49.750 --> 00:50:53.770
stories that it seems to me it
should be very hard to be able
00:50:53.770 --> 00:50:57.275
to tell ourselves
apart from that.
00:50:57.275 --> 00:51:03.200
The story is of the man who
asked his computer, do you
00:51:03.200 --> 00:51:07.800
compute that you will ever
think like a human being?
00:51:07.800 --> 00:51:10.230
And the computer worked on the
question, and finally printed
00:51:10.230 --> 00:51:12.770
the answer.
00:51:12.770 --> 00:51:17.380
And the piece of paper had on
it, printed, "That reminds me
00:51:17.380 --> 00:51:22.010
of a story."
00:51:22.010 --> 00:51:25.140
Gregory, of course, was very
much interested in how the
00:51:25.140 --> 00:51:28.530
kind of relationships develop
and structure human
00:51:28.530 --> 00:51:31.450
personalities and societies.
00:51:31.450 --> 00:51:37.660
The reverse of that, however,
we find in torture and
00:51:37.660 --> 00:51:41.700
humiliation and oppression--
00:51:41.700 --> 00:51:46.550
in all of those features that we
would recognize as, to some
00:51:46.550 --> 00:51:47.950
extent, evil.
00:51:47.950 --> 00:51:50.730
Its link to ugliness is
straightforward also.
00:51:50.730 --> 00:51:52.810
It's destroying relationship.
00:51:52.810 --> 00:51:57.167
It's using relationship to
undermine other relationships.
00:51:57.167 --> 00:51:58.417
That's ugly.
00:52:01.460 --> 00:52:03.740
One of the interesting things
that happens is that you look
00:52:03.740 --> 00:52:11.448
at your hand and consider it not
as a number of bananas on
00:52:11.448 --> 00:52:16.180
the end of a sort of a flexible
stick, but as a nest
00:52:16.180 --> 00:52:18.700
of relations.
00:52:18.700 --> 00:52:21.620
You will find that the object
looks much prettier than you
00:52:21.620 --> 00:52:23.045
thought it looked.
00:52:23.045 --> 00:52:25.640
Now, this means that with
a correction of our
00:52:25.640 --> 00:52:30.060
epistemology, you might find
the world was a great deal
00:52:30.060 --> 00:52:32.538
more beautiful than you
thought it was.
00:52:32.538 --> 00:52:34.374
Now, not only that, but
you wouldn't be
00:52:34.374 --> 00:52:36.210
able to collect things.
00:52:36.210 --> 00:52:39.370
The whole problem of possession
begins to look
00:52:39.370 --> 00:52:41.730
totally different.
00:52:41.730 --> 00:52:44.620
It's easy to collect multiples
of bananas.
00:52:44.620 --> 00:52:47.703
You can stack them in various
ways and so on and so on,
00:52:47.703 --> 00:52:50.220
count them, tell your
neighbors how many
00:52:50.220 --> 00:52:53.800
you've got, and so on.
00:52:53.800 --> 00:52:55.430
But the same relations--
00:52:55.430 --> 00:52:58.810
I don't know how many relations
go to make this row
00:52:58.810 --> 00:53:02.970
of elegant objects here, and
relations between relations,
00:53:02.970 --> 00:53:05.284
and relations between relations
between relations.
00:53:09.750 --> 00:53:12.870
Expression through the arts was
considered by Gregory to
00:53:12.870 --> 00:53:15.862
be the most honest and pure form
of human communication.
00:53:18.670 --> 00:53:23.380
It's easy to forget that when we
find meaning in a story or
00:53:23.380 --> 00:53:27.260
enjoy the beauty of a piece of
music, we're engaging in the
00:53:27.260 --> 00:53:32.320
realm of thinking that is most
in sync with nature.
00:53:32.320 --> 00:53:36.120
Metaphor is the language of
relationships, the language of
00:53:36.120 --> 00:53:39.830
natural systems, in which
there's room to communicate in
00:53:39.830 --> 00:53:43.190
spectrums of possibility,
instead of tightly defined
00:53:43.190 --> 00:53:44.790
cul-de-sacs.
00:53:44.790 --> 00:53:47.900
He thought from such
a very big place.
00:53:47.900 --> 00:53:50.380
His mind was big.
00:53:50.380 --> 00:53:52.770
But then his heart was
as big as his mind.
00:53:52.770 --> 00:53:58.390
So you put those two together,
that's what was so exciting
00:53:58.390 --> 00:54:00.170
about living with Gregory.
00:54:00.170 --> 00:54:04.690
I'm endlessly fighting a battle
with people who want to
00:54:04.690 --> 00:54:07.040
throw the intellect
out and think of
00:54:07.040 --> 00:54:09.342
nothing but the heart.
00:54:09.342 --> 00:54:12.270
And when you fight that battle,
then you sound like an
00:54:12.270 --> 00:54:14.032
intellectual.
00:54:14.032 --> 00:54:17.470
But when I meet intellectuals,
I find myself fighting the
00:54:17.470 --> 00:54:18.720
opposite battle.
00:54:26.580 --> 00:54:31.390
The perception of separation of
me from you, of us from the
00:54:31.390 --> 00:54:34.290
redwoods, of the redwoods
from the African
00:54:34.290 --> 00:54:36.145
deserts, is an illusion.
00:54:40.560 --> 00:54:45.210
I wonder, what is the opposite
of the pattern which connects?
00:54:45.210 --> 00:54:49.110
Aren't the lines we draw, the
splitting and the dividing,
00:54:49.110 --> 00:54:50.360
imaginary anyway?
00:54:54.840 --> 00:54:59.850
T.S. Elliot said, "A condition
of complete simplicity,
00:54:59.850 --> 00:55:03.090
costing not less than
everything, and all shall be
00:55:03.090 --> 00:55:10.730
well, and all manner of
things shall be well."
00:55:10.730 --> 00:55:13.130
Over here, there's humanity and
everything it does, and
00:55:13.130 --> 00:55:16.730
then over here is the other
living stuff and climate and
00:55:16.730 --> 00:55:18.252
things like that.
00:55:18.252 --> 00:55:21.620
And the idea of those being
conceptually separate,
00:55:21.620 --> 00:55:23.630
operationally separate,
theoretically separate,
00:55:23.630 --> 00:55:25.810
scientifically separate,
is just nuts.
00:55:25.810 --> 00:55:29.220
It just asks for some of the
kinds of problems we've got.
00:55:29.220 --> 00:55:31.940
To believe that there is such a
division, and the belief in
00:55:31.940 --> 00:55:34.450
such a division does affect
our conduct in
00:55:34.450 --> 00:55:36.040
all sorts of ways.
00:55:36.040 --> 00:55:38.730
It affects our entire
ethical system.
00:55:38.730 --> 00:55:44.360
It affects our whole notion of
what is healthy, what is sick,
00:55:44.360 --> 00:55:46.190
what is a crime.
00:55:46.190 --> 00:55:50.220
The whole M'Naghten rule and
all that stuff all hinges
00:55:50.220 --> 00:55:55.740
around what I believe to be a
nonsense dichotomy, and one
00:55:55.740 --> 00:56:02.440
which, the sooner we get all the
way away from so that we
00:56:02.440 --> 00:56:07.220
don't have it lurking around in
our vocabulary or anywhere
00:56:07.220 --> 00:56:11.150
else, the sooner we
shall be happy--
00:56:11.150 --> 00:56:12.920
or a little happier.
00:56:15.750 --> 00:56:20.610
Blake said, "If a fool should
persist in his folly, he would
00:56:20.610 --> 00:56:24.830
become wise." Are
we there yet?
00:56:24.830 --> 00:56:28.520
What's on the other side of
the garden door is total
00:56:28.520 --> 00:56:31.690
obsolescence and freedom,
and maybe
00:56:31.690 --> 00:56:34.110
another sort of democracy.
00:56:34.110 --> 00:56:37.580
It's Christian, it's Buddhist,
Muslim, pagan.
00:56:37.580 --> 00:56:41.150
It's Jewish, and radical,
and conservative.
00:56:41.150 --> 00:56:44.470
It's totally punk rock.
00:56:44.470 --> 00:56:45.430
It's authentic.
00:56:45.430 --> 00:56:49.830
And it questions authority,
questions it until it bleeds
00:56:49.830 --> 00:56:54.010
with the authenticity
of the unseparated.
00:56:54.010 --> 00:56:58.650
What are the premises that
we want to maintain?
00:56:58.650 --> 00:57:05.070
What are fundamental and
essential parts of our ways of
00:57:05.070 --> 00:57:09.640
living, of our lives, of our
perception that we wish to
00:57:09.640 --> 00:57:14.480
keep intact, and that we're
willing to use our thresholds
00:57:14.480 --> 00:57:16.960
of flexibility to maintain?
00:57:19.980 --> 00:57:23.160
What are we willing to adjust,
and what do we
00:57:23.160 --> 00:57:28.770
want to keep as essential?
00:57:28.770 --> 00:57:34.530
The nature of the world in which
I live, and in which I
00:57:34.530 --> 00:57:40.450
wish you lived, all of you, and
all the time, but even I
00:57:40.450 --> 00:57:43.730
don't live in it all the time.
00:57:43.730 --> 00:57:48.740
There are times when I catch
myself believing that there is
00:57:48.740 --> 00:57:52.080
such a thing as something
which is separate from
00:57:52.080 --> 00:57:54.640
something else.
00:57:54.640 --> 00:57:59.740
Gregory taught me that to be
complete, really complete,
00:57:59.740 --> 00:58:03.610
incompletion must be included
in the system.
00:58:03.610 --> 00:58:05.900
It's learning to learn.
00:58:05.900 --> 00:58:11.480
Anything else is just static,
not evolving, finished.
00:58:11.480 --> 00:58:15.620
I eventually realized that even
in death, relationships
00:58:15.620 --> 00:58:17.990
continue to grow.
00:58:17.990 --> 00:58:21.054
I'm still learning things
from my father.
00:58:21.054 --> 00:58:24.515
It's like climbing
a mountain, Nora.
00:58:24.515 --> 00:58:27.615
You've got trails going up
it where people have
00:58:27.615 --> 00:58:29.330
gone before, right?
00:58:29.330 --> 00:58:32.101
And if you want to get up higher
than they went, you go
00:58:32.101 --> 00:58:35.420
up their trails, and then you
push on a little bit further
00:58:35.420 --> 00:58:38.090
than they were ever
able to get.
00:58:38.090 --> 00:58:39.785
That's what I was
trying to say.
00:58:39.785 --> 00:58:41.405
I said it first.
00:58:41.405 --> 00:58:43.150
Well, I thought it first.
00:58:43.150 --> 00:58:43.520
All right.
00:58:43.520 --> 00:59:03.440
[LAUGHS]
00:59:03.440 --> 00:59:48.350
[MUSIC PLAYING]
00:59:48.350 --> 00:59:51.290
I hope that may have given
you some entertainment--
00:59:51.290 --> 00:59:54.250
something to think about.
00:59:54.250 --> 01:00:00.060
And I hope it may have done
something to set you free from
01:00:00.060 --> 01:00:06.410
thinking in material and logical
terms when you are, in
01:00:06.410 --> 01:00:09.490
fact, trying to think
about living things.
Distributor: Bullfrog Films
Length: 60 minutes
Date: 2011
Genre: Expository
Language: English
Grade: 9 - 12, College, Adults
Color/BW:
/
Closed Captioning: Available
Interactive Transcript: Available
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