In southern India, the architect Anupama Kundoo deals with the question…
Building Visions - Peru
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“The school is like the heart when it is at the service of the community. Then it is a public school. An open school.”
This is the credo of the Italian architect Marta Maccaglia, who is building a school in Alto Anapati, a village in the middle of the Peruvian jungle. In the past there have always been conflicts in the region - the villagers are suspicious and live in seclusion. Marta Maccaglia managed to gain her trust and get her on board for her project.
Whether it's the choice of lamps or the color of the walls - decisions are always made together. It can be a grueling process, but in the end the whole village is behind it. And everyone pitches in.
The teacher wishes for a place where the traditions, culture and way of life of the local people are passed on to the next generations. "Strengthening identity in the first years of life," is how he imagines the spirit that should blow through the classroom. This wish also flows into the architect's plans.
It is built by hand using local materials, without heavy machinery. The new school should be beautiful. Open, airy, in harmony with nature and adapted to the climate of the region - a place to feel good. Quite in contrast to the concrete blocks that are used for teaching in the rest of the country.
The building should be up in just five months. "Building Visions" shows whether the schedule sticks and how the children like their new school.
Filmed in Austria, India, Peru and the Netherlands, "Building Visions" presents architects who seek answers to the big questions facing our civilization today: climate change, rapidly growing cities, the involvement of local communities, education and migration. They are pioneers in decent housing and sustainable building, turning creativity and humanitarian ideas into plans and implementing them together with residents. We accompany architects who go where money is lacking, social grievances prevail and climate change threatens the environment.
Citation
Main credits
Lira, Diego Breit (film director)
Lira, Diego Breit (screenwriter)
Glaser, Markus (film producer)
Maccaglia, Marta (architect)
Maccaglia, Marta (on-screen participant)
Glatzner, Veronika (narrator)
Plessl, Manfred (composer)
Other credits
Cinematography, Sebastian Arlamovsky, Patrick Wally; editor, Christoph Loidl; narrator, Veronika Glatzner; music, Manfred Plessl.
Distributor subjects
Architecture, Art and Architecture, Climate Change, Development, Environmental Design, Housing and Construction Sector, PeruKeywords
WEBVTT
00:00:02.520 --> 00:00:06.080
The rainforest is an incredible territory.
00:00:06.240 --> 00:00:09.080
It\'s the heart of the planet,
the lungs of the planet.
00:00:09.240 --> 00:00:12.600
It\'s a place full of cultural heritage.
00:00:12.760 --> 00:00:15.160
We need to learn to appreciate it again.
00:00:18.440 --> 00:00:21.720
The children grow up here in the rainforest,
00:00:23.160 --> 00:00:25.840
in harmony with nature.
00:00:26.000 --> 00:00:30.000
With a completely different idea of freedom.
They are free.
00:00:30.160 --> 00:00:31.800
They grow up free.
00:00:33.360 --> 00:00:37.400
Only very few architects
come to remote places like this.
00:00:37.560 --> 00:00:43.120
And the few who do come here,
do their jobs and leave pretty quickly.
00:00:43.280 --> 00:00:47.200
It\'s very difficult to realise
a project here,
00:00:47.360 --> 00:00:49.640
like we are doing.
00:00:50.520 --> 00:00:54.760
In the early years, the mayors around here
all shut their doors in my face.
00:00:54.920 --> 00:00:57.720
And when I told them about our budget,
00:00:57.920 --> 00:01:02.920
they said, \"That might be enough to build
some straw huts, but that\'s about it.\"
00:01:41.560 --> 00:01:47.520
In architecture classes at university,
they taught us to build cities.
00:01:47.680 --> 00:01:51.640
Only the urban environment was relevant.
00:01:51.880 --> 00:01:55.880
But when I arrived in Peru,
my focus shifted,
00:01:56.040 --> 00:02:00.680
because Peru is mainly a rural country.
00:02:02.000 --> 00:02:05.000
And education is not a top priority.
00:02:06.120 --> 00:02:10.720
Geographically, Peru has three parts:
the coast, the Andes and the rainforest.
00:02:10.880 --> 00:02:12.840
Politically, the country is torn.
00:02:13.000 --> 00:02:15.640
The largest region
is the Amazon Rainforest,
00:02:15.800 --> 00:02:18.800
which has seen much violence
over the centuries.
00:02:25.600 --> 00:02:30.400
Today, the rainforest is an area
forgotten by the Peruvian government.
00:02:31.880 --> 00:02:34.600
Local communities lack many things,
00:02:34.760 --> 00:02:39.480
first and foremost,
badly needed education infrastructure.
00:02:41.920 --> 00:02:46.720
Since 2014, the Italian architect
Marta Maccaglia has been building
00:02:46.880 --> 00:02:50.160
kindergartens and schools
with her foundation \"Semillas\"
00:02:50.320 --> 00:02:53.160
in Pangoa, a region in Peru.
00:02:53.680 --> 00:02:58.440
The project started as an internship
and is now her mission in life.
00:03:00.000 --> 00:03:04.440
In addition to her know-how as an architect
and her high aesthetic standards,
00:03:04.600 --> 00:03:08.720
she has a great interest in the people
and their needs.
00:03:14.960 --> 00:03:19.000
She proved that she can build
more than straw huts long ago.
00:03:19.240 --> 00:03:23.560
Today, she is renowned for her work
far beyond the rainforest.
00:03:28.360 --> 00:03:33.560
It takes Marta Maccaglia 18 hours
to get from Lima to Alto Anapati,
00:03:33.720 --> 00:03:35.720
where her latest project is located.
00:03:36.480 --> 00:03:40.040
An arduous car journey
over sandy roads and mud holes.
00:03:40.280 --> 00:03:42.920
The village has 450 inhabitants.
00:03:43.080 --> 00:03:45.880
They belong
to the Nomatsiguenga ethnic group.
00:03:46.640 --> 00:03:51.680
For the past eight months, they have watched
the two Italians with their ambitious plans,
00:03:51.840 --> 00:03:57.200
who want to change their lives and give
their children a school and opportunities.
00:03:57.360 --> 00:03:59.800
When we first came to this community,
00:04:00.880 --> 00:04:03.720
we made some aerial footage using drones.
00:04:03.880 --> 00:04:08.040
It showed us how the houses were arranged
00:04:08.280 --> 00:04:10.760
and it was just brilliant.
00:04:11.200 --> 00:04:13.640
Why?
Because along the river
00:04:13.880 --> 00:04:19.000
the houses were built in groups of four
with a shared inner patio.
00:04:20.120 --> 00:04:24.040
These patios came about
in a spontaneous manner.
00:04:24.200 --> 00:04:26.520
This kind of spontaneity
00:04:26.680 --> 00:04:31.320
in the process of urbanisation
is spectacular.
00:04:32.600 --> 00:04:37.720
The urban settlement of the community
of Alto Anapati was so perfectly planned
00:04:37.880 --> 00:04:40.920
that we used it as a reference
for planning the school.
00:04:41.080 --> 00:04:45.400
So what we wanted
to recreate in the school building
00:04:45.560 --> 00:04:51.080
was these patios, these micro-patios,
within the structure of the school itself.
00:04:56.600 --> 00:04:59.960
... the wall dimensions.
For this empty space, you make...
00:05:00.120 --> 00:05:02.720
I think that the wood
00:05:03.360 --> 00:05:07.280
should be here,
two centimetres above ground,
00:05:07.440 --> 00:05:10.240
so it doesn\'t touch the ground.
00:05:10.480 --> 00:05:12.480
Yes, that would look good.
00:05:12.640 --> 00:05:16.240
The shadow is important,
so it looks like the house is floating.
00:05:16.800 --> 00:05:19.600
In this project,
I\'m involved in all the processes.
00:05:19.760 --> 00:05:22.280
We first came here to meet the community.
00:05:22.440 --> 00:05:27.000
After I\'d got to know them,
I started the workshops,
00:05:27.160 --> 00:05:30.320
and then the design process
involving the community.
00:05:31.240 --> 00:05:35.360
And what happened was
that when we asked the teachers
00:05:35.520 --> 00:05:38.680
about their ideal classroom
and to draw it,
00:05:38.840 --> 00:05:41.520
nobody drew any walls.
00:05:41.680 --> 00:05:45.160
They drew a tree in the centre,
00:05:45.320 --> 00:05:48.920
surrounded by a round fence.
00:05:49.080 --> 00:05:52.200
A space where children would play together,
00:05:52.920 --> 00:05:55.480
and learn, surrounded by nature.
00:05:55.640 --> 00:05:59.320
So that made us rethink everything.
00:05:59.560 --> 00:06:03.600
We gave this space a name:
forest classroom.
00:06:03.760 --> 00:06:07.800
It\'s not just a patio
where the children play.
00:06:07.960 --> 00:06:10.360
It\'s a space where they learn.
00:06:10.520 --> 00:06:14.920
A place where the teacher
and the class have everything they need
00:06:15.080 --> 00:06:18.720
to learn and study
and connect with nature.
00:06:19.120 --> 00:06:22.160
And I think
it\'s important to give this space a name.
00:06:23.400 --> 00:06:27.280
Tradition, culture
and the Nomatsiguenga\'s way of life:
00:06:27.440 --> 00:06:31.080
it is all there
in these seemingly simple drawings
00:06:31.240 --> 00:06:34.880
of a school as an open, friendly space.
00:06:35.880 --> 00:06:40.840
In my opinion, what is crucial
00:06:41.000 --> 00:06:45.040
is to foster cultural identity
in children from an early age.
00:06:45.760 --> 00:06:49.920
From the moment the baby is in the womb,
00:06:50.080 --> 00:06:55.360
we talk to the baby in our language
and tell it about our history.
00:06:55.520 --> 00:07:01.040
We do everything to nurture its identity.
It was the same with me.
00:07:03.840 --> 00:07:08.720
But if they already lose touch
with their identity as a child,
00:07:08.880 --> 00:07:12.520
later on they won\'t even remember
who their parents were.
00:07:21.080 --> 00:07:24.640
What counts for the teacher
is the spirit that will fill the school.
00:07:24.800 --> 00:07:27.520
For the construction workers,
it\'s the building itself.
00:07:28.680 --> 00:07:33.480
They know the local traditions and that
they\'re building for their children\'s future.
00:07:41.160 --> 00:07:45.920
For me, the building process
is similar to a child growing up.
00:07:47.560 --> 00:07:52.800
When a baby is born,
the most important thing is nutrition.
00:07:52.960 --> 00:07:56.240
It\'s the same with a building.
00:07:56.400 --> 00:08:02.400
We have to nourish it with good materials
to make sure the structure is strong.
00:08:13.240 --> 00:08:17.400
When I start a new project somewhere,
00:08:17.560 --> 00:08:21.480
I always give the jobs to the local people.
00:08:21.640 --> 00:08:25.320
I only bring along
three, four or five workers,
00:08:25.480 --> 00:08:29.120
and the rest I hire
from the local population.
00:08:35.600 --> 00:08:39.520
When did we come here first?
00:08:39.760 --> 00:08:41.320
Was it in February?
00:08:41.480 --> 00:08:45.000
At the meeting,
the people were very enthusiastic.
00:08:45.160 --> 00:08:50.280
They said, \"I want to work with you\"
or \"teach me how to do it\".
00:08:50.440 --> 00:08:53.800
And they started making lists
and put their names down.
00:09:03.240 --> 00:09:05.480
They already know a lot.
00:09:06.080 --> 00:09:10.360
And while working, they learn a lot.
00:09:10.520 --> 00:09:15.000
So we don\'t have to be here all the time.
It\'s always like that.
00:09:17.000 --> 00:09:22.520
As I said, I really enjoy working with them,
because there\'s such a familiar atmosphere.
00:09:24.800 --> 00:09:29.080
It may sound simple,
but it takes a lot of optimism, calm
00:09:29.240 --> 00:09:31.440
and Marta\'s encouragement.
00:09:31.680 --> 00:09:36.320
The plan is to be done in four weeks\' time.
00:09:37.440 --> 00:09:40.040
Tomorrow,
00:09:40.200 --> 00:09:44.120
the missing beams of this roof
will be installed.
00:09:47.080 --> 00:09:49.440
This small module here
00:09:49.680 --> 00:09:55.000
should have a roof by Thursday or Friday,
at the weekend at the latest.
00:10:00.040 --> 00:10:04.720
Marta has come to understand
the peculiarities of the local population
00:10:04.960 --> 00:10:07.400
and has gradually won their trust.
00:10:09.040 --> 00:10:12.120
The life of the Nomatsiguenga
is marked by isolation,
00:10:12.280 --> 00:10:16.760
mistrust of the authorities
and the dreadful period of terror.
00:10:20.520 --> 00:10:22.560
When I was a little boy,
00:10:22.800 --> 00:10:26.920
we had this teacher at school
called Florinda.
00:10:29.680 --> 00:10:32.040
She was the first teacher to come here.
00:10:32.720 --> 00:10:36.000
It was September,
00:10:36.640 --> 00:10:40.760
and one day the terrorists came here
00:10:41.520 --> 00:10:44.360
and they killed our teacher, Florinda.
00:10:46.400 --> 00:10:49.440
They came here three times.
00:10:49.600 --> 00:10:53.960
The terrorists attacked us here.
00:10:56.520 --> 00:11:01.360
And so we went into hiding in the mountains.
00:11:01.520 --> 00:11:04.280
We stayed in the mountains.
00:11:06.400 --> 00:11:09.720
Otherwise, we would have died.
00:11:11.040 --> 00:11:15.520
It was 1978.
00:11:19.520 --> 00:11:21.720
The terror never really stopped.
00:11:21.880 --> 00:11:23.800
No matter who is fighting who,
00:11:23.960 --> 00:11:28.600
troops loyal to the government,
anti-government groups, or drug barons,
00:11:28.760 --> 00:11:31.560
it\'s always the local population
that suffers.
00:11:54.840 --> 00:11:58.560
A school plays a fundamental role
in a community,
00:11:58.720 --> 00:12:03.840
because in most cases, it\'s the only
public infrastructure available.
00:12:04.000 --> 00:12:08.080
So we see the school
as the heart of the community.
00:12:08.600 --> 00:12:13.920
It can fulfil different functions
in the morning, afternoon or evening.
00:12:14.080 --> 00:12:16.760
The school serves the community in general.
00:12:18.920 --> 00:12:20.760
So this school
00:12:20.920 --> 00:12:25.360
is going to be for everyone:
a public school, an open school.
00:12:38.320 --> 00:12:42.840
Something that I found fascinating
and also learned a lot from
00:12:43.000 --> 00:12:47.160
was this system in Peru,
a system of communal work.
00:12:47.320 --> 00:12:52.360
It\'s called \"faenas\" or \"mingas\"
in the various regions.
00:12:53.520 --> 00:12:57.400
These are days of cooperative work,
00:12:57.640 --> 00:13:02.720
neighbours coming together
for a community project.
00:13:02.960 --> 00:13:06.880
So I joined this system.
00:13:07.040 --> 00:13:12.040
I didn\'t arrive here
and come up with my own idea.
00:13:12.200 --> 00:13:16.280
I found a functioning system
of collective work here
00:13:16.440 --> 00:13:19.400
and integrated myself into this system.
00:13:23.480 --> 00:13:27.600
Only five months are scheduled
to construct the school.
00:13:27.760 --> 00:13:31.640
Building in record time,
considering how work is done here:
00:13:31.800 --> 00:13:36.040
No large machinery or big construction teams.
Everything done by hand.
00:13:36.800 --> 00:13:40.200
And involving a lot of agreements,
some of them agonising,
00:13:40.360 --> 00:13:42.440
to keep the village onside.
00:13:53.920 --> 00:13:57.960
This is what a school
built by the Peruvian government looks like.
00:13:59.000 --> 00:14:03.200
Featureless concrete blocks
that can be found anywhere in the world.
00:14:03.360 --> 00:14:07.520
Compared to the schools in Pangoa,
they look like prisons.
00:14:07.680 --> 00:14:11.760
They cost ten times as much
and take several years to build.
00:14:21.640 --> 00:14:26.400
Concrete blocks were brought
to Alto Anapati from Lima
00:14:26.560 --> 00:14:29.000
and given to the families here.
00:14:29.440 --> 00:14:33.000
Nobody asked them about their needs first.
00:14:44.480 --> 00:14:48.680
The problem is the \"how\", the processes,
00:14:48.920 --> 00:14:50.960
the politicians and the NGOs.
00:14:51.120 --> 00:14:55.680
We all work with figures, percentages,
the number of beneficiaries,
00:14:55.840 --> 00:14:58.240
the number of houses that we build,
00:14:58.920 --> 00:15:01.600
the number of schools that we build...
00:15:01.760 --> 00:15:06.160
But we hardly pause to reflect,
to take a closer look
00:15:06.320 --> 00:15:11.680
and to think about the processes,
about how things come to be.
00:15:11.840 --> 00:15:14.360
And that\'s the difference here.
00:15:19.400 --> 00:15:24.840
The difference to figures and statistics
is talking and listening to one another,
00:15:25.000 --> 00:15:27.360
in small, lovingly devised details,
00:15:27.520 --> 00:15:32.240
as well as diversity and colourfulness
instead of monotony and uniformity.
00:15:33.760 --> 00:15:37.480
This is normally used for drinking masato.
00:15:37.640 --> 00:15:43.640
But what are we architects
going to do with this?
00:15:45.280 --> 00:15:49.760
We are going to make lamps with them.
Here\'s an example.
00:15:50.320 --> 00:15:56.200
What we\'ve been thinking is
00:15:56.800 --> 00:16:01.960
that for children, the first
point of reference outside of their homes
00:16:02.120 --> 00:16:03.840
is the school.
00:16:04.000 --> 00:16:08.240
So we wanted the children
to find a familiar atmosphere there,
00:16:08.400 --> 00:16:12.760
to be surrounded by objects
that they know from home.
00:16:21.720 --> 00:16:24.800
The aim is to understand their way of living
00:16:24.960 --> 00:16:30.120
and we want to use architecture
as a means to do that
00:16:30.280 --> 00:16:34.280
without prejudice
and coming from an unbiased perspective.
00:17:02.640 --> 00:17:07.400
When they see these objects that are part
of their daily lives in the school,
00:17:07.560 --> 00:17:10.640
those objects will have
a different meaning and value.
00:17:13.160 --> 00:17:17.680
They\'re nice objects,
because they are here at the school.
00:17:17.840 --> 00:17:21.800
It\'s no longer about the object itself,
but rather the process.
00:17:26.600 --> 00:17:31.320
We have the opportunity to come together
with the women, with the mothers,
00:17:31.560 --> 00:17:34.640
to weave baskets and make things together.
00:17:34.880 --> 00:17:38.480
In those moments,
you have a sense of community.
00:18:03.480 --> 00:18:08.560
The building materials, the colours
and textiles are all from the region.
00:18:08.720 --> 00:18:12.680
The much-lauded concept of sustainability
is more than an idea here.
00:18:12.840 --> 00:18:14.720
It is their lived reality.
00:18:54.040 --> 00:18:59.320
Applying the concept of sustainability
to rural communities
00:18:59.480 --> 00:19:03.000
means creating practical architecture
00:19:03.160 --> 00:19:09.200
which doesn\'t rely on complex technologies
and doesn\'t depend on external players.
00:19:09.360 --> 00:19:13.840
It\'s architecture that aims
to foster autonomy in building processes
00:19:14.000 --> 00:19:18.600
to help communities produce for themselves
and sustain themselves.
00:19:23.680 --> 00:19:28.320
The design of the school is adapted
to the area\'s warm and humid climate.
00:19:29.560 --> 00:19:34.840
The roof is open and the doors and windows
are positioned to create a draught,
00:19:35.000 --> 00:19:37.000
thus keeping the room cool.
00:19:38.720 --> 00:19:42.080
Marta Maccaglia\'s architecture
is not only cleverly planned,
00:19:42.240 --> 00:19:44.320
but also beautiful to look at.
00:19:51.920 --> 00:19:57.600
We always try to ensure that
the temperature inside is lower
00:19:57.760 --> 00:20:01.520
than the temperature outside in the shade.
00:20:10.560 --> 00:20:14.200
No matter where, all building projects
have one thing in common:
00:20:14.440 --> 00:20:16.960
the stress and excitement
before the grand opening.
00:20:17.120 --> 00:20:21.720
I assure you that we\'ll open tomorrow.
It doesn\'t look like it now, but we will.
00:21:15.520 --> 00:21:17.520
A lot of emotions.
00:21:17.680 --> 00:21:20.400
There are a lot of emotions.
00:21:22.080 --> 00:21:24.160
Another school.
00:21:25.920 --> 00:21:28.000
Another family.
00:21:28.160 --> 00:21:30.240
Another community.
00:21:31.600 --> 00:21:34.080
Now we\'re looking forward
to seeing it being used.
00:21:34.600 --> 00:21:39.080
With every project,
we always say
00:21:39.320 --> 00:21:43.880
the opening is not the end of a project,
but the beginning of its life.
00:21:44.120 --> 00:21:47.760
So we\'re looking forward
to seeing the children here tomorrow.
00:21:54.600 --> 00:21:59.200
Just as the site manager said: the building
process is similar to a child growing up.
00:21:59.360 --> 00:22:01.360
Now the baby has to be nursed.
00:22:01.520 --> 00:22:04.720
The school has to be filled
with ideas and taken care of.
00:22:04.880 --> 00:22:08.640
With her foundation \"Semillas\",
Marta will also play a role here,
00:22:08.800 --> 00:22:11.720
providing support
to help the school flourish.
00:22:26.720 --> 00:22:31.840
We kindly ask the officials
to take their seats.
00:22:32.000 --> 00:22:33.720
The ceremony...
00:22:35.800 --> 00:22:39.840
to inaugurate the education institute
of Alto Anapati
00:22:40.920 --> 00:22:42.920
is about to start.
00:22:43.160 --> 00:22:47.440
Some regional officials have even come
for the opening ceremony.
00:22:47.600 --> 00:22:50.720
But essentially it\'s a celebration
of the local community.
00:23:02.400 --> 00:23:07.280
Marta Maccaglia and Giulia Perri
have become part of this community.
00:23:29.080 --> 00:23:31.520
\"Semillas\" means seed.
00:23:31.760 --> 00:23:35.200
The seeds sprouted in Alto Anapati
in just five months.
00:23:35.360 --> 00:23:38.760
Proving once again
that dedication and conviction
00:23:38.920 --> 00:23:42.320
are more powerful
than chaos and discord.
00:23:42.840 --> 00:23:46.920
With her foundation, Marta Maccaglia
is much more than just an architect.
00:23:47.080 --> 00:23:51.440
She is an ambassador
and the schools she builds are exemplary.
00:24:10.120 --> 00:24:15.680
How can we give far more children
access to places of learning like this one?
00:24:15.840 --> 00:24:18.000
In our corner of the world, too.
00:24:25.080 --> 00:24:27.280
For me...
00:24:29.200 --> 00:24:32.320
this is the greatest job in the world.
00:24:32.840 --> 00:24:37.760
Even though
every step of the process is really tough,
00:24:37.920 --> 00:24:43.800
because there are so many obstacles
and it\'s stressful to manage everything.
00:24:43.960 --> 00:24:49.000
We raise funds, work with the community,
establish ties with local municipalities.
00:24:49.240 --> 00:24:52.920
We try to figure out points of interest,
identify problems.
00:24:53.080 --> 00:24:56.120
It\'s all super complex.
00:24:56.280 --> 00:25:01.000
But ultimately, every moment along the way,
we feel that it\'s worth it.
00:25:01.160 --> 00:25:06.240
But it\'s also a fight,
a struggle all the time.
00:25:06.400 --> 00:25:08.720
And this struggle spurs us on.
00:25:08.880 --> 00:25:14.960
Because we\'re not only building a school,
we\'re working with people.
00:25:15.120 --> 00:25:21.120
We see how the people connect
and build a community.
00:25:21.280 --> 00:25:26.920
And they learn. After all, learning
is the most exciting thing, isn\'t it?
00:25:43.800 --> 00:25:48.520
I\'ve thought about changing my job,
but I never do.
00:25:49.120 --> 00:25:51.800
I just come back home, to the rainforest.
Distributor: Autlook
Length: 26 minutes
Date: 2022
Genre: Expository
Language: English; Spanish / English subtitles
Grade: 10-12, College, Adults
Color/BW:
Closed Captioning: Available
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