00:05.400 --> 00:08.640
[relaxing piano music]

00:12.880 --> 00:16.400
[film projector clicking]

00:32.880 --> 00:37.360
[film projector clicking continues]

00:45.360 --> 00:48.360
[upbeat jazz music]

01:04.880 --> 01:08.720
[upbeat jazz music continues]

01:24.040 --> 01:26.880
[barge rumbling]

01:26.880 --> 01:30.080
[upbeat jazz music continues]

01:30.080 --> 01:32.920
[waves swishing]

02:12.160 --> 02:14.920
[birds chirping]

02:30.440 --> 02:32.400
[motorboat whirring]

02:32.400 --> 02:34.080
[waves swishing]

02:34.080 --> 02:37.480
[tanker rumbling]

02:37.480 --> 02:40.120
[waves gushing]

02:47.120 --> 02:52.120
[tanker rumbling]
[waves gushing]

03:01.760 --> 03:04.520
[waves swishing]

03:15.600 --> 03:17.800
[birds chirping]

03:33.760 --> 03:36.600
[construction vehicle rumbling]

04:00.200 --> 04:04.680
[water trickling]
[birds chirping]

04:04.680 --> 04:07.600
[gunfire exploding]

04:07.600 --> 04:10.680
[raid siren blowing]

04:26.920 --> 04:30.960
[raid siren blowing continues]

04:30.960 --> 04:35.960
[vehicle horn honking]
[vehicle engine rumbling]

04:36.280 --> 04:39.040
[bomb exploding]

04:46.040 --> 04:48.760
[bomb exploding]

04:53.680 --> 04:58.000
[vehicle engine rumbling continues]

05:03.360 --> 05:06.200
[native singing in foreign language]

05:06.200 --> 05:09.040
[birds chirping]

05:13.440 --> 05:17.640
The US attack at everything.

05:17.640 --> 05:19.200
This attacks,

05:20.000 --> 05:22.400
pagodas, temples,

05:22.840 --> 05:25.040
the houses,

05:25.360 --> 05:27.920
schools, and hospitals.

05:39.240 --> 05:42.880
They adopt the genocide.

05:45.000 --> 05:46.200
They

05:46.200 --> 05:47.200
try to

05:48.120 --> 05:50.680
destroy everything in a village.

05:50.960 --> 05:55.120
They want that nobody
can live in that village.

06:01.920 --> 06:05.640
[ominous instrumental music]

07:59.920 --> 08:02.680
[books rustling]

08:05.120 --> 08:07.880
[paper rustling]

08:15.160 --> 08:18.760
[paper rustling continues]

08:24.880 --> 08:27.040
[paper rustling continues]

08:38.880 --> 08:42.480
[paper rustling continues]

08:48.000 --> 08:50.160
[paper rustling continues]

11:04.480 --> 11:05.960
"Anytime, Robert."

11:10.160 --> 11:12.040
[waves swishing]

11:12.040 --> 11:15.680
♪ Old man river ♪

11:15.680 --> 11:20.000
♪ That old man river ♪

11:20.000 --> 11:23.840
♪ He must know something ♪

11:23.840 --> 11:26.120
♪ But don't say nothing ♪

11:26.120 --> 11:28.440
[ominous rumbling music]
[whistle blowing]

11:28.440 --> 11:31.200
[waves swishing]

11:33.200 --> 11:36.520
[upbeat drumming music]

11:47.600 --> 11:51.080
I shouldn't go anywhere.
[dog barking]

11:52.440 --> 11:54.320
I should just stay right here.

11:54.320 --> 11:56.640
[gravel rustling in wind]
[footsteps plodding wood]

11:56.640 --> 12:00.960
[upbeat instrumental music]

12:00.960 --> 12:02.480
[gravel rustling]

12:02.480 --> 12:04.960
[cows lowing]

12:13.960 --> 12:17.800
[construction tools clanging]

12:23.640 --> 12:26.480
[crane rumbling]

12:51.200 --> 12:54.360
[jackhammer clanging]

13:20.640 --> 13:24.720
[jackhammer clanging continues]

13:37.400 --> 13:41.400
[jackhammer clanging continues]

13:45.400 --> 13:48.920
Following Doc's evolution in the space.

13:48.920 --> 13:52.320
Okay, but how much can I depart from him?

13:53.560 --> 13:55.400
Flashes of what surrounds Doc

13:55.400 --> 13:57.880
without losing the thread of him,

13:57.880 --> 14:00.640
without it becoming too abstract.

14:00.640 --> 14:03.240
[birds chirping]

14:03.240 --> 14:07.320
The form becomes shots of
him in the space in sequence.

14:07.320 --> 14:11.360
But then there are blocks
of images, fixed images,

14:11.360 --> 14:14.120
like the objects that are the onlookers.

14:14.120 --> 14:15.800
[birds chirping]

14:15.800 --> 14:18.360
And then we pick up Doc again later,

14:19.240 --> 14:20.440
a leap in space.

14:22.240 --> 14:25.000
[birds chirping]

14:32.480 --> 14:35.320
[hammer thudding]

14:40.320 --> 14:43.400
[construction equipment clanging]

14:43.400 --> 14:47.640
[construction vehicles rumbling]

14:47.640 --> 14:50.400
[crane clanging]

15:14.880 --> 15:16.880
[crane clanging]

15:16.880 --> 15:20.000
[bombs exploding]

15:20.000 --> 15:22.440
[vehicle engines humming]

15:22.440 --> 15:26.680
[train clackety-clacking on rails]

15:31.320 --> 15:35.080
[vehicle engines humming by]

15:36.840 --> 15:39.600
[metal clanging]

15:41.960 --> 15:46.240
[train clackety-clacking
on rails continues]

15:46.240 --> 15:50.000
[vehicle engines humming by]

16:01.960 --> 16:05.680
[train clackety-clacking
on rails continues]

16:05.680 --> 16:10.680
[vehicle indicator ticking]
[people chuckling]

16:12.680 --> 16:16.160
[vehicle engine humming]

16:35.840 --> 16:39.440
[emergency sirens whaling]

16:53.960 --> 16:56.400
[emergency sirens continue]

16:56.400 --> 16:59.480
[vehicle engines humming by]

17:25.760 --> 17:29.600
[helicopter blades chuffing]

17:54.120 --> 17:57.440
[upbeat drumming music]

18:00.360 --> 18:04.520
[upbeat drumming music continues]

18:05.520 --> 18:07.560
Discoveries, we prepare them,

18:07.560 --> 18:10.920
we create the conditions
for them to happen.

18:10.920 --> 18:12.600
We take our time.

18:12.600 --> 18:15.360
We have the freedom to start and stop,

18:15.360 --> 18:17.880
to follow the threads of a story,

18:17.880 --> 18:20.480
to meet people we didn't
know we were looking for

18:20.480 --> 18:23.080
in a city we had never heard of.

18:23.080 --> 18:27.000
[upbeat guitar music]

18:27.000 --> 18:29.280
Taking the time to learn something,

18:29.280 --> 18:31.360
to understand something.

18:31.360 --> 18:34.080
And then suddenly, the discovery,

18:34.960 --> 18:37.400
the moment when understanding,

18:37.400 --> 18:41.280
emotion, sound and image come together

18:41.280 --> 18:43.520
to create something worth waiting for

18:43.520 --> 18:45.360
and searching for so hard.

18:46.680 --> 18:48.920
Route One is just a highway.

18:48.920 --> 18:51.480
It's just a way to get somewhere.

18:51.480 --> 18:54.440
It's a way to organize
that journey into the heart

18:54.440 --> 18:56.160
of America itself.

18:56.160 --> 19:00.160
[upbeat guitar music continues]

19:05.720 --> 19:09.000
[rubber band twanging]

19:20.800 --> 19:24.000
[upbeat brass instrumental music]

19:24.000 --> 19:26.840
[photos rustling]

19:38.680 --> 19:41.840
[photos rustling continues]

19:41.840 --> 19:45.840
[upbeat brass instrumental
music continues]

19:45.840 --> 19:49.520
[photos rustling continues]

19:59.240 --> 20:03.400
[upbeat brass instrumental music]

20:06.280 --> 20:09.960
[photos rustling continues]

20:17.920 --> 20:22.000
[vehicle horns honking]

21:22.640 --> 21:25.560
We entered deeply into an area.

21:25.560 --> 21:28.240
We begin to get swamped with the overlays,

21:28.240 --> 21:29.960
the density of material,

21:29.960 --> 21:31.880
the possibility of exploration,

21:32.800 --> 21:34.920
and simply choose to withdraw,

21:34.920 --> 21:38.440
to move on and show this
withdrawal in the movie,

21:38.440 --> 21:41.960
believing that it is
part of what road means.

21:41.960 --> 21:44.280
That everything can't be integrated.

21:44.280 --> 21:46.440
There's no container large enough,

21:46.440 --> 21:48.480
no form large enough.

21:50.640 --> 21:53.080
[color bar beeping]

21:53.080 --> 21:55.760
[conveyor belt rumbling]

21:55.760 --> 21:58.840
[scissors snipping]

22:22.920 --> 22:26.120
[conveyor belt rumbling continues]

22:26.120 --> 22:29.960
[scissors snipping continues]

22:32.640 --> 22:35.200
How long have you been doing this work?

22:35.200 --> 22:38.240
About 17 years.

22:38.240 --> 22:39.880
Excuse me, I didn't hear?

22:39.880 --> 22:41.480
About 17 years

22:41.480 --> 22:43.800
[conveyor belt rumbling continues]

22:43.800 --> 22:47.720
[scissors snipping continues]

23:36.880 --> 23:40.120
[conveyor belt rumbling]

23:40.120 --> 23:43.200
[scissors snipping]

23:52.040 --> 23:53.920
[conveyor belt rumbling continues]

23:53.920 --> 23:57.160
[scissors snipping continues]

23:57.160 --> 24:00.400
[box latches clanging]

24:00.400 --> 24:03.320
[box lid thudding]

24:14.160 --> 24:17.000
[camera clanging]

25:52.240 --> 25:55.400
[train horn blowing]

25:55.400 --> 25:59.680
[train clackety-clacking on rails]

26:15.360 --> 26:20.360
[train clackety-clacking
on rails continues]

26:35.400 --> 26:40.400
[train clackety-clacking
on rails continues]

26:55.400 --> 26:59.520
[train clackety-clacking
on rails continues]

26:59.520 --> 27:01.520
Hey.
[people laughing]

27:01.520 --> 27:02.520
Make my day.

27:04.480 --> 27:08.960
[people speaking in foreign language]

27:21.760 --> 27:24.880
Yeah, I tried to keep it
much sky end as I could.

27:24.880 --> 27:28.560
I ended up shooting underneath
the tree stumps and stopping.

27:29.400 --> 27:30.960
Sorry, I mean,

27:30.960 --> 27:34.120
we were both trying to do
the same thing everywhere.

27:34.120 --> 27:37.040
[gravel rustling]

27:38.600 --> 27:42.960
[person speaking in French]

27:42.960 --> 27:45.600
It would shoot it 40 frames per second.

27:45.600 --> 27:49.440
[people chatting in distance]

27:58.840 --> 28:01.560
[device beeping]

28:02.880 --> 28:05.760
Six frames per second.

28:05.760 --> 28:09.040
[device beeping]

28:09.040 --> 28:12.160
51,000.
[person chuckling]

28:12.160 --> 28:14.080
I'm lying for the other crew too.

28:14.080 --> 28:15.400
[person chuckling]

28:15.400 --> 28:17.280
The documentary crew here.

28:17.280 --> 28:18.480
Okay, let's cut it

28:18.480 --> 28:20.040
and let's do one more shot
and run the film line.

28:20.040 --> 28:21.240
I got another idea here [indistinct].

28:21.240 --> 28:23.040
I love it.
[people smirking]

28:23.040 --> 28:26.120
[device beeping]

28:26.120 --> 28:27.760
Films with no light at all.

28:27.760 --> 28:29.280
It's very tough.

28:29.280 --> 28:31.400
Invisible films made with no light.

28:31.400 --> 28:32.640
[person chuckling]

28:32.640 --> 28:35.400
[device beeping]

28:36.920 --> 28:37.880
[Robert swallowing]
[glass thudding]

28:37.880 --> 28:38.720
Oh, God.

28:41.000 --> 28:45.560
[Richard speaking in foreign language]

29:42.680 --> 29:43.720
Stop the killing.

29:43.720 --> 29:45.320
Father, they smell.

29:45.320 --> 29:47.800
The death that's in the
place when they walk out.

29:47.800 --> 29:48.760
Keep the babies in God,

29:48.760 --> 29:49.920
not kill them today.

29:49.920 --> 29:51.960
We cry out to You, Father.

29:51.960 --> 29:54.480
We cry out to You for those women, Father.

29:54.480 --> 29:57.000
They're facing this decision.

29:57.000 --> 30:00.200
And we pray for the sons
and daughters unto devils.

30:00.200 --> 30:02.960
They sacrifice their sons and daughters,

30:02.960 --> 30:04.200
not the devil.

30:04.200 --> 30:06.600
[Protestor Leader] And the
land was polluted with blood.

30:06.600 --> 30:08.840
And the land was polluted with blood.

30:09.920 --> 30:13.080
I saw them out there
as I came down the road

30:13.080 --> 30:17.760
and it just reminds me of
being surrounded and battled,

30:17.760 --> 30:20.960
trying to do your work.

30:20.960 --> 30:23.600
I hear so much hatred in their voices and

30:24.840 --> 30:27.080
because they call out my name,

30:27.080 --> 30:29.160
I can't help but feel personal.

30:29.160 --> 30:31.440
So I can't help responding

30:31.440 --> 30:35.040
by thinking about them
personally sometimes and just

30:35.040 --> 30:37.280
where does that hatred come from?

30:37.280 --> 30:39.120
[vehicle engines humming by]

30:39.120 --> 30:41.200
I think for some of the women out there

30:41.200 --> 30:42.840
that it's a self-hatred.

30:44.080 --> 30:46.400
I remember just thinking about

30:46.400 --> 30:48.000
[protestors chanting]

30:48.000 --> 30:50.920
what else I could think
about besides listen to them

30:52.000 --> 30:54.840
and just trying to talk to them and

30:56.400 --> 30:58.800
just afterwards being filled with

31:00.240 --> 31:03.360
feelings of hatred of my own
of what I wanted to do to them

31:03.360 --> 31:07.640
and just how angry that makes
me feel and just helpless.

31:07.640 --> 31:10.760
So I don't wanna be like them.

31:10.760 --> 31:13.680
I don't wanna be like them.
♪ This work is shameful ♪

31:13.680 --> 31:17.400
♪ And I'm amazed that you
don't find it painful ♪

31:17.400 --> 31:18.280
[protestors clapping in tandem]

31:18.280 --> 31:23.280
♪ Abortion, abortion is
slaughter of the innocent ♪

32:19.200 --> 32:21.720
Dear Richie.

32:21.720 --> 32:25.120
I'm beginning to feel
a film form strongly.

32:25.120 --> 32:26.960
I have a sense of it.

32:26.960 --> 32:30.200
It's helped to have Doc back
again as a pair of eyes,

32:30.200 --> 32:32.720
mind you, as a consciousness,

32:32.720 --> 32:35.080
not as their hanger to hang the film on

32:35.080 --> 32:37.200
or back to carry it around,

32:37.200 --> 32:38.520
if you get what I mean.

32:39.760 --> 32:41.400
You're concerned, Richie,

32:41.400 --> 32:45.040
not to use their character
to enhance a documentary.

32:45.040 --> 32:46.160
No.

32:46.160 --> 32:48.960
The key idea is that like the filmmaker,

32:48.960 --> 32:50.160
all of the movie,

32:50.160 --> 32:53.760
every bit of it is a reflection
of his consciousness,

32:53.760 --> 32:55.400
whether we see him or not.

32:56.280 --> 32:58.560
Therefore, all is narrative,

32:58.560 --> 33:00.400
all is dramatic,

33:00.400 --> 33:01.680
but in a different way.

33:02.640 --> 33:05.640
It is a structure that
basically makes our point about

33:05.640 --> 33:08.120
documentaries in another way.

33:08.120 --> 33:09.600
They're not objective.

33:09.600 --> 33:13.280
They're not more or less
true than so-called fictions.

33:13.280 --> 33:15.480
They're only involved with experience,

33:15.480 --> 33:19.680
data with the observable
world in a different way.

33:19.680 --> 33:23.360
They are a document as a
fiction film of how the people

33:23.360 --> 33:25.440
who make them live them, see.

33:32.320 --> 33:35.240
[vehicles humming]

34:13.760 --> 34:16.520
[machines whirring]

34:25.040 --> 34:26.960
[film projector clicking]

34:26.960 --> 34:29.400
[film projector squeaking]

34:29.400 --> 34:32.120
[film rustling]

34:52.720 --> 34:55.160
[film projector cover clicking]

34:55.160 --> 34:58.160
[film projector whirring]

35:33.800 --> 35:36.480
[color bars buzzing]

36:13.840 --> 36:15.400
[color bars buzzing]

36:15.400 --> 36:16.560
[film projector clicking]

36:16.560 --> 36:18.920
[film projector whirring]

36:18.920 --> 36:23.080
[film projector clicking]

36:23.080 --> 36:26.960
[crickets chirping]
[birds chirping]

36:26.960 --> 36:30.080
[vehicle humming by]

36:31.080 --> 36:35.720
[crickets chirping]
[birds chirping]

36:35.720 --> 36:38.800
[vehicle humming by]

36:39.800 --> 36:44.800
[crickets chirping]
[birds chirping]

36:47.520 --> 36:50.600
[vehicle humming by]

36:53.000 --> 36:57.200
[crickets chirping]
[birds chirping]

37:10.160 --> 37:12.920
[photo rustling]

37:28.360 --> 37:32.000
[photo rustling]

37:32.000 --> 37:36.240
I'd like the filming
to be quite emotional.

37:36.240 --> 37:38.840
I mean, it's not only--
The shoot itself.

37:38.840 --> 37:42.080
The shoot itself should be emotional.

37:42.080 --> 37:42.920
[Richard affirming]

37:42.920 --> 37:46.280
That for me is what I
like in doing movies.

37:46.280 --> 37:47.960
It's a group thing.

37:47.960 --> 37:50.120
So it's like it's a group.

37:50.120 --> 37:51.000
There are a lot of things,

37:51.000 --> 37:52.920
a lot of relations between people.

37:52.920 --> 37:53.760
I like that.

37:54.680 --> 37:56.880
It's a kind of adventure
because you start,

37:56.880 --> 37:58.560
you don't really know.

37:58.560 --> 38:00.040
You might think you know

38:00.040 --> 38:02.000
but generally it's a kind of adventure.

38:04.360 --> 38:07.040
I mean, what I like is that if it's good,

38:08.080 --> 38:10.360
you can really get
emotional while working,

38:10.360 --> 38:12.280
[Richard affirming]
which is like a privilege,

38:12.280 --> 38:14.640
which is something I like very much.

38:15.640 --> 38:20.080
And maybe I feel that with
women it's generally easier

38:20.080 --> 38:22.400
to get to that way of working.

38:22.400 --> 38:24.120
Maybe because of a difference

38:24.120 --> 38:26.760
around the question of competition, also?

38:26.760 --> 38:28.000
About competition.
Ego. Ego.

38:28.000 --> 38:30.120
About not being the macho and I'm better

38:30.120 --> 38:31.840
and I'm the better technician
and things like that,

38:31.840 --> 38:33.560
which I hate.
Right.

38:33.560 --> 38:36.160
Or also because, yeah.

38:39.360 --> 38:41.480
It's supposed to be more of,

38:41.480 --> 38:42.760
in the world of women,

38:42.760 --> 38:44.520
the idea of working with your emotions

38:44.520 --> 38:46.680
and your feeling and things like that.

38:46.680 --> 38:48.680
And I kind of relate

38:49.920 --> 38:52.240
in an easier way.

38:52.240 --> 38:53.680
I felt at some point

38:53.680 --> 38:55.800
during the shoot in Portugal

38:55.800 --> 38:58.080
that I was the woman for all you men.

38:58.920 --> 38:59.920
I'm very into that.

38:59.920 --> 39:02.280
I mean, the woman part of me is a lot,

39:02.280 --> 39:04.840
the part of me that makes things.

39:04.840 --> 39:06.960
I think that's true.

39:06.960 --> 39:08.720
It has nothing to do with desire.

39:08.720 --> 39:10.320
No. No. No. No. No.

39:10.320 --> 39:12.040
But it does have to do
with the relationship,

39:12.040 --> 39:14.120
even a flirting relationship and a loving.

39:14.120 --> 39:16.560
I mean that's exactly what we had.

39:16.560 --> 39:17.880
And the way you came.

39:17.880 --> 39:19.440
I mean, I was really down

39:19.440 --> 39:21.520
and unhappy for totally other reasons.

39:21.520 --> 39:23.560
And the way you came to me saying,

39:23.560 --> 39:25.080
"Is it because of me?"

39:25.080 --> 39:26.320
Right. That's me.
It was, okay,

39:26.320 --> 39:28.200
it's the paranoia was speaking,

39:28.200 --> 39:30.280
but I know it's the way I think,

39:30.280 --> 39:31.360
am I hurting you?

39:31.360 --> 39:32.240
Did I hurt you?

39:35.120 --> 39:37.440
Are my feelings hurting your feelings?

39:37.440 --> 39:39.040
It's a way of relating to people,

39:39.040 --> 39:41.880
which is not the usual man to man.

39:41.880 --> 39:43.320
Right. Not at all.
You know, that issue.

39:43.320 --> 39:44.600
Not at all.
That's the truth.

39:44.600 --> 39:47.400
That's probably why I like
a lot working with you.

39:47.400 --> 39:48.240
Yeah.

39:48.240 --> 39:49.800
That a feeling I had in other films,

39:49.800 --> 39:53.600
I mean, not only in
Portugal that's for sure.

39:53.600 --> 39:55.160
That's beautiful light.

39:55.160 --> 39:57.040
I'm very surprised.

39:57.040 --> 39:58.760
I mean, how can you tell in video?

39:58.760 --> 39:59.760
[Robert smirking]
It's so weird.

39:59.760 --> 40:01.000
Yeah, right now.

40:01.000 --> 40:04.920
Or is it later?
[people laughing]

40:04.920 --> 40:06.160
Good.

40:06.160 --> 40:07.200
Okay, thank you then.

40:08.440 --> 40:11.400
Fellas, are you becoming
citizens back there?

40:11.400 --> 40:13.080
Sit in the row please.

40:14.160 --> 40:15.600
Sir, are you becoming a citizen?

40:15.600 --> 40:16.440
Why are you in here?

40:16.440 --> 40:18.000
You're supposed to be
waiting out with the rest

40:18.000 --> 40:19.560
of the nice people out there.

40:19.560 --> 40:21.080
Okay, whatever the case.

40:21.080 --> 40:21.920
Okay, gotcha.

40:21.920 --> 40:23.400
Thank you very much.

40:23.400 --> 40:24.440
I made the exception.

40:27.120 --> 40:28.320
When I ask

40:29.800 --> 40:30.720
the rest of the people,

40:30.720 --> 40:32.520
the remaining friends and relatives,

40:32.520 --> 40:35.720
when I say I want all the women
seated as much as possible,

40:35.720 --> 40:38.760
the gentlemen sitting in the seats

40:38.760 --> 40:39.840
that are becoming citizens,

40:39.840 --> 40:42.280
do not relinquish your seats, please.

40:43.280 --> 40:44.120
For the guests,

40:44.120 --> 40:46.080
I want the males to stand up, the guests,

40:46.080 --> 40:47.640
and seat as many women as possible.

40:47.640 --> 40:49.800
But as far as citizenship goes,

40:49.800 --> 40:52.440
you guys stay in your seats.

40:52.440 --> 40:53.400
Okay, then finally,

40:53.400 --> 40:55.440
we all understand.
Yes.

40:56.360 --> 40:57.800
You like this, Richie?

40:57.800 --> 40:59.720
What, do you like it a lot?

40:59.720 --> 41:00.880
A little bit more?
More.

41:00.880 --> 41:02.120
We are on film, gang.

41:02.120 --> 41:03.160
It's very real. Let's go.

41:03.160 --> 41:04.080
Yes.
Yes.

41:05.080 --> 41:06.200
We could do it.

41:06.200 --> 41:07.800
"To any foreign prince."

41:07.800 --> 41:09.520
"Potentate."
"Potentate."

41:09.520 --> 41:10.960
"The state."
"The state."

41:10.960 --> 41:13.080
"Or sovereignty."
"Or sovereignty."

41:13.080 --> 41:15.720
"Of whom or which."
"Of whom or which."

41:15.720 --> 41:18.360
"I have heretofore."
"I have heretofore."

41:18.360 --> 41:21.840
"Been a subject or citizen."
"Been a subject or citizen."

41:21.840 --> 41:23.480
"That I will support and defend."

41:23.480 --> 41:25.440
"That I will support and defend."

41:25.440 --> 41:27.040
"The Constitution and the laws."

41:27.040 --> 41:28.800
"The Constitution and the laws."

41:28.800 --> 41:30.560
"Of the United States of America."

41:30.560 --> 41:34.720
Of the United States of America."

42:01.760 --> 42:03.240
Congratulations.

42:28.720 --> 42:33.720
[washing machine whirring]
[laundry splatting]

42:57.040 --> 43:02.040
[washing machine whirring]
[laundry splatting]

43:13.080 --> 43:14.280
[washing machine whirring]
[laundry splatting]

43:14.280 --> 43:18.960
[relaxing classical instrumental music]

43:27.160 --> 43:31.160
[narrator 4 speaking in French]

43:47.280 --> 43:51.280
[narrator 4 speaking in French]

43:56.240 --> 44:01.240
[relaxing classical
instrumental music continues]

44:07.640 --> 44:11.640
[narrator 4 speaking in French]

44:25.920 --> 44:29.920
[narrator 4 speaking in French]

44:51.680 --> 44:55.680
[narrator 4 speaking in French]

45:11.280 --> 45:13.920
[waves gushing]

45:21.120 --> 45:25.120
[narrator 4 speaking in French]

45:34.360 --> 45:37.080
[waves gushing]

45:43.040 --> 45:45.080
[narrator 4 speaking in French]

45:45.080 --> 45:47.840
[birds chirping]

46:03.000 --> 46:06.600
[birds chirping]

46:06.600 --> 46:08.320
[narrator 4 speaking in French]

46:08.320 --> 46:12.320
[somber instrumental music]

46:12.320 --> 46:15.080
[water dripping]

46:26.560 --> 46:31.560
[film projector whirring]
[film reel clanging]

46:46.440 --> 46:51.440
[film projector whirring]
[film reel clanging]

47:00.840 --> 47:03.320
Eventually all these movies will make

47:03.320 --> 47:05.200
up one long film,

47:05.200 --> 47:08.160
one story in a continuous
process of becoming,

47:09.400 --> 47:11.840
a detailed account of
a consciousness moving

47:11.840 --> 47:13.240
through time and place,

47:13.240 --> 47:15.000
trying to survive,

47:15.000 --> 47:18.360
trying to find an appropriate
home and throughout it all,

47:18.360 --> 47:19.800
living with images,

47:19.800 --> 47:24.040
with film form as the
one continuous practice

47:24.040 --> 47:26.160
that unified this project.

47:26.160 --> 47:29.680
[film reel whirring]

47:29.680 --> 47:32.560
Perhaps the long film will have chapters.

47:33.560 --> 47:34.400
In that case,

47:34.400 --> 47:35.240
the work from 1965 to 1977
will make up chapter one,

47:35.240 --> 47:40.160
"The New World".

47:41.880 --> 47:44.160
Chapter two, eight movies made abroad

47:44.160 --> 47:47.640
between 1980 and 1987 we can just call,

47:47.640 --> 47:48.880
"Running", for now.

47:50.760 --> 47:51.600
And chapter three,

47:51.600 --> 47:54.600
I don't know what to call it yet.

47:54.600 --> 47:57.680
[film reel whirring]

48:00.080 --> 48:03.600
[film projector clicking]

48:09.920 --> 48:14.240
[film projector clicking continues]

48:45.400 --> 48:47.760
[relaxing bass instrumental music]

48:47.760 --> 48:50.240
[Richard speaking in French continues]

48:50.240 --> 48:52.840
[dog barking]

49:34.120 --> 49:37.120
[upbeat jazz music]

49:53.320 --> 49:57.160
[upbeat jazz music continues]

50:12.880 --> 50:16.720
[upbeat jazz music continues]

50:32.920 --> 50:36.760
[upbeat jazz music continues]

50:52.920 --> 50:56.760
[upbeat jazz music continues]

51:11.120 --> 51:14.960
[upbeat jazz music continues]

51:36.760 --> 51:40.600
[upbeat jazz music continues]

52:06.960 --> 52:10.800
[upbeat jazz music continues]

52:26.960 --> 52:30.800
[upbeat jazz music continues]

54:16.600 --> 54:19.760
[jackhammer clanging]

54:40.480 --> 54:43.040
[jackhammer clanging continues]

54:47.520 --> 54:51.600
[jackhammer clanging continues]

55:07.400 --> 55:11.400
[jackhammer clanging continues]

55:15.680 --> 55:18.680
[photos rustling]

55:18.680 --> 55:21.080
Now, 23 years later,

55:21.080 --> 55:23.560
I'm here again and again to make this film

55:23.560 --> 55:26.440
that will be called "Starting Place".

55:26.440 --> 55:28.360
Not really about Vietnam,

55:28.360 --> 55:30.520
but about the passing of time,

55:30.520 --> 55:33.640
about forgetting the great
changes that have taken place

55:33.640 --> 55:36.000
and about how hope for better days

55:36.000 --> 55:38.280
has turned into something else.

55:39.640 --> 55:42.960
But this film will not
be bitter or nostalgic.

55:42.960 --> 55:45.520
Rather, it will hover around a void,

55:45.520 --> 55:47.400
a lack in our lives.

55:47.400 --> 55:50.440
I think I am making a film about absence

55:50.440 --> 55:53.200
and my own inability
to answer the question,

55:54.400 --> 55:58.080
why continue to get up every
day and fight stupidity,

55:58.920 --> 56:02.120
for what individual or collective benefit,

56:02.120 --> 56:05.200
only to survive or to keep fighting?

56:05.200 --> 56:06.600
[photo rustling]

56:06.600 --> 56:09.920
This question is not just about Vietnam.

56:35.320 --> 56:39.880
[Linda smirking]
[Linda sniffing]

56:39.880 --> 56:40.720
I don't know.

56:40.720 --> 56:45.600
That's one of the things about
taking responsibility in here

56:46.960 --> 56:49.480
to try to be a positive force

56:50.760 --> 56:51.880
is that

56:55.160 --> 57:00.040
when any of us cut ourselves
off from people on the outside

57:00.040 --> 57:02.080
that are trying to do the same thing,

57:02.080 --> 57:05.560
[Linda inhaling deeply]

57:05.560 --> 57:08.920
it's a way of being resigned to something

57:08.920 --> 57:10.520
that we shouldn't be resigned to

57:12.120 --> 57:14.320
as far as their power over us

57:14.320 --> 57:18.000
and their ability to isolate us, you know.

57:19.520 --> 57:21.960
[Linda sniffing]
Yeah.

57:22.800 --> 57:24.600
Just philosophically, that's the balance,

57:24.600 --> 57:28.600
that's the struggle for me is balancing

57:29.760 --> 57:33.680
living here
[Linda tapping finger]

57:38.440 --> 57:41.000
and still trying to take responsibility

57:41.000 --> 57:47.560
for a larger vision and
connections to the world

57:47.720 --> 57:49.200
and to people outside,

57:49.200 --> 57:51.880
and trying to communicate with them

57:51.880 --> 57:56.320
with you what life in prison is all about.

57:58.440 --> 58:01.200
[Linda sniffing]

58:11.040 --> 58:12.480
[Linda sniffing]

58:12.480 --> 58:14.560
It's impossible to be disattached

58:14.560 --> 58:17.280
[Linda laughing]

59:30.360 --> 59:31.840
[whistle blowing]

59:31.840 --> 59:34.400
[horn blowing]

59:35.400 --> 59:40.160
[sneakers squeeking]
[ball thudding on racket]

01:00:40.960 --> 01:00:44.400
[vehicle engine humming]

01:00:51.120 --> 01:00:54.360
[vehicle hummings by]

01:01:27.640 --> 01:01:30.800
[vehicles humming by]

01:02:06.640 --> 01:02:09.160
[vehicle engine humming]

01:02:13.920 --> 01:02:17.200
[truck brakes hissing]

01:02:19.080 --> 01:02:22.320
[vehicles humming by]

01:03:18.520 --> 01:03:21.280
[book rustling]

01:03:25.640 --> 01:03:28.480
[paper rustling]

01:05:23.520 --> 01:05:26.600
[motorboat whirring]

01:05:28.200 --> 01:05:30.880
[door clanging]

01:05:33.840 --> 01:05:36.560
[waves swishing]

01:05:43.040 --> 01:05:48.040
[birds chirping]
[crickets chirping]

01:06:12.880 --> 01:06:17.880
[birds chirping]
[waves swishing]

01:06:34.480 --> 01:06:39.480
[waves swishing]
[birds chirping]

01:06:50.160 --> 01:06:55.160
[waves swishing]
[birds chirping]

01:07:02.360 --> 01:07:05.720
I will always try to
understand you, Diana.

01:07:05.720 --> 01:07:08.520
I'll always try to let you
know what I'm thinking.

01:07:08.520 --> 01:07:10.200
I'll always try to support you.

01:07:11.520 --> 01:07:14.160
I will always try to successfully blend

01:07:14.160 --> 01:07:16.800
our lives together with enough freedom.

01:07:16.800 --> 01:07:18.920
[Diana chuckling]
[Junior smirking]

01:07:18.920 --> 01:07:21.320
Enough freedom to grow as individuals,

01:07:21.320 --> 01:07:23.280
and that's all I remember.

01:07:23.280 --> 01:07:27.120
That's all you remember?
That's how almost all of it.

01:07:27.120 --> 01:07:29.000
[footsteps plodding on floor]

01:07:29.000 --> 01:07:32.800
I'm not gonna say my line.
[Junior rejecting]

01:07:32.800 --> 01:07:33.840
Why don't we try it again

01:07:33.840 --> 01:07:36.160
and see if that's all
Junior could remember.

01:07:37.200 --> 01:07:38.040
Okay.
Me? Me?

01:07:38.920 --> 01:07:39.760
Yeah.
Yeah.

01:07:42.320 --> 01:07:45.440
I will strive for my own goals
and help you achieve yours.

01:07:45.440 --> 01:07:48.240
I will always try to
understand you, Diana.

01:07:48.240 --> 01:07:51.440
I will always try to let you know.

01:07:51.440 --> 01:07:53.520
[Junior chuckling]
Come on, Junior.

01:07:53.520 --> 01:07:56.760
Junior, you can. Come on.

01:07:56.760 --> 01:07:58.200
I will always try to support you.

01:07:58.200 --> 01:08:02.880
I will always try.
[Junior stuttering]

01:08:02.880 --> 01:08:04.560
There I go. I stuttered already.

01:08:04.560 --> 01:08:05.640
I stuttered.
[Diana chuckling]

01:08:05.640 --> 01:08:06.600
I can't believe it.
[Diana chuckling]

01:08:06.600 --> 01:08:09.120
Would you concentrate on the wedding?

01:08:09.120 --> 01:08:11.320
All right.
Please?

01:08:11.320 --> 01:08:12.480
I was until before.

01:08:12.480 --> 01:08:14.720
Okay, you wanna do it again?

01:08:14.720 --> 01:08:16.480
You still rolling?
Yeah.

01:08:16.480 --> 01:08:17.640
[Junior breathing deeply]

01:08:17.640 --> 01:08:19.080
I will strive for my own goals

01:08:19.080 --> 01:08:20.280
and help you achieve yours.

01:08:20.280 --> 01:08:23.640
I will always try to let
you know what I am thinking.

01:08:23.640 --> 01:08:25.920
I'll always try to support you.

01:08:25.920 --> 01:08:28.800
I'll always try to successfully blend

01:08:28.800 --> 01:08:31.000
our lives together with enough freedom

01:08:31.880 --> 01:08:34.160
and to grow as individuals.

01:08:34.160 --> 01:08:36.720
I have never thought I
found the right person

01:08:36.720 --> 01:08:38.720
to love until I met you.

01:08:38.720 --> 01:08:40.760
And since I have always thought

01:08:40.760 --> 01:08:43.640
that love is the most
important part of my life,

01:08:43.640 --> 01:08:45.080
I want our love to last.

01:08:46.040 --> 01:08:49.400
So I will try my hardest
at all times to be fair

01:08:49.400 --> 01:08:52.360
and honest with you and
to love you forever.

01:08:53.640 --> 01:08:56.360
I will always love you
with special regardless

01:08:56.360 --> 01:08:59.200
of what event occur in our lives.

01:08:59.200 --> 01:09:00.880
I will always love you

01:09:00.880 --> 01:09:03.240
and respect you for the rest of my life.

01:09:03.240 --> 01:09:06.480
[relaxing piano music]

01:09:11.120 --> 01:09:14.280
[dramatic bass music]

01:09:26.000 --> 01:09:29.560
[device button clicking]

01:09:29.560 --> 01:09:31.600
[chair wheels clicking]

01:09:31.600 --> 01:09:35.600
[dramatic bass music continues]

01:09:36.840 --> 01:09:38.880
[device button clicking]
[device whirring]

01:09:38.880 --> 01:09:42.320
[device button clicking]

01:09:49.240 --> 01:09:53.240
[dramatic bass music continues]

01:09:58.640 --> 01:10:01.960
[chair wheels clicking]

01:10:03.520 --> 01:10:05.200
[device button clicking]

01:10:05.200 --> 01:10:08.760
[Richard clicking fingers]

01:10:10.000 --> 01:10:14.000
[dramatic bass music continues]

01:10:16.600 --> 01:10:20.120
[film projector whirring]

01:10:23.120 --> 01:10:28.120
[barge rumbling]
[waves gushing]

01:10:45.120 --> 01:10:50.120
[barge rumbling]
[waves gushing]

01:11:30.040 --> 01:11:32.800
[waves swishing]

01:11:49.960 --> 01:11:52.720
[waves swishing]

01:11:57.040 --> 01:12:00.040
[upbeat jazz music]

01:12:17.000 --> 01:12:20.840
[upbeat jazz music continues]

01:12:36.960 --> 01:12:40.800
[upbeat jazz music continues]

01:12:57.000 --> 01:13:00.800
[upbeat jazz music continues]

01:13:16.960 --> 01:13:20.800
[upbeat jazz music continues]